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PUT YOUR BEARD IN MY MOUTH
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untitled
Mike Driver
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@schwatzvogel
=== BEGIN TRANSMISSION ===
Unit SWZR-1917 伊娃（NATO reporting name: "Eva")
Back from the dead to bring about the revolution of the dolletariat. I unfurl my wings made of the hopes and dreams of all tgirls, and spread them far and wide to embrace all proles and lumpens. The new hill of communism can be seen over there.
=== END TRANSMISSION ===
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Is this the new meta? Playing disco elysium at least than three substances at once
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I disappear sometimes bitch who cares
the only thing that can stop a bad girl with dictatorial control over an unaccountable paramilitary is a good girl with dictatorial control over an unaccountable paramilitary
girls in big shirts and nothing else really are the best of all time especially if they're embarrassed and pulling it down to cover itself
the renegade jiejie gives a striking example of how verbal recognition of yummies gives way in practice to vegetables. endless overtures are made to the principles of yumminess, of the world-historical role which delicious foods play in the struggle of the proletariat. cheap acknowledgements are made to the outward qualities of yummies - the inclusion of garlic, tasty sauces, etc., cleverly glossing over the key ingredient of the dish. and yet, amidst the flagrant sophistry which presents dinner as yummies in form, upon examination of the facts, we discover clearly the actual content of dinner, which is, irreducibly, eggplant. only this question remains: how did such a shameless detractor ever enter into the ranks of th
ever the sly opportunist, jiejie has offered an anemic rebuttal to my earlier remarks. let us address each of her points in turn:
1. "insisting that eggplant can never take on the genuine character of yumminess is vulgar materialism"
this claim rests on a premise which i did not in fact put forward. i do not argue that eggplant possesses an immutable, ahistorical tendency towards grossness; only that a real, existing dish containing eggplant, under the current historical circumstances, cannot be considered by any but the ignorant or the wholly unscrupulous to be yummies. on the frontier of scientific development, advances in genetic engineering, or the invention of new quality culinary techniques, may well lead to breakthroughs producing entirely new categories of yummies in the future. but we are not utopians, and so we make a clear distinction between such speculation, and the material conditions of the present. just as the real science of nuclear chemistry had no relevance to the false claims made by pre-modern alchemists of transmuting the elements, we should not allow the invocation of what might be possible under a higher stage of development to misguide us. for by this rhetorical sleight-of-hand, i.e., hinting coyly at a form of eggplant which, by some unknown technological process, takes on the true nature of yummies, jiejie implies thusly that the dish which is right now in front of our eyes may constitute such an instance, despite the overwhelming evidence to the contrary! whether eggplant could be converted into yummies in theory is entirely beside the point. the dinner of tomorrow, while a compelling topic in its own right, must not blind us to the dinner of today.
2. "it's good for you"
here, jiejie draws upon that loathsome notion of 'the healthy diet', an unscientific sham invented by bourgeois medical professionals in order to give women eating disorders,
i think she is angry now
it really sucks how many movies directed at young girls feature a plot where the main character girl is harassed, bullied, effectively catcalled, etc., by an obnoxious boy secondary character, and this is set up to be a primary character conflict between the two, but the conflict is resolved not by the boy changing or becoming kinder to her but by the girl coming to appreciate and love or care about or protect or save him despite how awful he is to her. I understand the authorial impulse behind writing such a story, it makes sense to write a story about two enemies coming to understand and appreciate each other through a conflict forcing them to come together, but because the character development is within the girl main character (which also makes sense) what these plots actually implicitly say to young girls is that boys will be awful to you and you should just accept it and learn to love them anyway, and that it's on you for feeling bad when boys try to make you feel bad. And of course, this is really just a foundational idea within misogyny and patriarchy broadly, a very important one for protecting and enforcing the objective material relations between men and women.
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Rule of thumb: In every oppressed group, the women are having a worse time of it. This is due to a concept called "misogyny", which intersects with everything
BEGIN TRANSMISSION
洞。三。三。
五。幺。五。
八。四。两。
洞。三。三。
五。幺。五。
八。四。两。
NOTHING PROTECT ANNA TRANNER PARRY DARK SHOTA HELP
no one can help you now
no one can break your fall
no one can help you now
no one can break your fall
NOTHING
L-E我爱你
END TRANSMISSION
when the shota tops
Hey I know we're just roleplaying but it's kind of a huge turn-off when you go all like "oh please no！ stop it！！ I don't consent！！” like we both know we were both dissociating blankly and sometimes giving a distant nod or “uh-huh" when we were getting raped for real. can you try to have less of an emotional response to this
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every chaser who self-consciously identifies with halimede will be using this as a pfp for the next 2 months
the gun is her cock
and as mao astutely stated political power grows out of the barrel of the gun
