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@thepathlesstrekked

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Hey PHM fans. Sorry to crash your party, but something's been bugging the FUCK out of me and I need an answer.
Did anyone in Project Hail Mary ever stop to ask "hey what do we do if Grace's glasses break"?
Because I know a lot of people don't think of poor eyesight as a disability, but it's a pretty significant one. I can't drive without my glasses. My roommate can't even walk to the mailbox. I had to get replacements after my frames snapped so I was wearing my three-years-ago glasses for a week this spring, and I had splitting headaches the entire time.
They did think about this, right? He had spares and a way to adjust his prescription? They didn't leave a semi-truck-sized problem in their world-saving plan with casual ableism?
He clearly isn't that blind bc half the movie he doesn't wear them. In the movie, it's a very "What would be funny and or dramatic in this moment?" Level of use.
But real answer is that I'm sure Eva had like 6 pairs made while he was unconscious. Book and movie, her thought process was entirely about "what can break and how do we avoid it?"
I mean, tbf, if you don't know what my specific eye issues are, my usage could look like that too. (Oh, I need glasses to watch TV from the right side of the room but not the left? Clearly this is some kind of visual gag--nah, actually, it's about angles. I only wear glasses for some books? Yeah, it's about printing size. And so on.)
But all things considered, what I'm gathering is that Hollywood went "lol we can't have him be attractive, put him in glasses." So it is ableism, just from a different vector.
Thanks, Hollywood, I continue to hate you.
pretty sure you're not wrong, it's just, if they didn't want Ryland Grace to be attractive, then they should've checked internet thirst levels before casting Ryan Gosling
My personal take is that the intent in the movie was to make Grace look more “academic” rather than “less attractive”. Glasses being the “smart person’s accessory” is a trope I find frustrating and it still smacks of ablism, in my opinion.
That being said, I didn’t even think about that the first time I watched it because I know so many people who don’t wear their glasses because it’s too annoying.
I am in the camp of needing my glasses to safely walk across a room I’m not familiar with. I cannot function without my glasses.
It is so far away from anything I can relate to as a glasses wearer.
My brain just went full in on Grace being one of those lucky bastards who could choose to not bother with their glasses most of the time and their prescription only changes a little bit every six years.
On the line
a prayer to st christopher and mother mary
some details in this one that i like:
four leaf clover in the patch of grass
stars on the bottom of grace's converse
fox figure in grace's hand
tiny pluto in the kuiper belt in the diagram of the solar system
i included the moon in the solar system diagram as well
hubble space telescope star blanket. obviously it's hubble.
pulsar map, completely accurate to the one inscribed on the cover of the golden record
small black dots in the halos and celtic knot petrova line to represent the individual astrophage within the petrova line

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I love how the first clear sign we get in the story of who Grace is is after he fails. Stratt lures him in by promising him a chance to prove his hypothesis, that life could evolve without water. It matters to him, a lot; he has a startle response to it being brought up, like she’s pressed a bruise. But when she asks again he is ready to assert it, still longing to be heard.
So when it turns out astrophage does need water, he crashes out, like he did when he was younger—throws things, shouts, deflates, and hides. Stratt assumes that’s all she can get out of him, and prepares to leave.
But then—he begs her to let him help anyway. For the world. For his kids. Even if he’s just one of hundreds of scientists, with no audience left. Even if it does nothing for his pride. That’s when we and Stratt realize that there is more to this guy than ego.
He isn’t stuck at the failure point. The patient man he’s been becoming in all the quiet years since he lit a match to his career, the gentle teacher who starts again year after year with a new set of young ones and learns who they are and what they need and how to make learning meaningful to them—the man who loves his kids and the world he’s been showing to them—that’s the man who’s ready for the job ahead. He understands devotion. He is ready to be brave. Love has made him brave.
Two eridians and their wet dog
my personal take on the matter
i love how this is one of the rare shots where grace is at peace, and it's because he's accepted that he's going home to rocky :3

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PROJECT HAIL MARY (2026)
some attempts to draw grace from a while back :>
they're brainstorming
Stained Glass Can of Sardines : Renske van Barschot
furthest we've ever been

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To the surprise of absolutely fucking no one I am incapable of being normal about the space rock and his rescue sacrificial lamb.
me: isn’t it funny how captain kirk was supposed to be the sex appeal of star trek but it ended up being spock
my dad: i thought it was bones
me:
my dad: i thought bones was supposed to be the sex appeal
I have a working theory that while yes, Kirk and Spock have their intentional and unintentional sex appeal going on, Bones was purposefully written to represent actually attainable/unrepressed sexuality.
Kirk is arguably hypersexual, or at least is fine with being perceived as such (him being considered a “womanizer” to such a large portion of the audience would likely be exactly how people in-universe see him too)
Spock being desirable was also introduced pretty early, and I think him being “weirdly sexy” was always the intent, and they just were surprised it worked so /well/
But the most important fact about both of their sexuality is that; they are completely emotionally unattainable, and do not have a healthy relationship with their sexuality AT ALL
On the OTHER hand, emotionally confident doctor big dick over there doesn’t have complicated mental illnesses about relationships. He is easily physical and easily emotional with just about everyone he interacts with (not exclusively in a sexual way) which makes him a way more grounded form of sex appeal than the cosmic, emotionally compromised situationship that’s happening right next to him.
Oooh, you right, you right, I'm picking up what you're putting down.
Kirk: the Yearner, the Romantic. He wants to love but CAN'T because of his duty to the ship! The Enterprise must always come first, no matter how much he might wish it otherwise. Any love he can/does get must happen in snatches: stolen moments, kisses, brief entanglements that leave both with just a taste of What Could Be, inevitably to end in a trail of broken hearts, Jim's the most broken of all. What a whirl. But no wonder he believes he'll die alone.
Spock: The Stoic, the Restrained. While Jim Kirk is like the breeze, snatching love when he can, this is the unmovable stone. He is above such petty feelings and attractions, yea, in fact, he has nooooo such feelings and attractions. The unmoving stone is now a challenge. Who can command the mountain to jump? Who can elicit a crack in its surface? Seeking love and relationship becomes secondary to seeking the victory of a response at all. And, the ultimate thrill, that the stone COULD, on rare occasion, be dared to move of its own accord, with all its years of repressed action and feeling exploding forth as a volcano: powerful, exhilarating, and dangerous. What risk. But what reward.
Both unattainable in their different ways, yet just as magnetic. And then...
McCoy: the Sensualist, the One in Love with Life itself. He is no force of nature. He is, however, unashamedly, unabashedly human. He has experienced the ecstasies, as well as the miseries, of love. He delights in the glorious failures as well as the glorious victories. It's all a part of being alive: the pain, the joy, and everything in between. We may only have each other, we may only have today, but that will not stop him from still fighting for tomorrow. He is just as flawed as anyone else and there's honestly to that, there's understanding and acknowledgement of regret, grief, the darkest side of yourself you don't want anyone to see, and yet here's this charming, compassionate, doctor who has walked many miles in similar shoes smiling and asking "well, how about a non-reconstituted meal and a drink?"
People will always be enraptured by tornados and volcanos. But the camaraderie of experience with another human being on this life plane is something we'll always come back to, as steady and grounding as a hug.