⿻

ＨＯＬＡ ⿻ ＡＥＳＴＨＥＴＩＣＳ

An audiovisual content must always be based on a series of laws that ensure its aesthetic harmony.

These laws are created based on a style or based on how good or bad you are with a tool (e.g. 2D, 3D, animation for typographic compositions, illustration, Virtual Reality, Story Telling, etc.).

Aesthetic harmony gives us the public's complete confidence aesthetic harmony gives us the public's trust.

Poor aesthetics can cause the content to deliver the wrong message.

The key to aesthetics is the way in which certain elements are linked together under a group of laws that governs them in a consistent manner. If something breaks any of these laws, credibility disappears.

Coherence is not achieved in a project if it is not consistent with the laws (understand-apply-respect) that we create from the creation of each project.

７　ＬＡＷＳ　ｔｏ　ａｃｈｉｅｖｅｄ　ａｅｓｔｈｅｔｉｃ　ｃｏｎｓｉｓｔｅｎｃｙ

Be clear about the concept you are working on.

Identify the challenges to be able to unify everything in an aesthetic that represents the service/product.

For the unification and definition of aesthetics it was defined: 1. The typography to be used. 2. The form of communication of the "operating system" (in this case he used pop-up windows). 3. The design elements (in this case they had to belong to existing operating systems that referred to something in particular). 4. The color palette and gradients to add complexity. 5. Effects (glitch and compression as an aesthetic resource). 6. Tools to generate visuals (e.g. ascii code). 7. Sound design.

I’ll follow this formula for my reel.  

                                   👁〰👁 

The simpler and more essential a universe is created, the more stimulating and attractive it will look. Simplicity does not refer to visual complexity and detail, but rather only to the number of aesthetic laws we accept.

Ｒｏｂｂｅｒｙ　ａｎｄ　ｏｒｉｇｉｎａｌｉｔｙ　

The theft of an idea occurs when the aesthetic laws of one work are copied by another work. We must know about aesthetics, be able to analyze the worlds that we create and that others create, the laws that govern (when to apply them, when not to apply them), understand what works and what does not work in our products, in order to be original. It is also necessary to forget the preconceptions of seeing certain things as attractive/repulsive/cringe/correct/incorrect/mainstream/etc, we have to concentrate on the concept of consistencies and coherence, to know how to experiment with it, right?

And let's remember that everything is already created, but we can keep reinventing and obviously EVERYONE should credit to their sources of inspiration. I’m not special, you’re not special.

Ａｂｏｕｔ　ｍｅ　（　ⷪ　　ྊ　ⷪ　　）

Thinking about the future always gives me anxiety, closing and starting cycles always feels like a roller coaster.  Besides, people say that you shouldn't tell your goals. 

(｡Ó﹏Ò｡)                                           __                                       _  |  |                   Yye                |_| |--|                .---.  e           AA | | |  |               /.--./\  e        A              // || \/\  e      A             //|/|| |\/\   aa a    |\o/ o/--            ///|\|| | \/\ .       ~o \.'\.o'           //|\|/|| | |\/\ .      /.` \o'          //\|/|\|| | | \/\ ( (  . \o'  __ __ _//|/|\|/|| | | |\/`--' ' __/__/__//|\|/|\|| | | | `--' |\|/|\|/|\|/|\|/|| | | | |

BUT this is a homework. 

I do have a clear path. In 2022 I visualize myself founding my own small independent studio (probably with a super creative friend). I want to shoot many videoclips, videoart and some short films -most of them probably personal projects-. Two of my passions are to be behind the camera (more than editing, it's kinda 60/40) and to write stories. I’m always recording, I’m always taking photos, I’m always writing. 

I want this studio to have its own essence. I want to be experimenting and keep growing as a creative and as a person. I also want to learn videomapping!!

 \ | / '  _  ' -  |_|  - ' | | ' _,_|___ |   _ []| |  (O)  | |_______|

My ultimate dream is to became an Art Director. This will probably happen after many years of building a good creative path.

Ｐｅｏｐｌｅ　Ｉ　ｗｏｕｌｄ　ｌｉｋｅ　ｔｏ　ｗｏｒｋ　ｗｉｔｈ

-  Son Letal: Indie group producer of techno, EBM, industrial, dark disco events. They have big plans.

-  Compañía Nacional de Danza Costa Rica: I have always wanted to collaborate in their creative projects. A graphic designer and audiovisual producer is needed, just look at their IG. 

- My friend Pei: he’s a great producer and post producer, creative mind behind Señorita Abril and Leones Dorados.

-Laincogo: Glitch artist friend

Neto Villalobos: I have always liked his work as a director. This video influenced my adolescence so much:

Ｓｏｍｅ　ｗｏｒｋｓ　ｔｈａｔ　Ｉ　ｗｏｕｌｄ　ｔｅａｃｈ　ｔｈｅｍ

I think I would work on a good audiovisual portfolio first, not exactly with the projects I have worked on at CETAV. (っ- ‸ - ς) 

Here is a jigsaw puzzle of images I could be putting together to teach, from CETAV and "everyday life". 

Why did I choose them?

Because they show that I know how to use After Effects, that I know how to use a camera and they also show a bit of my essence. 

ᴺᵒᵗᵉ: ᵉᵛᵉʳʸᵗʰⁱⁿᵍ ᴵ ˢᵃʸ ᵇᵉˡᵒʷ ⁱˢ ᵛᵉʳʸ ˢᵘᵖᵉʳᶠⁱᶜⁱᵃˡ, ᵃˢ ᴵ ʰᵃᵛᵉ ⁿᵉᵛᵉʳ ᶠᵒˡˡᵒʷᵉᵈ ᵗʰᵉ ʷᵒʳᵏ ᵒᶠ ᵗʰᵉ ᶠᵒˡˡᵒʷⁱⁿᵍ ᵗʷᵒ ᵛⁱˢᵘᵃˡ ᵃˢᵗⁱˢᵗˢ.                                                                                      

Ｓｔｒｏｎｇ　ａｄａｐｔａｂｉｌｉｔｙ？ Ｈｅ　ｓｅｅｍｓ　ｔｏ　ａｄａｐｔ　ｈｉｓ　ｓｔｙｌｅ　ｔｏ　ｔｈｅ　ｃｌｉｅｎｔ　ｈｅ　ｗｏｒｋｓ　ｗｉｔｈ． 

Ｉ　ｆｅｅｌ　ｈｉｓ　ｗｏｒｋ　ｉｓ　ｂｏｌｄ，　ｈｅ　ｉｓ　ｎｏｔ　ａｆｒａｉｄ　ｔｏ　ｕｓｅ　ａ　ｌｏｔ　Ａ　ＬＯＴ　ｏｆ　ｃｏｌｏｒｓ．

Ｂｕｔ　Ｉ＇ｍ　ｎｏｔ　ｓｕｒｅ　ｉｆ　Ｉ　ｓｅｅ　ａ　ｖｅｒｙ　ｄｉｓｔｉｎｃｔ　ｏｒ　ｄｅｆｉｎｅｄ　ｓｔｙｌｅ．（；⌣̀_⌣́）　＊ｓｔｉｌｌ　ｔｈｉｎｋｉｎｇ＊ 

Ｉ　ｌｉｋｅ　ｔｈｅ　ｍｏｖｅｍｅｎｔ　ｉｎ　ｈｉｓ　ｗｏｒｋ，　ｅｖｅｎ　ｔｈｅ　ｎｏｎ－ａｎｉｍａｔｅｄ　ｏｎｅｓ.

Ｙｏｕ 　ｃａｎ　ｃｈｅｃｋ　ｈｉｓ　ＩＧ　ｈｅｒｅ．

Ｆｒｏｍ　ａ　ｃｏｍｍｅｒｃｉａｌ　ｐｏｉｎｔ　ｏｆ　ｖｉｅｗ，　Ｉ　ｌｉｋｅ　ｈｉｓ　ｗｏｒｋ，　ｂｕｔ　Ｉ　ｄｏｎ＇ｔ　ｓｅｅ　ｍｙｓｅｌｆ　ｒｅｆｌｅｃｔｅｄ　ｔｈｅｒｅ．　くく                                                                

Ｈｅ　ａｌｓｏ　ａｄａｐｔｓ　ｔｏ　ｈｉｓ　ｃｕｓｔｏｍｅｒｓ．

Ｈｅ　ｈａｓ　ａ　ｍｏｒｅ　ｄｅｆｉｎｅｄ　ｓｔｙｌｅ　ａｓ　ａ　ｄｉｒｅｃｔｏｒ．　Ｃｈａｒａｃｔｅｒｉｓｔｉｃ　ｆｒａｍｉｎｇ　ａｎｄ　ｃｏｌｏｒｉｚａｔｉｏｎ．

Ｔｈｅ　ｓｅｔｔｉｎｇｓ　ａｒｅ　ｉｍｐｅｃｃａｂｌｅ　ｆｏｒ　ｅａｃｈ　ｏｆ　ｈｉｓ　ｗｏｒｋｓ．　Ｔｈｅ　ｌｉｇｈｔ，　ｔｈｅ　ｓｅｌｅｃｔｉｏｎ　ｏｆ　ｓｐａｃｅｓ，　ａｃｔｏｒｓ，　ｅｔｃ．

Ｉｔ　ｍａｋｅｓ　ｍｅ　ｔｈｉｎｋ　ｔｈａｔ　ｈｅ　ｈａｓ　ａ　ｇｒｅａｔ　ｔｅａｍ　ｂｅｈｉｎｄ　ｈｉｓ　ｐｒｏｄｕｃｔｉｏｎ　ｓｔｕｄｉｏ．

Ｙｏｕ　ｃａｎ　ｃｈｅｃｋ　ｔｈｅｉｒ　ＩＧ　ｈｅｒｅ．

Ｔｏｔａｌｌｙ　"ｃｉｎｅｍａｔｏｇｒａｐｈｉｃ"　ｓｔｙｌｅ.

                   ƬΉΣY BӨƬΉ ƧƬΣΛᄂ ᄂIKΣ ΛЯƬIƧƬƧ

𝘚𝘵𝘦𝘢𝘭𝘪𝘯𝘨 𝘪𝘴 𝘢 𝘴𝘵𝘳𝘰𝘯𝘨 𝘸𝘰𝘳𝘥, 𝘐 𝘸𝘰𝘶𝘭𝘥 𝘶𝘴𝘦 𝘮𝘰𝘳𝘦 𝘢𝘯 𝘦𝘹𝘱𝘳𝘦𝘴𝘴𝘪𝘰𝘯 𝘭𝘪𝘬𝘦 "𝘣𝘰𝘳𝘳𝘰𝘸 𝘵𝘰 𝘵𝘳𝘢𝘯𝘴𝘧𝘰𝘳𝘮". 𝘞𝘩𝘺 "𝘣𝘰𝘳𝘳𝘰𝘸"? 𝘉𝘦𝘤𝘢𝘶𝘴𝘦 𝘦𝘷𝘦𝘳𝘺𝘵𝘩𝘪𝘯𝘨 𝘸𝘦 𝘤𝘳𝘦𝘢𝘵𝘦 𝘸𝘦 𝘨𝘪𝘷𝘦 𝘣𝘢𝘤𝘬 𝘢𝘯𝘥 𝘴𝘰𝘮𝘦𝘥𝘢𝘺 𝘮𝘢𝘺𝘣𝘦 𝘵𝘩𝘢𝘵 𝘢𝘳𝘵𝘪𝘴𝘵 𝘧𝘳𝘰𝘮 𝘸𝘩𝘰𝘮 𝘸𝘦 𝘵𝘰𝘰𝘬 𝘢𝘯 𝘪𝘥𝘦𝘢 𝘰𝘳 𝘧𝘳𝘰𝘮 𝘸𝘩𝘰𝘮 𝘸𝘦 𝘸𝘦𝘳𝘦 𝘪𝘯𝘴𝘱𝘪𝘳𝘦𝘥, 𝘸𝘪𝘭𝘭 𝘵𝘢𝘬𝘦 𝘢𝘯 𝘪𝘥𝘦𝘢 𝘧𝘳𝘰𝘮 𝘶𝘴. 𝘛𝘣𝘩 𝘐 𝘵𝘩𝘪𝘯𝘬 𝘵𝘩𝘦𝘳𝘦 𝘪𝘴 𝘯𝘰𝘵𝘩𝘪𝘯𝘨 𝘳𝘦𝘢𝘭𝘭𝘺 𝘰𝘳𝘪𝘨𝘪𝘯𝘢𝘭, 𝘪𝘵 𝘪𝘴 𝘷𝘦𝘳𝘺 𝘦𝘨𝘰𝘵𝘪𝘴𝘵𝘪𝘤𝘢𝘭 𝘢𝘯𝘥 𝘱𝘦𝘥𝘢𝘯𝘵𝘪𝘤 𝘵𝘰 𝘴𝘢𝘺 "𝘐 𝘢𝘮 𝘢 𝘴𝘶𝘱𝘳𝘦𝘮𝘦 𝘤𝘳𝘦𝘢𝘵𝘪𝘷𝘦 𝘣𝘦𝘪𝘯𝘨 𝘢𝘯𝘥 𝘴𝘰𝘶𝘳𝘤𝘦 𝘰𝘧 𝘰𝘳𝘪𝘨𝘪𝘯𝘢𝘭𝘪𝘵𝘺" (𝘤𝘰𝘧𝘧𝘤𝘰𝘧𝘧 𝘣𝘶𝘵 𝘵𝘩𝘦𝘳𝘦 𝘢𝘳𝘦 𝘮𝘢𝘯𝘺 𝘰𝘧 𝘵𝘩𝘰𝘴𝘦).

Ｂｏｔｈ　Ｒｉｃｋ　ａｎｄ　Ｋｅｖｉｎ　ａｐｐｌｙ　ｔｈｅ　"ＮＯＴＨＩＮＧ　ＩＳ　ＯＲＩＧＩＮＡＬ"，　ｔｈｅｉｒ　ｓｔｙｌｅｓ　ａｒｅ　ｔｈｉｎｇｓ　Ｉ　ｈａｖｅ　ｓｅｅｎ　ｂｅｆｏｒｅ （ര░‿░ര░），　ｔｈｉｓ　ｄｏｅｓ　ｎｏｔ　ｒｅｄｕｃｅ　ｔｈｅ　ａｒｔｉｓｔｉｃ　ｖａｌｕｅ　ｏｆ　ｔｈｅｉｒ　ｗｏｒｋｓ．

“ＣＬＩＭＢ　ＴＯ　ＹＯＵＲ　ＯＷＮ　ＦＡＭＩＬＹ　ＴＲＥＥ”，　Ｉ　ｔｈｉｎｋ　Ｋｅｖｉｎ　ｈａｓ　ａｌｒｅａｄｙ　ｓｔａｒｔｅｄ　ｔｏ　ｇｒｏｗ　ｈｉｓ　ｏｗｎ　ｂｒａｎｃｈ．

“ＢＥ　ＹＯＵＲ　ＯＷＮ　ＳＣＨＯＯＬ”，　Ｉ　ｐｅｒｃｅｉｖｅ　ｔｈａｔ　Ｒｉｃｋ　ｉｓ　ａ　ｐｅｒｓｏｎ　ｗｈｏ　ｄｏｅｓ　ｎｏｔ　ｓｔｏｐ　ｅｘｐｅｒｉｍｅｎｔｉｎｇ　ａｓ　ａｎ　ａｒｔｉｓｔ，　ｓｏｍｅｏｎｅ　ｗｈｏ　ｉｓ　ｎｏｔ　ａｆｒａｉｄ　ｔｏ　ｉｍｍｅｒｓｅ　ｈｉｓ　ｗｏｒｋ　ｔｈｒｏｕｇｈ　ｄｉｆｆｅｒｅｎｔ　ｓｔｙｌｅｓ　ａｎｄ　ｌｅａｒｎ　ｆｒｏｍ　ｅａｃｈ　ｏｎｅ　ｏｆ　ｔｈｅｍ．

                  ꜰɪᴠᴇ ᴅɪꜰꜰᴇʀᴇɴᴄᴇꜱ ʙᴇᴛᴡᴇᴇɴ ᴛʜᴇɪʀ ʀᴇᴇʟꜱ?

Ｏｎｅ　ｉｓ　ｆｏｃｕｓｅｄ　ｏｎ　ａｎｉｍａｔｉｏｎ　ａｎｄ　ｍｏｔｉｏｎ　ｇｒａｐｈｉｃｓ，　ｗｈｉｌｅ　ｔｈｅ　ｏｔｈｅｒ　ｉｓ　ｐｕｒｅ　ｖｉｄｅｏ　ｄｉｒｅｃｔｉｏｎ　ａｎｄ　ｐｒｏｄｕｃｔｉｏｎ．

Ｏｎｅ　ｈａｓ　ａ　ｍｏｒｅ　ｐｅｒｓｏｎａｌ　（ｂｕｔ　ｃｏｍｍｅｒｃｉａｌ）　ａｎｄ　ｌｅｓｓ　ｈｏｍｏｇｅｎｅｏｕｓ　ｓｔｙｌｅ，　ｗｈｉｌｅ　ｔｈｅ　ｏｔｈｅｒ　ｉｓ　ｍｏｒｅ　ｃｏｒｐｏｒａｔｅ　ａｎｄ　ｍｏｒｅ　ｈｏｍｏｇｅｎｅｏｕｓ．

Ｔｈｅ　ｖａｒｉｅｔｙ　ａｎｄ　ｔｙｐｅｓ　ｏｆ　ｃｌｉｅｎｔｓ　ｔｈｅｙ　ｈａｖｅ　ｗｏｒｋｅｄ　ｗｉｔｈ　ｉｓ　ｄｉｓｔｉｎｇｕｉｓｈｅｄ　ｉｎ　ｂｏｔｈ　ｒｅｅｌｓ．

Ｔｈｅ　ｐａｃｉｎｇ，　ｅｖｅｎ　ｔｈｏｕｇｈ　Ｋｅｖｉｎ＇ｓ　ｒｅｅｌ　ｌａｓｔｓ　ｏｎｌｙ　３５　ｓｅｃｏｎｄｓ　ｌｏｎｇｅｒ　ｔｈａｎ　Ｒｉｃｋ＇ｓ，　Ｉ　ｇｅｔ　ｔｈｅ　ｆｅｅｌｉｎｇ　ｔｈａｔ　ｉｔ　ｌａｓｔｓ　ｌｏｎｇｅｒ　ｂｅｃａｕｓｅ　ｏｆ　ｔｈｅ　ｔｙｐｅ　ｏｆ　ｓｈｏｔｓ．　Ｒｉｃｋ＇ｓ　ｒｅｅｌ　ｈａｓ　ｍｏｒｅ　"ｖｉｏｌｅｎｔ"　ｍｏｖｅｍｅｎｔｓ．

Ｉ　ｃａｎ　ｏｎｌｙ　ｔｈｉｎｋ　ｏｆ　ｏｎｅ　ｓｉｍｉｌａｒｉｔｙ　（Ｉ　ｃａｎ＇ｔ　ｔｈｉｎｋ　ｏｆ　ａｎｙ　ｍｏｒｅ　ｄｉｆｆｅｒｅｎｃｅｓ），　ｔｈｅｙ　ｂｏｔｈ　ａｃｃｕｍｕｌａｔｅ　ａ　ｓａｍｐｌｅ　ｏｆ　ｍａｎｙ　ｙｅａｒｓ　ｏｆ　ｗｏｒｋ　（ｓｏｍｅ　ｌｏｏｋ　ｂｅｔｔｅｒ　ｔｈａｎ　ｏｔｈｅｒｓ）．

                            ΉӨЩ DID ƬΉIƧ ΉΣᄂP MΣ?

ᴵ ᶜᵃⁿ'ᵗ ʳᵉᵐᵉᵐᵇᵉʳ ᵗʰᵉ ˡᵃˢᵗ ᵗⁱᵐᵉ ᴵ ʷʳᵒᵗᵉ ᶠˡᵘᵉⁿᵗˡʸ ʷʰᵃᵗ ᴵ ᶠᵉˡᵗ. ᴵ'ᵛᵉ ᵇᵉᵉⁿ ᵗʳᵃᵘᵐᵃᵗⁱˢᵉᵈ, ᵉᵛᵉʳ ˢⁱⁿᶜᵉ ᴵ ʷᵃˢ ᵖᵘⁿⁱˢʰᵉᵈ ᵇᵉᶜᵃᵘˢᵉ ᵗʰᵉ ᵗʳᵘᵗʰ ᵐᵃᵏᵉˢ ᵗʰᵒˢᵉ ˢᵘᶠᶠᵉʳⁱⁿᵍ ᶠʳᵒᵐ ʰⁱᵍʰ ᵍᵘⁱˡᵗ ᵘⁿᶜᵒᵐᶠᵒʳᵗᵃᵇˡᵉ.

I felt mirrored. I think we've all come to those same conclusions, but it's good to have them written down.

Do you consider yourself an original thinker?

“Not by any means. more like a tasteful thief. the only art I’ll ever study is stuff that I can steal from. I do think that my plagiarism is effective. Mick Jagger, for example, is scared to walk into the same room as me even thinking any new idea. he knows I’ll snatch it”

-David Bowie, 1977    

             🅈🄾🅄 🄰🅁🄴 🅃🄷🄴 🅂🅄🄼 🄾🄵 🅈🄾🅄🅁 🄸🄽🄵🄻🅄🄴🄽🄲🄴🅂

The sum of your thefts, I am the sum of my thefts. 

I've always said, curated content only. That's all I want to collect, all I want to see. Exactly what I want to be inspired by and create.

Even memes bruh.

      Being strict with what you consume can always help. It has rarely failed.

And when necessary, give yourself space from social medias as well. So much information bombardment can sometimes make us feel tired and overwhelmed.

Have you already chosen your senpais? Who inspires you? Who influences you? Who teaches you?

I don't have their photos on my walls as the author mentioned, but their works are always in my files.

🄾🄽🄲🄴 🅈🄾🅄'🅅🄴 🄱🅄🄸🄻🅃 🅈🄾🅄🅁 🅃🅁🄴🄴, 🄸🅃'🅂 🅃🄸🄼🄴 🅃🄾                                 🄶🅁🄾🅆 🅈🄾🅄🅁 🄾🅆🄽 🄱🅁🄰🄽🄲🄷 

Trees (2015) by Takashi Kuribayashi

Now.

Google everything. Question yourself. Educate yourself. Grow. Build yourself up.

Ｉｍｐｏｒｔａｎｃｅ　ｏｆ　ａｕｄｉｏｖｉｓｕａｌ　ｐｒｏｄｕｃｔｉｏｎ　ｉｎ　ｃｒｅａｔｉｖｅ　ｅｖｅｎｔｓ  ☁

☁    

         ☁ 

Ａｒｔｉｓｔｉｃ　ｅｖｏｌｕｔｉｏｎ　ｒｅｃｏｒｄ

Ｗｅ　ｓｉｍｐｌｙ　ｃａｎｎｏｔ　ｋｎｏｗ　ｈｏｗ　ｍｕｃｈ　ａｒｔ　ｗａｓ　ｃｒｅａｔｅｄ　ｉｎ　ｐｅｒｉｓｈａｂｌｅ　ｍａｔｅｒｉａｌｓ　ａｎｄ　ｈａｓ　ｔｈｅｒｅｆｏｒｅ　ｂｅｅｎ　ｌｏｓｔ　ｔｏ　ｔｈｅ　ａｒｃｈａｅｏｌｏｇｉｃａｌ　ｒｅｃｏｒｄ.

                                                                    ☁  

Ｄｅｖｅｌｏｐｍｅｎｔ　ｏｆ　ｃｏｌｌｅｃｔｉｖｅ　ｋｎｏｗｌｅｄｇｅ

Ｃｏｌｌａｂｏｒａｔｉｏｎ，　ｃｏｃｒｅａｔｉｏｎ，　ａｎｄ　ｃｏｌｌｅｃｔｉｖｅ　ｋｎｏｗｌｅｄｇｅ　ａｒｅ　ｅｓｓｅｎｔｉａｌ　ｆｏｒ　ｆｕｔｕｒｅ　ｐｒａｃｔｉｃｅ　ｉｎ　ｄｅｓｉｇｎｉｎｇ，　ｄｅｖｅｌｏｐｉｎｇ，　ａｎｄ　ｄｅｐｌｏｙｉｎｇ　“ｓｍａｒｔ”　ｉｎｉｔｉａｔｉｖｅｓ　ｙ　ｍｏｖｉｍｉｅｎｔｏｓ／ｔｅｎｄｅｎｃｉａｓ．

                                    ☁    

                                             ☁   ☁  

                                                  “ᵀᵒᵍᵉᵗʰᵉʳ ʷᵉ'ʳᵉ ˢᵗʳᵒⁿᵍᵉʳ”

                                                           ☁   ☁   ☁    

                                                                                ꒰⌯͒ඹ ·̫ ඹ⌯͒꒱

Ｂｒｏａｄｅｎ　ｔｈｅ　ａｕｄｉｅｎｃｅ．　　Ｍｏｒｅ　ｅｎｇａｇｅ．

Ｉｔ　ｉｓ　ａ　ｆａｃｔ　ｔｈａｔ　ｍｏｓｔ　ａｒｔｉｓｔｓ　ｃａｒｅ　ａｂｏｕｔ　ａｔｔｒａｃｔｉｎｇ　ｎｅｗ　ｐｅｏｐｌｅ　ａｎｄ　ｂｕｉｌｄｉｎｇ　ａｎ　ａｕｄｉｅｎｃｅ．　Ａｕｄｉｏｖｉｓｕａｌ　ｐｒｏｄｕｃｔｓ　ｃａｎ　ｈｅｌｐ　ｔｏ　ｅｎｇａｇｅ　ｍｏｒｅ　ｐｅｏｐｌｅ　ｔｏ　ｔｈｅｉｒ　ｗｏｒｋ.

                                                                               ☁                     

                                                                 ☁ ☁

Ｆａｃｉｌｉｔａｔｅ　ａ　ｇｒｅａｔｅｒ　ａｎｄ　ｆａｓｔｅｒ　ｕｎｄｅｒｓｔａｎｄｉｎｇ　ａｎｄ　ｉｎｔｅｒｐｒｅｔａｔｉｏｎ　ｏｆ　ｔｈｅｓｅ　ｔｙｐｅｓ　ｏｆ　ｅｆｆｏｒｔｓ／ｅｖｅｎｔｓ．

Ｉｔ＇ｓ　ａｌｌ　ａｂｏｕｔ　ｇｏｏｄ　ｃｏｍｍｕｎｉｃａｔｉｏｎ． 

Ａｕｄｉｏｖｉｓｕａｌ　ｐｒｏｄｕｃｔｓ　ｕｓｕａｌｌｙ　ｍａｎａｇｅｓ　ｔｏ　ｅｘｐｏｓｅ　ｉｓｓｕｅｓ　ｗｉｔｈ　ｍｕｃｈ　ｍｏｒｅ　ｏｂｊｅｃｔｉｖｉｔｙ，　ｉｎ　ａ　ｃｏｍｐｌｅｔｅｌｙ　ｃｌｅａｒ　ａｎｄ　ａｃｃｅｓｓｉｂｌｅ　ｗａｙ　ｆｏｒ　ｅｖｅｒｙｏｎｅ．

                                                                                              ू꒰ꇐωꇐ ू꒱

Ｃａｐｔｕｒｅｓ　ｔｈｅ　ｅｓｓｅｎｃｅ　ｏｆ　ａｒｔ　ａｎｄ　ａｒｔｉｓｔｓ. Ｅｖｅｎ　ｂｅｉｎｇ　ａｒｔ　ｉｔｓｅｌｆ．

Ｉｓｎ＇ｔ　ｔｈａｔ　ｉｍｐｏｒｔａｎｔ？

Ｓｏｍｅ　ｅｖｅｎｔｓ ｅｘａｍｐｌｅｓ  ᔪ꒰ ꒪ω꒪ |||꒱

Ｔｒａｎｓｉｔａｒｔｅ　

ＦＩＡ　Ｆｅｓｔｉｖａｌ　Ｉｎｔｅｒｎａｃｉｏｎａｌ　ｄｅ　ｌａｓ　Ａｒｔｅｓ　Ｃｏｓｔａ　Ｒｉｃａ　

Ｆｅｓｔｉｖａｌ　Ｎａｃｉｏｎａｌ　ｄｅ　ｌａｓ　Ａｒｔｅｓ　ｄｅ　Ｃｏｓｔａ　Ｒｉｃａ

Ｃｏｓｔａ　Ｒｉｃａ　Ｆｅｓｔｉｖａｌ　Ｉｎｔｅｒｎａｃｉｏｎａｌ　ｄｅ　Ｃｉｎｅ：　ＣＲＦＩＣ

ＦＩＤ　Ｆｅｓｔｉｖａｌ　Ｉｎｔｅｒｎａｃｉｏｎａｌ　ｄｅ　Ｄｉｓｅñｏ　Ｃｏｓｔａ　Ｒｉｃａ　

               Ｆｏｒｃｅｄ░ｃｏｎｎｅｃｔｉｏｎｓ

                                Wₑ ₜₕₒᵤgₕₜ ₒf ₗᵢfₑ ₜᵣₐₙₛfᵤₛᵢₒₙₛ ₐₛ                         ＄＄＄      ₐ fₒᵣₘ ₒf ₚₐyₘₑₙₜ. ＄＄＄＄

ᶜᵃⁿ'ᵗ ˢᵖᵃʳᵉ ᵗʰᵉ ᶜᵃˢʰ? ᵗʳᵃⁿˢᶠᵉʳ ˢᵒᵐᵉ ᵒᶠ ʸᵒᵘʳ ᵈᵃʸˢ ᵒⁿ ᴱᵃʳᵗʰ ᶠᵒʳ ˢᵒᵐᵉ ⁱᵐᵐᵉᵈⁱᵃᵗᵉ ˢᵉʳᵒᵗᵒⁿⁱⁿ! ᵂᵃⁿᵗ ᵃ ⁿᵉʷ ᶜᵉˡˡ ᵖʰᵒⁿᵉ? ᴳᵉᵗ ⁱᵗ ⁿᵒʷ! ᵂᵃⁿᵗ ᵃ ⁿᵉʷ ᶜᵃʳ? ᴰᵒⁿ'ᵗ ˢᵉᶜᵒⁿᵈ ᵍᵘᵉˢˢ ʸᵒᵘʳˢᵉˡᶠ! ᴬ ᵗʳⁱᵖ ᵗᵒ ʸᵒᵘʳ ᶠᵃᵛᵒʳⁱᵗᵉ ᶜᵒᵘⁿᵗʳʸ? ʸᵒᵘ ᵈᵉˢᵉʳᵛᵉ ⁱᵗ! ᴵᵐᵐᵉᵈⁱᵃᵗᵉ ʰᵃᵖᵖⁱⁿᵉˢˢ, ᶠᵒʳ ʲᵘˢᵗ ᵒⁿᵉ ᵖᵃⁱⁿˡᵉˢˢ ᵗʳᵃⁿˢᶠᵘˢⁱᵒⁿ!

ᴰᵒⁿ'ᵗ ᵗʰⁱⁿᵏ ᵗʷⁱᶜᵉ, ʸᵒᵘ ᵒⁿˡʸ ˡⁱᵛᵉ ᵒⁿᶜᵉ! 

Ｄａｖｉｄ　ＯＲｅｉｌｌｙ＇ｓ　ｓｕｂｖｅｒｓｉｖｅ　ｓｔｙｌｅ　ｉｓ　ｐｏｓｓｉｂｌｙ　ｈｅａｖｉｌｙ　ｉｎｆｌｕｅｎｃｅｄ　ｂｙ：　

ｖｉｄｅｏ　ｇａｍｅｓ ｐｏｐ　ｃｕｌｔｕｒｅ ｃｕｒｒｅｎｔ　ｅｖｅｎｔｓ ｄａｒｋ　ｈｕｍｏｒ【ᵈᵉᵃᵗʰ, ᶜʳⁱᵐᵉ, ᵖᵒᵛᵉʳᵗʸ, ˢᵘⁱᶜⁱᵈᵉ, ʷᵃʳ, ᵛⁱᵒˡᵉⁿᶜᵉ, ᵈⁱˢᶜʳⁱᵐⁱⁿᵃᵗⁱᵒⁿ, ᵈⁱˢᵉᵃˢᵉ, ᵃⁿᵈ ʰᵘᵐᵃⁿ ˢᵉˣᵘᵃˡⁱᵗʸ】 ｈｉｓ　ｏｗｎ　ｉｎｔｅｒａｃｔｉｏｎｓ　ｗｉｔｈ　

                                             ｌｉｆｅ ᵃⁿ ⁱⁿᵗᵉʳⁿᵃˡ ᵐᵒⁿᵒˡᵒᵍᵘᵉ

（•̀ᴗ•́░）و  

                  （•̀ᴗ•́░）و                  

૮・ᵔ・ა  

               ᵀʰᵃᵗ'ˢ ʰᵒʷ ʰᵃᵖᵖⁱⁿᵉˢˢ ʰᵃᵖᵖᵉⁿˢ. ᴵⁿ ᵖⁱᵉᶜᵉˢ, ᵃᵗ ᵗⁱᵐᵉˢ. 

ᵂʰᵉⁿ ʸᵒᵘ ᵃʳᵉ ᵃ ᶜʰⁱˡᵈ ʸᵒᵘ ᵉˣᵖᵉᶜᵗ ᵍʳᵉᵃᵗ ʰᵃᵖᵖⁱⁿᵉˢˢ, ˢᵒᵐᵉ ᵉⁿᵒʳᵐᵒᵘˢ ᵃⁿᵈ ᵃᵇˢᵒˡᵘᵗᵉ ʰᵃᵖᵖⁱⁿᵉˢˢ. ᴬⁿᵈ ʷʰⁱˡᵉ ʷᵃⁱᵗⁱⁿᵍ ᶠᵒʳ ᵗʰᵃᵗ, ᵒⁿᵉ ᵐⁱˢˢᵉˢ ᵒʳ ᵈᵒᵉˢ ⁿᵒᵗ ᵃᵖᵖʳᵉᶜⁱᵃᵗᵉ ᵗʰᵉ ˢᵐᵃˡˡ ʰᵃᵖᵖⁱⁿᵉˢˢᵉˢ, ᵗʰᵉ ᵒⁿˡʸ ᵒⁿᵉˢ ᵗʰᵃᵗ ᵉˣⁱˢᵗ. ᴵᵗ'ˢ ˡⁱᵏᵉ...

⁻ᴵᵐᵃᵍⁱⁿᵉ ᵃ ᵇᵉᵍᵍᵃʳ ʷʰᵒ ᵈⁱˢᵈᵃⁱⁿˢ ᵃˡᵐˢ ᵃˡᵒⁿᵍ ᵗʰᵉ ʷᵃʸ, ᵇᵉᶜᵃᵘˢᵉ ʰᵉ ʰᵃˢ ᵇᵉᵉⁿ ᵍⁱᵛᵉⁿ ᵗʰᵉ ʰᵒᵖᵉ ᵒᶠ ᵃ ᶠᵒʳᵐⁱᵈᵃᵇˡᵉ ᵗʳᵉᵃˢᵘʳᵉ. 

                                         ᴬ ⁿᵒⁿ⁻ᵉˣⁱˢᵗᵉⁿᵗ ᵗʳᵉᵃˢᵘʳᵉ.                                  

 PLEASE SAY SOMETHING

Connections my mind made:

Industrial_memetics: agit-prop, memes and music page

Lakeview Hotel from Silent Hill 2 (2001) 

“Well, I'm alone there now... In our 'special place'... Waiting for you...” — Mary's letter to James

Also the hotel from The Shining (1980)

The End of Evangelion (1997) I think there are more smol references from Evangelion.

500 Days of Summer (2009)

????? / HELL 

Discovery ?????

Fear ?????

Masquerade ?????

Unmask ?????

Influence ?????

Reset ?????

Imagination is a serious matter, a collective power which can really change things and perceptions. Hitchcock once said "There is something more important than logic: imagination".

WOFL 2106

The following frames were selected based on the visual elements that compose them and my own reading of them: the contrasts -which are maintained throughout the short-, the red color of the blood and the sky in the background, a sunset (the fresh death), what the curved shapes can mean, the birth of more life from death.

【Ｖｉｓｕａｌ】

An animal encounters the death of a similar one

The process of mourning

Death brings life too

Rebirth

Continuation of a different life.

【Ｔａｃｔｉｌｅ】 

Death and change are inevitable parts of our life. 

New life

New start

Crying to avoid exploding and continue until our “end”.

【Ｃｏｎｃｌｕｓｉｏｎｓ】

Nothing is lost, nothing is created, everything is transformed.

Facing death and grief is part of growing.

Create connections

Investigate the invented    ａｎｄ                    

                                                        ₑₓₚₗₒᵣₑ yₒᵤᵣ ₒwₙ ᵢₘₐgᵢₙₐₜᵢₒₙ.

1. Fantasy, invention and creativity think, imagination sees.

2. We can speak of design as the projection of an object, a symbol, an environment, a new didactic or a new design method, as an attempt to solve collective needs.

3. Imagination makes visible what fantasy, invention and creativity think.

4. While fantasy, invention and creativity produce something that did not exist before, imagination can also visualize something that already exists but is not among us at the moment.

5. The more the individual is able to establish relationships, the greater and more vivid the fantasy will be.

6. Fantasy is free to think of absolutely invented things, but it does not care to verify whether what it thinks is new or not.

7. Two types of novelty exist: novelty for the individual and absolute novelty.

Novelty is the state or quality of being new, exciting, unusual or unique.

8. Making connections between visual or functional affinities is an exercise for fantasy.

9. Popular culture is a continuous manifestation of fantasy, creativity and invention.

10.Tradition is the sum of the values of the collectivity, and the collectivity must continually renew itself if it is not to perish.

Social collectives are assemblages of actors that affect and are affected by others or by a specific object or situation, and eventually share a common situation-specific understanding of the self as part of a collective.

Chew it:

1. Don’t overthink, create, it does not matter if you fail. Overcome your fear of sucking, it’s a decision.  

Do, do, do. 

NEVER wait for inspiration, you can start creating right now. Inspiration comes from sitting down and getting to work, the more you try, the more inspiration comes. 

2. Surround yourself with creatives, fill your social media’s feeds with creative sources.

3. Don’t avoid conflict, don't avoid being a critical person, but never appropriate social struggles that don't belong to you. 

If you avoid conflict to keep the peace you start a war inside yourself. - Cheryl Richardson

4. FEEDBACK SHOULD BE PART OF THE PROCESS and not something that happen at the end.