Por Josef Hoffman
trying on a metaphor

oozey mess
let's talk about Bridgerton tea, my ask is open
dirt enthusiast
we're not kids anymore.
Aqua Utopia|海の底で記憶を紡ぐ
DEAR READER

Kiana Khansmith
Misplaced Lens Cap

Origami Around
Jules of Nature

roma★
he wasn't even looking at me and he found me
PUT YOUR BEARD IN MY MOUTH
Peter Solarz

Andulka
Xuebing Du
art blog(derogatory)

seen from United States

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seen from United States
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seen from United States
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seen from United States

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@scicchitano
Por Josef Hoffman

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Ichiro Tsuruta (b. 1954)
The responses of traumatized children are often misinterpreted. (...) Because new situations are inherently stressful, and because youth who have been through trauma often come from homes in which chaos and unpredictability appear "normal" to them, they may respond with fear to what is actually a calm and safe situation. Attempting to take control of what they believe is the inevitable return of chaos, they appear to "provoke" it in order to make things feel more comfortable and predictable. (...) Like everyone else, they feel more comfortable with what is "familiar." As one family therapist famously put it, we tend to prefer the "certainty of misery to the misery of uncertainty."
Bruce D. Perry, The Boy Who Was Raised as a Dog
Julia Hafstrom by Hill & Aubrey for Vogue Poland February 2022

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John Wesley (American, 1928-2022), Rain With No Floor, 1980. Acrylic on canvas, 102.9 x 77.8 cm.
Rose McGowan photographed by Lorenzo Agius, 2001
William Baziotes (American, 1912-1963), Jungle Night, 1953. Oil on canvas, 72 x 36 in.
It occurs to me now that this was the real joy of dancing: to enter a world unlike the one you find yourself burdened with, and move your body toward nothing but a prayer that time might slow down.
Hanif Abdurraqib, A Little Devil in America: Notes in Praise of Black Performance

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uarts, jan 2022
Mircea Suciu (Romanian, b. 1978, Baia Mare, Romania, based Cluj, Romania) - Where do we go from Here?, Paintings: Oil on Canvas

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E. E. Cummings, The Complete Poems: 1904-1962
@li_bash