Bite Down
Pairing: Leon S. Kennedy x Reader Setting: RE9 AU - City Under Siege Word count: ~2.7k
Premise: Reader is a civilian field medic scavenging supplies in an abandoned pharmacy when they find Leon S. Kennedy bleeding out from a deep side wound.
Warnings: graphic injury, blood, wound packing, medical trauma, pain
You find him by accident.
The pharmacy on Krovnik Street is supposed to be empty. BSAA swept it three hours ago. Youâre only here because commandâs triage unit got overrun and you ran out of gauze, antibiotics, anything that clots blood. Civilian medics donât get supply drops. You get desperation.
Youâre reaching for a box of sutures when you hear it â a breath. Not infected. Too controlled. Too human. Too pained.
Your flashlight cuts across the aisle.
Leon S. Kennedy is braced against the prescription counter, one hand clamped over his side, the other holding his 1911 so tight his knuckles are white. Blood runs between his fingers, black in the dim light. His face is gray under the grime.
He sees you and his whole body goes rigid. The gun doesnât raise. Thatâs how you know itâs bad.
âCivilian,â he says. Voice low. Flat. A warning. âTurn around. Walk out.â
You should. Infected track sound. Gunfire brings hordes. Talking brings hordes. And a bleeding DSO agent is basically a dinner bell.
Instead, you drop your scavenged bag and hold your hands up. Empty. Non-threatening. âIâm medical,â you whisper. So quiet itâs barely breath. âSt. Vittoria General. Let me see.â
âNegative,â he breathes back. âIâm fine.â
Liar. The blood pooling under his boot says otherwise.
A sound scrapes outside â concrete on concrete. Dragging feet. One of them. Close.
Leonâs eyes snap to the door, then back to you. His jaw works. Donât, that look says. Donât make a sound. Donât move. Donât get yourself killed because I was stupid.
You move anyway.
You cross the tile in three steps and drop to your knees in front of him, staying below the window line. He sucks in a sharp breath when you peel his hand away from his side.
âShhh,â you breathe instantly, your free hand coming up to cup his jaw. Thumb brushing his cheekbone, feather-light. âI know it hurts. I know. But you have to stay quiet for me, okay? Can you do that, Leon?â
Using his name does something to him. His eyes blow wide. His whole body shudders. No one uses his name in the field. Itâs always Agent, Kennedy, sir.
His hand grabs your wrist. Not hard. Just... stopping you. His eyes are blazing and guilty and furious all at once.
âYou need to go,â he mouths. No sound. âIâll draw them off.â
âYou canât walk,â you mouth back.
âI can crawl.â
âShhh,â you say again, softer this time. The sound barely exists. You lean in, your forehead almost touching his. âNo more talking. No more playing hero. Just breathe for me. Through your nose. Slow.â
You ignore his protest. Cut his shirt with the trauma shears from your belt. The gash is deep, ugly, still bleeding. Missed his kidney by an inch. Lucky bastard.
Another scrape outside. Closer. A wet inhale against the glass.
Leonâs hand moves from your wrist to your mouth, covering it. His palm is rough, smells like gunpowder and copper. His eyes are screaming quiet.
You nod against his hand. Then you take his wrist gently, pull his hand from your mouth, and press it to your chest instead. Right over your heart. Feel that? your eyes say. Iâm alive. Because of you. So let me keep you alive too.
âShhh,â you mouth, your own hand coming back to his face. You stroke his temple with your thumb. âIâve got you. Youâre safe with me.â
He shudders again. Bigger this time. His head tips into your touch before he can stop it. Like he canât help it. Like he needs it.
You work. You donât have light, but you have muscle memory from the first 24 hours of the outbreak. Bottled water. The last of the antiseptic.
When the antiseptic hits the open wound, he squirms. Canât help it. His hips twitch, back arching half an inch off the cabinet. A tiny, punched-out sound escapes him before he slams his teeth together.
âShhh, shhh, shhh,â youâre there instantly, your hand sliding into his hair, nails scratching gently at his scalp. âI know, baby, I know it burns. Youâre okay. Youâre doing so good. Just keep it down for me.â
Baby. The word slips out. You donât take it back.
His eyes fly open. Wet. Glassy with pain. And something else â something wrecked and softening. He makes another sound. Not quite a whimper. Not quite a whine. Something broken in the back of his throat that he tries to swallow.
âHey,â you whisper, so soft itâs just air. You shift, using your body to block him from the window, curling over him. âLook at me. Just at me. Not the wound. Not the door. Me.â
His eyes drag open. Blue, blown-out, and locked on you.
âGood,â you praise, barely audible. Your thumb sweeps under his eye, catching a tear before it can fall. âSo good, Leon. Youâre doing so good for me. Iâm so proud of you.â
He whimpers. Actually whimpers. The sound is tiny and gutted and he hates himself for it â you see it in the way his face twists, shame and pain and relief all tangled up.
âShhh, no,â you murmur, cupping his face with both hands now. âDonât you do that. Donât be ashamed. You hear me? Thereâs nothing wrong with hurting.â Your thumbs stroke his cheeks. âLet me hear you. Just quiet. Just for me.â
When you have to pack the wound, his whole body tries to squirm away. Instinct. His knees come up, his boots scraping tile. Heâs trying to curl in on himself, trying to get away from the pain, and he canât.
âLeon, hey, shhh, shhh,â you catch his face, force him to look at you. âI need you to bite down for me, okay? Bite down and squeeze my hand. Donât make a sound. You can do that. I know you can.â
You press your other hand into his, lacing your fingers. He clamps down so hard you think your bones might bruise. You donât care.
You pack the gauze. His whole body locks, then squirms again, a full-body tremor he canât control. A soft, wounded noise slips out â high, helpless. He slaps his free hand over his own mouth, eyes squeezing shut in horror.
âOh, baby,â you breathe, heart breaking. You lean in, pressing your forehead to his, your hands never leaving him. One in his hair, one holding his hand. âItâs okay. Itâs okay. Youâre okay. Shhh, Iâve got you. Iâve got you.â
Heâs shaking. Full-on trembling now. The tough DSO agent, the Raccoon City survivor, whimpering into his own palm while you hold him together.
âIt hurts,â he chokes out. So quiet. So small. Like heâs admitting to a crime. âGod, itââ
âI know,â you shush him, stroking his hair, your lips brushing his temple with every word. âI know it does, sweetheart. Youâre so strong. So strong for me. Almost done. I promise. Almost done. Just keep breathing. Keep being quiet for me.â
He nods frantically against your forehead. Tries. Fails. Another soft, broken sound escapes him when you put pressure on the bandage. He turns his face into your neck, hiding, his breath hot and shaky against your skin.
âShhh, shhh, thatâs it,â you soothe, one hand rubbing slow circles on his back. âLet it out. Just like that. Quiet. Good boy. Youâre such a good boy for me, Leon.â
He melts. Actually melts into you. All that tension, all that guilt, all that âI have to be strongâ just⊠gives. His arm comes around your waist, clutching you to him like youâre the only thing keeping him tethered. Heâs still trying to be silent, but the little whimpers, the hitched breaths â he canât stop them anymore.
And you donât want him to. Not when heâs finally letting you help.
You finish. Tape. Done.
The glass door rattles. The infected is right outside now. You can see its silhouette. Head tilted. Listening.
Leonâs gun is up, aimed at the door. But his other arm drags you into his chest and down behind the counter. His body is a cage around yours â warm, shaking, solid. He buries his face in your hair, and you feel him trembling.
âShhh,â you breathe into the collar of his vest, one hand sliding up his back in slow, steady circles, the other carding through his hair. âDonât move. Donât breathe. Just hold me. Iâm right here. Youâre safe. Iâm not leaving you.â
He makes a sound against you â half sob, half whimper â and bites down on your jacket to muffle it. His shoulders shake.
âShhh, I know,â you whisper, pressing a kiss to his temple. Just one. Just barely there. âLet it out. Iâve got you. Iâve got you, Leon.â
One second. Five. Ten.
The silhouette drags away. A siren wails three blocks over and the thing shambles toward the noise.
You donât exhale until the sound is gone. Leon doesnât either. When he finally does, itâs shaky. Broken. He doesnât lift his head from your shoulder.
âStupid,â he breathes. The first real sound heâs made. Itâs wrecked. Wet. âYouâre so damn stupid. Couldâve died.â
âShhh,â you say, but this time itâs different. Softer. No coaxing, just comfort. Your hand comes up to cradle the back of his head, holding him to you. âSo could you. You were gonna bleed out in a pharmacy, Agent Kennedy.â
He makes a sound. Not quite a laugh. Not quite a sob. âBetter me thanââ
âDonât.â You cut him off, fingers tightening in his hair just a little. âDonât you dare finish that sentence. Not when I just got you quiet.â
His arms tighten. For a second, you think heâs going to argue. But he just presses his face into your neck and whimpers again. Quiet. Exhausted. Safe.
âYou shouldnât have risked it,â he murmurs. Guilt coats every syllable. âIâm not worthââ
âShhh.â You pull back just enough to see his face. Your thumb swipes under his eye, catching tears. You donât comment. You just kiss his forehead, soft and slow. âYou are to me. So shut up and let me save your life, sweetheart.â
He goes still. Then, slowly, his forehead knocks against yours. His eyes are red-rimmed, ruined, and fixed on you like you hung the moon.
âThank you,â he mouths.
âHow bad is it?â he asks, voice barely there. Finally admitting it.
âBad enough that youâre not walking out of here alone,â you tell him, your hand sliding down to squeeze his. âSo bite down, Kennedy. And when I say move, you move. Quiet. For me. Can you do that?â
He stares at you. Then, impossibly, his mouth quirks. Small. Real. Broken and beautiful.
âYes, maâam,â he whispers, and his voice shakes.
And for the first time since the world ended, you think maybe â just maybe â youâre both going to be okay.













