HAYLEY BEFORE PERFORMING MISERY BUSINESS Syracuse, NY | x

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HAYLEY BEFORE PERFORMING MISERY BUSINESS Syracuse, NY | x

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Paramore Emergency | 2005
FRIENDS (1994-2004) 6.13 The One with Rachel's Sister
the worst part of "you'll understand when you're older" is that you really do understand when you're older
The second worst part is, once you get older, you find yourself saying "you'll understand when you're older" with Full Comprehension of how fucking annoying you're being right now, but also knowing that it's all you can say.

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It's been almost five years since The Haunting of Hill House came out on Netflix. And it has irrevocably changed my life.
The depiction of grief. Addiction. Depression. Loss. Identity. Family relationships. Family dynamics. Healing your inner child. Having to deal with your inner child. The fact that in some ways you never really grow up, you're that exact same person inside that is dealing with all these increasingly complex and difficult things, trying hard to not let the child in you react because you know it shouldn't.
Thinking about Theo taking her gloves off. Nell going to therapy, putting in work, and still having her demons chase her around all the way to the end. Shirley's entire life and career being based around wanting to help people in their darkest moments the way someone helped her (though isn't that what they all do, too? Especially Theo). Luke as the youngest, being left behind or not believed and eventually having to find ways to self-soothe, which as an adult are not as health-friendly as other options out there. But it's what he had to do to cope. And Steve... everyone knows a Steve.
I know people have commented before about the five Crain siblings and the five stages of grief. But they also each experience those themselves, and in some ways the five of them simply display how much grief and living can do to a person. Juxtaposing the entire modern part of the series with them as children reminded me how much the things I do now can also be drawn back to little Me. The decisions I make, what scares me, who I reach out to. What haunts me? I may not have a big scary terrifying Death House in my past, but I mean... we've all got our version of a big scary terrifying Death House.
The tragedy of Hill House, the complicated love that's shown, the connections and relationships we have with our families, the world, ourselves. I cannot, will not, should not, would not forget it.
“I’m turning forty in August. Three kids, full time job. All my kids are under the age of seven. The amount of mental energy it takes, you know, juggling all of them and the constant questions about nothing. I mean, mom is busy, please, just give me a second. My husband tells me that it’s just the season we’re in. We’ll get back to it. But I just want it to slow down so I can pause and breathe. Everything just changes so fast, you know? When you’re a little kid, and you turn into a teenager, it’s like: ‘Oh, I’m changing now.’ But you’ve been coached. You’re prepared for it. Then you go from teenager to college. That’s a big change. Then from college into your twenties, still changing. But at some point you kinda feel like I’m an adult, and I’m done. But you just keep going. It’s like oh shit, no, no, I’m going to keep changing. And these aren’t like the earlier changes. These aren’t the ones you get to plan for. Well some of them are, like: ‘We’re moving to a new place.’ Or ‘I’m going to get a new job.’ Those you can be ready for. But as you get older shit starts getting thrown at you that you’re not planning for. Dodgeballs. And you’ve just got to pivot. And all of the sudden you realize, that moment in time, right before the dodgeball, that was the last time you saw the old you. And you didn’t even get to say goodbye.”

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“Just the other day a video popped up on Facebook. It was only five years ago. We were in the park. I was pushing her on the bike, letting go. We used to have so much fun together. We’d always get ice cream. She’s a strawberry girl. I’m a vanilla guy. Chipwich, actually. I’m a Chipwich guy. She’d give me a hug afterward, tell me I was the best dad ever. We were such good friends. But now it feels like we’re so far apart. She doesn’t want to talk to me anymore. Even when she’s upset, she’ll ignore me and go to her room. It’s like: C’mon. I was fifteen too. I know what it’s like. But she’ll come back, I know that. They always come back. But it does feels like you’re getting your heart ripped out a little bit. But look, I get it. She’s figuring out life. You have to back off. You have to give them space. Cause if you charge after them and get all aggressive about it, you might push them away forever. But they always come back, right? One day she’s gonna realize that I’m not the enemy and I’m really her dad, her friend. I still get a flicker of it, every once in awhile. We had a really surreal moment last year. Her birthday is March 17th. She’s a St. Paddy’s Day birthday. We always take her to a Spanish restaurant on Long Island, but this time we did something special. Her uncle used to be a bodyguard for Taylor Swift, and we still know some people at the company. So they got us tickets to her concert. Fifth row seats. I mean, don’t get me wrong. We paid for them, but fifth row center. She was crying. I got a big hug. A big kiss. A ‘Thank you, Dad.’ It wasn’t ‘You’re the best dad ever.’ But it was a really big: ‘Thank you, Dad.’”
Harry Potter and the Philosopher’s Stone (2001) dir. Chris Columbus
Lilo & Stitch (2002) dir. Chris Sanders and Dean DeBlois

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SCREAM (1996)