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2025 on Tumblr: Trends That Defined the Year
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@scribbs-musing
me: to really understand Frankenstein, we have to take into account that Mary Shelley was surrounded by creative men who really didn’t take her seriously, so in addition to sci-fi horror, it can also be read as an exploration of female creative frustration and-
The burglar that broke into my house: bodily autonomy?
me: exactly. Now,
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They bounce! 🧡💚💙
locked the fuck in get my money up
ME AND WHO
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Some more SPY X CROSSING drawings! I had to do another version of the Loid, Yor, and Anya :) Consider the original piece the "Forger Family" version of them all
Stay tuned for more! I've got several more spyfam characters, as well as several more AC crossovers, planned!
Jacob Elordi | Frankenstein: The Anatomy Lesson (2025)
"Del Toro sees Victor as "an arrogant, abusive father" and the monster as a "tragic child." "Our Victor is a selfish child," says del Toro, "who was hurt himself and therefore thinks the world owes him everything. He is trying to measure up to 'Daddy' ... Victor is like some tech bros— oblivious to consequence-consumed by a vision in the abstract. And, like all tyrants, he believes himself a victim." [Frankenstein: Written and Directed by Guillermo del Toro]
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i am not articulate enough to make this sound coherent rn. but the cycle of familial violence portrayed in gdt's frankenstein, set against the backdrop of the cycle of violence in society with the constant references to the wars. the creature finding beauty and connection in nature, feeding the deer until it is shot dead. his speech about the wolves and the sheep, how they don't hate each other, it's just in their nature to kill and be killed.
it seems like these cycles will never end but they can. you can turn your ship around. you can forgive your father. you can walk into the snow and feel the sun upon your face. you can, you can, you can.
sun. light. sunlight. face it. the sun is life. the sun is warmth
frankenstein (2025) + the gothic bridal carry
I think all book purists and ardent lovers of Shelley's novel who are jumping on GDT's Frankenstein movie and are raging against it already because it's different from the novel need to take several things into account:
GDT is a big fan of monsters. He loves monsters. He takes monsters' side over humans all the time or most of the time.
In his movies monsters are often complex and sympathetic, while the humans are the real monsters.
GDT personally made fix-it fanfic movie Shape of Water based on Creature from the Black Lagoon where fish monster and main female character had romance and ended up together.
At one point during promotion of his Frankenstein GDT said that his fave Dracula adaptation is Coppola's Dracula. Yes, he read the novel. No, the differences don't matter to him.
Because GDT doesn't care about book purism and book fidelity or book canon in general. Here's what he also said while promoting his Frankenstein: "What I find beautiful is that when you create a universal myth, whether it's Frankenstein, Pinocchio, Dracula, or Sherlock Holmes, the myth itself rises so far above the original material that any interpretation is equally faithful if done with sincerity, power, and personality. If you think in terms of fidelity to the canon, you would be completely paralyzed."
Now, taking into account points 1-5 here's a very simple message and conclusion: GDT has never been a person you should or can expect perfectly faithful adaptation of Mary Shelley's novel from. He was never a guy for this job. He was always going to make his very own take with his very own brand of approach. Yes, with extra villainous Victor, yes, with uber sympathetic Creature, yes, with some Elizabeth and Creature romance, yes, with everything else he cut, changed and all that.
So instead of jumping on GDT or his movie you can either approach it as its own thing and vibe with it, or if you can't manage to do that then really, you still have Shelley's novel, nobody's taking it from you, just reread it, watch other adaptations of it, like that ballet or the Hallmark miniseries.
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Oscar Isaac reading Mary Shelley's Frankenstein you have no idea what you do to me
