Who are you?
A little bit of Beyond Jim identity crisis for you on this fine day
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Who are you?
A little bit of Beyond Jim identity crisis for you on this fine day

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Thine Own Self
cant decide which version I like more so have both
click for higher quality, reblog donāt repost
he found it.Ā ā¤ļø
#i am still mad that this scene didnāt make it into the film#how is it less important than uhura stripping off#itās a virtual goldmine of character development#i mean#you can see the moment that he realises that doing everything right wonāt stop people from leaving him#that following the rules wonāt keep him from getting hurt#and that his brother left because he couldnāt find the right words to make him stay#and if that didnāt haunt him for years afterwards iāll eat my hat#and then he goes off the rails#then off the cliff#then off to tarsus IV and back again#(it happened in aos it did it did)#and that cocky confident swaggering jim kirk we see in the bar#is only a tiny miniscule fraction of everything that he is#he just keeps the rest tamped down so that itās less likely to get broken#i like my jim kirks damaged what can i say (via nyotas)
but really though āi canāt be a kirk in this house, if you can show me Iāll stayā defines so much of his character. for jim being a kirk means fighting and fucking and abandoning up until the very end of your short life. his life has been showing sam how to stay, but sam isnāt here anymore.
Iām SO ANGRY this was taken out! This explain the goddamned changes between AOS Kirk and TOS Kirk! Ā TOS Kirk DID follow every rule, get good grades, and obey every order. It wasnāt until SO much later that he realized heĀ didnāt have to. That sometime he could do better byĀ not being who everyone told him to be.Ā
AOS Kirk is an angry kid who isnāt following the rules toĀ spite.Ā Heās trying to live up to what a Kirk is through his brotherās eyes. But he only ends up hating the name because he can never seem to be enough for it.Ā
TOS is James T. Kirk, passionate, but controlled, thoughtful and mature.
AOS is Jim Kirk, young, angry and living in the shadow of his own last name.
This one damned scene explains so much. This was an entirely different way of living. This isnāt just about his father dying. This is about when and how he realized he didnāt have to do the expected.
This is about WHY he became the reckless man we see in AOS.Ā
This one tiny scene shows us a motive for the wildness of AOSā Jim Kirk. This takes it out of the realm of āheās young and doesnāt understand why he has to play by the rules.āĀ
TOS Kirk ignores the rules because he knows they could be wrong, he knows it could make actions better.
AOS Kirk ignores the rules because he thinks heās supposed to, he thinks it will make him better.
STAR WARS PREQUELS APPRECIATION WEEK
Day 3 / Favorite Relationship : Chirrut Ćmwe & Baze Malbus

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#her motherās daughter
STAR TREK: THE ORIGINAL SERIES 3x7 | Is There in Truth No Beauty?
John Boyega briefly discussed Colin Trevorrow's plans for Finn in Star Wars: Episode IX, which would have seen a Stormtrooper rebellion.
āBoyega discussed how Trevorrowās Episode IX would have seen Finn leading a stormtrooper revolution on the planet Coruscant. āI think Colin Trevorrow was going to tell that story,ā he said. āThat image of Finn with the blue flag, and you have the AT-ATs lined up with tribal marks, and the stormtroopers take off their helmetsāā¦.[Episode IX] would have reportedly differed from The Rise of Skywalker in a number of key areas: Kylo Ren was the main villain while Palpatine only had a hologram cameo, Kylo Ren was the one who killed Reyās parents (who were nobodies, much like he told her in The Last Jedi), Rose Tico led a heist on a Star Destroyer and Force ghosts of Luke Skywalker, Obi-Wan Kenobi and Yoda aided Rey in her battle with Kylo Ren, who was eventually āextinguishedā without any sort of redemption arc.ā
See, thatās what we WANTED!
this is how it should have been.
We need to dream in order to survive.
#scanners indicate peak relationship has been achieved #everyone else can go home

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Today, I watched āCatspawā episode, so I doodled that scene by new spock and kirk.
Ah, Kirk, my old friend. Do you know the Klingon proverb that tells us revenge is a dish that is best served cold? It is very cold in space.
Star Trek II: The Wrath of Khan (1982) dir. Nicholas Meyer
getting to know each other
Star Trek (2009) dir J.J. Abrams
#useless science gay solidarity
Captain Pikeās ready room aboard USS Discovery in Star Trek: Discovery Season 2 is āindigenous and cowboy themedā, decorated with Navajo artwork, pottery, glass, rug, Frederic Remington horse sculptures, sofa and lobster chairs/recliners, wooden conference table from Pikeās childhood that had been hit by lightning, and a screen of the starry sky above Mojave desert.
Tamara Deverell, production designer: āWhen we decided we were going to do the ready room for Captain Pike I, of course, watched āThe Cageā and went back to TOS and looked a lot at the character. We talked a lot to the writers as well about what his backstory is, what his history was, where he is from in Mojave, what he collected and what he brought with him. He brought stuff. We had stuff from New Mexico, from Mojave, from Arizona and we brought all of that in.
He had a table that he brought in that was his table from childhood that had been hit by lightning. So, there was a whole backstory and richness and the other aspect was that he was a warm character who wanted to welcome people. He didnāt want a cold space. He wanted people to come in, so we had a sitting area. We made a bigger space and place where you could have a meeting.
So, it wasnāt just his ready room. It is a place that you can imagine him falling asleep. Having some Cheese-Its and falling asleep watching his iPad. We really wanted that comfortable vibe. He was a cowboy, so we put in Remington sculpture, Navajo artwork and pottery. We brought in all these things that were Pike, his welcoming warm, cozy world.ā - Trekmovie.com interview, Feb 11 2019

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Star Trek Discovery | People of Earth ā⦠youād have done the same thing.ā
Come on. Slow.