Hi, WGA strike captain here, and I just want to say that the other unions taking contracts is NOT disappointing news. I feel like a lot of people are forgetting that the point of this isn’t to take a strike, it’s to get a good deal.
DGA, we can quibble over whether it’s a good deal or not. (I personally think everyone got too excited about a triple strike summer and forgot that the DGA was simply never going to strike)
But SAG-AFTRA? They got an absolutely killer strike authorization vote. They walked into negotiations with a loaded gun. That plus the fact that with everything shut down most actors aren’t working right now anyway, their leadership is incentivized to hold out for a deal with everything they want in it. Many of those demands overlap with ours, especially concerns about AI, which SAG membership is VERY fired up about.
If SAG gets a great deal with everything they want, then that’s GOOD for us. If the AMPTP were still fucking with them the way they fucked with us, “rejected our offer, refused to counter,” then that means the AMPTP isn’t feeling the pain of strike and doesn’t care how long this strike goes and is happy to stonewall indefinitely. But if they’re giving into the actors? Fuckkkk they’re hurting and this means they might actually come back to the table with us and negotiate in good faith finally. And if SAG gets strong language about AI, you bet your ass we’re going to argue for the same thing.
The DGA built on the writers strike to get a better deal. SAG is hopefully building on the writers strike and what DGA got to get an even better deal. And we’re hopefully going to build on our strike and what DGA and SAG got to get an even better deal. We’re all working together!
The point is not to strike, the point is to get a good deal. I think SAG will, and in my opinion that’s a massive win for us.
ellievsbear
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2087
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