A Life of Adventure and Delight
Finished this on the 4 train to work on Friday morning. Oh. Right. That’s one thing I should say: I have a workplace I go to every day now.
It’s been a while, hasn’t it?
Last spring, I got a full-time job as a translator and interpreter at a place I’d rather not say aloud, for confidentiality purposes. Suffice to say, it has kept me extremely busy and tired for the past...close to 18 months now. (Yikes!)
But not so busy that I haven’t found time to read. So here we go.
As a person dating a person of Indian descent, I have found myself not knowing a damn thing about the culture, and since it’s such a huge part of my sweetheart’s life, I figured it was only right to start reading more Indian authors to try to learn a thing or two.
I had listened to Akhil Sharma read a few of the stories in this collection on The Author’s Voice, the New Yorker podcast, and so I figured I’d give the guy a whirl and try out the full collection. I was definitely not disappointed.
On Friday night over a shared carton of Halo Top (Oatmeal Cookie, bien sur), I told my sweetheart that the subtitle for this book should be: MY ASS. A life of adventure and delight, MY ASS. Of course, given the dripping rainbow on the gray cover, I should have expected little more than bleakness and pain, but still. Damn. Every character in the tiny worlds Sharma creates in his stories are suffering some sort of internal ache, but there’s no...he doesn’t dramatize it, he doesn’t blow it up, he doesn’t make any character a martyr: it just is what it is. Their lives are pretty much emotionally empty (love is a joke, sex is that thing we do sometimes to ensure the survival of the family name, women are albatrosses meant to be gotten rid of like infections just as soon as they’re old enough to birth babies), and what fills the inner void are the endless, time-frittering pursuits of intellectual, socioeconomic, and/or religious greatness. Essentially, two things matter to the brown folks: religion, and climbing up as many rungs of the socioeconomic ladder as humanly possible, preferably by marriage to a suitable man (i.e., one that matches your intellectual and social station as closely as possible, if not exceeds it).
The language in this book is really beautiful, not because it’s overtly poetic, but because of how quiet and subtle it can be. Sometimes each paragraph felt like a piece of music: a steady rhythm that builds into an explosive crescendo, usually punctuated by a harsh, if insightful, truth bomb. It’s hard to explain, except to maybe say that the prose is both beautiful and raw at the same time. You can tell Sharma’s characters are angry, and bitter, and clinging to what little satisfactions (I hesitate to use the word “pleasures”) they can get out of life. For mothers, that principal satisfaction is usually negotiating the terms of their children’s marriages; for fathers, it’s not getting yelled at too terribly much over the course of middle age, and not being shamed by their kids too severely.
I told you. Bleak.
Still and all, though, the book has its funny moments. Just little snippets of biting humor, nothing too on the nose, just language tricks that render certain scenes and fragments really humorous. Just a little something to counteract all the shame and sadness in the book.
The title, of course, is ironic, but even still, there are moments where the characters actually glimpse the promise of those words. If nothing else, at least for the younger generation of characters, there’s a sense of what’s possible, of what could happen someday, even if they all know it’s going to get crushed to bits by responsibilities to elders, to gods, to mothers, to fathers, to lovers, to wives...there’s a flicker there, in the distance. And sometimes if you’re willing to look long enough, and hard enough, you might just be able to see it in yourself.









