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completely forgot to make a post about it like i intended to, but i did my typical rewatch of the h.allmark movie that most of elegy’s icons are from and as per usual.. emotions
it’s just.. gosh i love that movie so much. and it probably had a hand in how i write elegy, pfft. idk i’m very tired rn ( not bad, thankfully ! just busy ) so my thoughts aren’t coherent ( hopefully they will be if i try later ) but .. yeah. :))
also just look how perfect this is i can’t get over it
rewatching w.km for the anniversary got me thinking about something about elegy
( btw when i say ‘the da’, i mean the viewer, but in elegy’s timeline he is the viewer so i’m going with ‘the da’ in reference to whatever the role is of the person who used to be the da )
i tend to just go with it when other people refer to elegy as the hero but
elegy is the villain of their story. and they’re aware of it. they fully believe they are the villain of the situation, and they’re not trying to ignore it. they’re actively playing that role. they’re trying to bring the da down dangerous paths, have them make bad decisions, etc — and keep them away from dark, the person they know the da is trying to get back to.
elegy is the villain. and the main character is the da.
they are trying to antagonize the da.
every ‘we should split up’, every dangerous option, every ending that leads to death and destruction and resetting — it’s not just elegy’s horrible coping mechanisms and the entity forcing them to relive different versions of how they couldn’t save everyone. it’s elegy playing the villain.
( which, one could argue, is a bad coping mechanism as well but we dont have time to unpack all that )
in that same vein — elegy isn’t entirely conscious of what they’re doing, while they’re in the stories. they’re running along plotlines, just as much as the da is. they’re playing a character, to the point where they do so blindly. the only awareness elegy has is when they step offset, and that only happens when something goes wrong or the entity calls cut on the scene. elegy doesn’t actively control the scenes or the stories — the entity does most of the work. from the beginning, it was the entity feeding him ideas and convincing him that they were his ideas. now that everything is in its world, though, it doesn’t have to keep pretending.
"You're snapping. Headache again?" // @scriptvoiid to celine !
♪ the entire day, celine had been angry, feeling as if she were one breath away from tearing herself and everything around her apart. she didn't know why, and that fact alone made her anger bubble even more throughout the day.
♪ when elegy had spoken to her, it felt like her head was pushed under water. she set her jaw as he asks her a question--something about her day, she doesn't know, she's just trying to figure out why she's angry--and, unfortunately for elegy, celine didn't realize how her reply would sound.
♪ "elegy, i don't really care to talk right now," she snaps. and when he points it out, she nearly wants to explode.
♪ and she nearly does, honestly. until she feels a piercing sensation right behind her eyes, making her groan and hold her head. her other hand firmly grasps the back of the wooden chair, her dulled nails digging into the wood.
♪ "... fuck," she murmurs, her breaths getting heavier. "yeah. yeah, headache again," her voice is softer this time around, "i'm sorry, dear."
Brows furrow, lips tight — a sharp inhale at Celine's snapped reply, then a slow exhale. Her hand to the back of the chair almost makes contact with his shoulder, and it is as though he can feel the tension surrounding her, managing to infect the air. Elegy sets aside the paper he’d been perusing — nothing interesting enough to keep him occupied, anyway — and stands, turning to Celine. Not yet touching her, but holding out a hand in gesture of asking permission.
“ Had a feeling... ” he murmurs, concerned gaze falling over her tight expression. A glance down to her hand, gripping at the chair like it’s a lifeline — and he can’t help the small “ Don’t take it out on the chair, ‘line, ” that slips out. A quick “ sorry ” is hastily bid, “ bad timing. ”
What is he meant to do ? He’s no expert on caring for other people. It’s times like these when he wishes Damien were nearby — surely, he’d have something helpful to offer. Celine is his sister, at that ! But Elegy is the one who is there, and Elegy will have to find a way themself. Be the knight, then ?
“ Is it the — ah.. ” he goes to ask, in reference to her supernatural practices, but hesitates. Invoking her protectiveness over her powers might not be the best course of action.
“ … You don’t have to talk. Just nod, if you’ll do that for me ? ” Carefully, gently, he pulls her hand from the back of the chair, holding her hand instead. “ — and take it out on me, not the chair. Poor bystander. ” A bit of humor ! He isn’t more worried about the furniture than he is about her ! “ … Now, will you walk outside with me ? Some fresh air might help. I’ve no idea how long you’ve been up in your room. ”
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i’m having therapeutic movie night with irl friend tonight .. and we’re watching a h.allmark movie. the h.allmark movie that elegy’s fc came from. i’m sure this won’t end badly.
i’m having therapeutic movie night with irl friend tonight .. and we’re watching a h.allmark movie. the h.allmark movie that elegy’s fc came from. i’m sure this won’t end badly.
@starywisteria asked : “ NOTE ” [ For Kitty or Wilford ] // [ prompt ]
“ Kitty —
I quite understand if you’re busy ( this is on rather short notice ) , but if you aren’t, I’d like to treat you to lunch. Something different from those cast parties — a lunch, between friends, to celebrate our next soon - to - be - success ?
Nothing fancy ( unless you want it to be ) . Just an afternoon to relax. What do you say ?
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@rosetintedgunman asked : "NOTE" - William on rosetintedgunman :3c // [ prompt ]
“ William —
If you’re going to make a mess in the mudroom, the very least you could do is keep from tracking it everwhere. Poor Benjamin made quite the fuss when he found boot tracks past the mat … I expect you know nothing about it ?
Really, it’s as if your mission is to make a complete mess of the Manor rather than repair it. If you are … the least you could do is make it a fun mess.
@eighthjuror asked : ❝ you’re not the person i remember. you’ve changed. ❞ - celine! // [ prompt ]
Elegy’s laugh was tight, forced. They smoothed their jacket panels out, hands then slipping into the pockets of their trousers. All black, save for a starkly red jacket. “ Dear Celine, such coldness for an old friend. Change isn’t always for the worse … not for me, at least. ”
They chose change. Did they ? Or were they forced ? No. They wanted this. They still did. Never - ending chances for vengeance !
Their smile, venomous and sharp, met Celine. Eyes, no longer grey, but red. They begin to pace, dress shoes carrying them along the floor, keeping a berth from Celine — but almost circling her. “ Maybe I have changed. ” A small shrug. Another dark smile. “ Would that be so shocking ? ”
@eighthjuror asked : ❝ someone here is not who they say they are. ❞ - celine! // [ prompt ]
Chin lifted from their hand, which had sat propped against the nearby table. Slow gaze cast over to her. “ Are they, now ? ”
Not who they say they are ? How observant of you. “ Whatever gave you such a notion ? ” He stood, fixing his cuffs as he did so. Habitual motion, fixing and adjusting — clothes, hair, cuffs. The question was asked casually ; nonchalant, as though the notion of a liar among them was of no bother to him. Too empty. Too emotionless.
“ Surely, it can’t be as serious as you’re making it seem. ”
a more comprehensive history of elegy
( namely, in relation to their relationships with other characters )
( putting it under the cut because it is quite long whoops )
( something I’ve been meaning to get around to sharing for a while, since it’s. kind of important oops. also i apologize if this is slightly unintelligible; i’m still kind of out of it )
~
They met the gang in University. First was Damien — dear Damien, always the sweet and friendly figure who manages to find the most interesting people to make friends with. Then, of course, followed Celine, and then later William after a very entertaining chance meeting between two grand personalities. Later arrived the DA, who was introduced by Damien into the group.
The five of them were a tight - knit group. Great friends, often together and never separated for too long. Even as Elegy’s acting career grew greater and as everyone’s lives shifted them further apart, they remained in close contact. Exchanging letters and meeting when they could, Elegy of course always present on stage and screen when they could not properly be met in person. With Damien’s election and term underway and taking up a majority of his time, along with the DA’s, followed by Celine’s thirst for travel, and William’s being drafted, those communications grew scarce.
It was then that Elegy began to disappear.
Letters fell from frequent to rare, and job offers were being declined. Elegy rarely appeared in any production of any sort — and then, they stopped completely. Many speculated that Elegy was giving up. Maybe they had finally broken under pressure. Maybe the mighty had fallen.
In reality, far from that. But what was the paper to know ?
The Entity had overtaken them. Controlling their mind and body, twisting every memory and minor mistake into false stories of betrayal and lies. Falsehoods fed to Elegy that their friends had all abandoned them. Left them behind in favor of greater prospects. Used them and thrown them away.
Elegy hardly left their room, much less the Manor. The staff were all but gone, either having left of their own choice or been let go. ( Save for the select few we see in W.KM, of course, and a few others. can we please give Benjamin a Best Butler award ? ) . Their time was spent pacing alone or arguing with what seemed to be nothing. Nothing seemed wrong, when faced with them. The dismissal of any problems, and the familiar grandeur the actor had always held, were still strongly present. Until one saw their forced mannerisms, heard the hollow sound of their laugh, or met their eyes and found nothing behind them. Saw the way they turned every mirror around and leapt at shadows in those moments when the Entity’s grasp slipped.
Another note : Elegy never married Celine. Celine was given a room of her own in the Manor for her practice and hobbies, and free to visit the Manor as she pleased, but was not the Mistress of the Manor. I don’t think they were ever together, but that’s yet to actually be officially decided, and can be decided / altered depending on writer / thread. This also would mean that the affair wasn’t what tore the family apart — though, William and Celine having a relationship they told no one about would only be another pain for Elegy and another supply of ammunition for the Entity’s arguments.
Some time during or after that was when they met Abe. Convinced that they needed something more to work with and someone else on their side in that elaborate plan, Abe was hired to assist them. Whether they knew Abe before that is up for debate and up to interpretation ( tbh it could easily be decided depending on whose version of him it is ) . Regardless, Abe’s job was to keep watch over the news for Elegy. Inform them if anything happened — namely, when concerning their friends. They weren’t reading the newspaper on their own. They hadn’t been since they’d disappeared. Papers weren’t even delivered to their study anymore, and letters of many months past still remained unopened.
We all know how that poker night panned out.
With it ended in a horrible tragedy, their old friends led to ends they could not bear, Elegy’s denial of it gave them a second chance . . . and another. Each time, ending in another failure. They’re the viewer, after all.
So many failures, and they eventually realized that there was no “ happy ending ” . They caused all of it. The Entity affirmed that to them. They realized they were the villain. They stepped into the role.
They run through the stories, a happy ending given up on. Now, they walk the stories in search of . . . well, something. They’ll know it when they find it. Maybe it’s that crystal.
Maybe it’s that Box. They led a Heist to find it, with the Accomplice ( against Elegy’s will ) joining them.
Then came Space. The captain of the Invincible. ( It’s in their bio, we can skip this part. )
Only, things on their Invincible are different.
For starters, Mack is their Head Engineer.
They do have a Mark ( as well as the rest of the Crew ) , but he’s very distant from the bridge. He and Elegy have hardly crossed paths or, at least, Elegy didn’t notice and/or care enough to remember. They constantly butt heads with Mack, but the large egos sort of . . . keep them both in check. Especially with Elegy being the Captain, and therefore above Mack. It helps that they rarely give out praise.
Lady ? They’ve run into them. Bandit and the others, though ? Nope. Not yet, at least.
In some stories, the viewers may meet one another. Invincible I and Invincible II. Paths that have crossed inter - dimensionally.
The Captain in question changes the relationship, so there’s no set dynamic ( given how different all of them can be, of course ! ) . Elegy won’t immediately recognize them as the DA / anyone else they’ve known through their many performances, as they have long locked those memories away, but over time those memories may return to them and they may begin to remember.
After Space ? Well, that’s a time period to be explained on another post.
( psst hey look I already wrote about it here hehe ( though technically it’s au but shhh, i wanted a good ending ) )
╰┈➤ STARTER PROMPTS : A Murder Most Foul : Murder Mystery Muses
a set of generic starter prompts, all with a basis in the murder mystery genre !
— DIALOGUE
❝ you all were invited here for a reason. ❞
❝ we’re trapped here. ❞
❝ should we call the authorities ? ❞
❝ i’m going to figure this out. ❞
❝ i know how this looks, but i swear it was the butler. ❞
❝ this isn’t a textbook mystery with a candlestick - in - the - library solution. ❞
❝ there’s no way it was the butler. that only happens in bad movies ! ❞
❝ calm down, we won’t be able to figure anything out if we don’t do this logically. ❞
❝ you have a lot of explaining to do. ❞
❝ i’ve examined the evidence, and i have a conclusion. ❞
❝ someone here is not who they say they are. ❞
❝ murder ! murder ! ❞
❝ who could have done this ? ❞
❝ if you are innocent, then you have nothing to be afraid of. ❞
❝ i’m going to need to ask you some questions. ❞
❝ where were you when the murder occurred ? ❞
❝ i have an alibi ! ❞
❝ you’ve been awfully quiet. ❞
❝ you ! how could you do this ? ❞
❝ they trusted you, and you stabbed them in the back ! ❞
❝ you stabbed them in the back ! literally ! ❞
❝ only one person will make it out alive tonight. ❞
❝ what were you doing by the body ? ❞
❝ speak up ! we can’t waste time while lives are on the line ! ❞
❝ between you and me, there’s something sinister going on here. something we haven’t even begun to uncover. ❞
❝ can i go with you ? i don’t want to be alone. ❞
❝ we cannot allow the paranoia to turn us against each other. ❞
❝ i trusted you ! ❞
❝ oh my god — it’s you ? you’re the murderer ? ❞
❝ please don’t hurt me. ❞
❝ do i even know who you are anymore ? ❞
❝ stop with the charades ! ❞
❝ it’s down to you and me. ❞
❝ it’s going to be okay. i don’t know how, but it will be. ❞
❝ don’t you trust me ? ❞
❝ stop right there ! ❞
❝ it was you all along ! ❞
❝ it was me all along. ❞
❝ please, don’t act so shocked. you could have figured it out if you’d tried hard enough. ❞
❝ everyone, stop ! i know who the culprit is ! ❞
— ACTIONS
[ DINNER ] — both SENDER and RECEIVER have been invited to a mysterious dinner. SENDER breaks the silence ( specify how ) .
[ DINE ] — both SENDER and RECEIVER have been invited to a mysterious dinner. RECEIVER breaks the silence.
[ INVITED ] — SENDER, while at an elegant invite - only dinner party with RECEIVER, reveals themself as the organizer of the ordeal.
[ INVITATION ] — RECEIVER, while at an elegant invite - only dinner party with SENDER, reveals themself as the organizer of the ordeal.
[ CORNER ] — SENDER stops RECEIVER in order to question them ( on their knowledge of the night / of a specific accusation / etc )
[ QUESTION ] — RECEIVER stops SENDER in order to question them ( on their knowledge of the night / of a specific accusation / etc )
[ RED HANDED ] — SENDER catches RECEIVER with blood on their ( hands / clothes / etc ) — literally.
[ RED HAND ] — RECEIVER catches SENDER with blood on their ( hands / clothes / etc ) — literally.
[ BROKEN ] — SENDER, hearing the distant sound of something fragile breaking, comes running into the room to find RECEIVER standing over the broken pieces.
[ BREAK ] — RECEIVER, hearing the distant sound of something fragile breaking, comes running into the room to find SENDER standing over the broken pieces.
[ DON’T SPLIT UP ] — in order to keep from being alone with a potential threat in their midst, both SENDER and RECEIVER stick together when the remainder of the group disperses.
[ ACCUSE ] — SENDER, at an elaborate event turned murder mystery, accuses RECEIVER of not being who they say they are . . . or even of being the murderer.
[ ACCUSED ] — RECEIVER, at an elaborate event turned murder mystery, accuses SENDER of not being who they say they are . . . or even of being the murderer.
[ SECRET ] — SENDER secretly confronts RECEIVER over a matter of ( evidence / accusation / suspicion / worry / etc )
[ SECRETIVE ] — RECEIVER secretly confronts SENDER over a matter of ( evidence / accusation / suspicion / worry / etc )
[ REVEAL ] — SENDER, after a long night of secrets and betrayals and mysteries, is revealed as being the ( murderer / culprit / etc )
[ REVEALED ] — RECEIVER, after a long night of secrets and betrayals and mysteries, is revealed as being the ( murderer / culprit / etc )
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Send "eavesdrop" and I'll write receiver finishing a conversation (about sender) with an NPC, only to turn around and find sender was listening
maybe they were listening on purpose! maybe they just walked in and caught the tail end of it! specify a topic to be talking about (e.g. gossip about event abc) or it is receiver's choice