GENA ROWLANDS | LOVE STREAMS (1984) DIR. BY JOHN CASSAVETES
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GENA ROWLANDS | LOVE STREAMS (1984) DIR. BY JOHN CASSAVETES

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Now, when two employees get married, it is my job to make sure that the employee is not receiving favoritism from his or her boss.
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Summer Interlude (1951, dir. Ingmar Bergman)

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I've changed that was four reblogs ago
By the way, Kelly Kilpatrick thinks I'm gay and you're my secret wife, so we have to spend the weekend pretending to be lesbian lovers. HACKS | 5.06 & 5.07
Scorpio Rising (1963) Dir. Kenneth Anger

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you're just as lonely as i am
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I’ll never have guidelines then, she thought some months after marrying. I slide from one truth to the next, always forgetting the first, always dissatisfied. Her life was made up of complete little lives, of whole, closed circles, which isolated themselves from one another. Except that at the end of each, instead of dying and beginning life on another plane, inorganic or lower organic, Joana started over on the same human plane. Just different fundamental notes. Or just different supplementary ones, and the basic ones forever the same?
It was always useless to have been happy or unhappy. And even to have loved. No happiness or unhappiness had been so strong that it had transformed the elements of her matter, giving her a single path, as the truth path must be. I carry on always inaugurating myself, opening and closing circles of life, tossing them aside, withered, full of past. Why so independent, why don’t they merge into just one block, providing me with ballast? Fact was they were too whole. Moments so intense, red, condensed in themselves that they didn’t need past or future in order to exist. They brought a knowledge that didn’t serve as experience—a direct knowledge, more like sensation than perception. The truth then discovered was so much the truth that it couldn’t subsist except in its recipient, in the actual fact that had provoked it. So true, so fatal, that it only revolves around its matrix. Once the moment of life is over, the corresponding truth is also drained. I cannot mold it, make it inspire other instants the same as it. Nothing therefore binds me.
Clarice Lispector, Near to the Wild Heart, trans. Alison Entrekin