fandom resources
a guide to help with ao3 tagging
useful resources for fanfic writers and readers
dc meta lists
lonnie machin / anarky reading guide
jason todd meta list
fic rec lists
star wars fic recs
dc fic rec lists
jason todd-centric fic recs
dc/marvel crossover fic recs
dc poly ships fic recs
brujay fic recs
brudick fic recs
sladick explicit fic recs
sladick mature fic recs
batfamily fic recs that will make you laugh
batfamily fic recs which are told through unusual formatting
batfamily fic recs which are told from an outsider’s perspective batfamily/dc fic recs where original characters are main characters batfamily fic recs where the main character is transgender and/or non-binary
dc/batfamily fic recs where the main character is asexual and/or aromantic
personal tags:
#sashene creates -> my art (fanfiction, fanart, memes, edits)
#sashene's drawer of wips -> my fic ideas
#sashene commentates -> my meta
#sashene reads [...] / #sashene watches [...] / #sashene plays [...] -> liveblogging my thoughts and reactions to books/comics/movies/tv shows/anime/manga/video games that i'm reading/watching/playing
#sashene answers -> my answers to asks that i've received
#sashene rambles -> my personal posts
#sashene’s diary -> other people's posts that describe me well
(i don't tag nsfw posts and rarely use trigger warnings. consider this blog "not rated" and "creator chose not to use archive warnings")
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
I'm trying very hard not to fall into the whole illiteracy crisis thing but the number of times I have been like "Here is my stance on this very basic thing, with the extremely basic, almost childishly unnecessary caveat that there is an exception of X circumstance" only to have people be like "SO YOU'RE OKAY WITH X SITUATION? WHAT ABOUT IN CASES OF X? HAVE YOU CONSIDERED X CIRCUMSTANCE?" I am very close to bypassing "literacy crisis" and devolving directly into fascistic modes of thinking e.g. thinking you "people" are lower than dogs to me
Like I am genuinely stunned at how often I have to be like "I don't care if you think bad thoughts as long as you don't DO bad things" "So you're okay with people doing bad things?" I am okay with you, specifically, getting slowly crushed by a steamroller over the course of 8 excruciating hours while your weeping loved ones watch in horror, except I suspect you don't have any
Like I feel insane at how often I have to screenshot my OWN POST, HIGHLIGHT THE RELEVANT SENTENCE, and reblog while going "Read this again but slowly." Why the fuck are you commenting if you're gonna be like "Okay so admittedly, did not read this." Do what every adult does on this site and like the post while lying to yourself that you'll return to it to read it more carefully later and then forget it exists
hm rgu just has a really nuanced take about how patriarchy harms men. it says that men are brought up in a society that encourages them to harm women and emulate other misogynistic, abusive men [touga emulating akio, and to a lesser extent saionji emulating touga and later akio]. this often does come at some cost to their own psyche, because the men they are emulating hurt and abuse them too [touga is abused by akio, saionji is abused by touga though touga is not nearly as skillful with it]. but regardless, they are punching downwards to mistreat the women in their lives the same way their abusive male role models do [touga abusing nanami, saionji abusing anthy], and they choose to act this way to women because, despite the conditions of patriarchy inflicting a toxic and self-destructive relationship with other men on them, they are willing to imitate and obey the same men that hurt them if it means they can keep the privilege and power over women that the patriarchy grants them by default for being men. [touga wants to be akio's successor, he wants to inherit the world that akio has constructed for himself, which is built on the foundation of patriarchal power over women. and to do this touga deliberately keeps himself on akio's radar rather than pull back once it becomes clear what akio's intentions with him are. touga believes he's letting himself be manipulated, he believes he is consenting to it, and that that will be worth it if it means claiming akio's seat of power in the future. (of course what touga doesn't consider is that he cannot meaningfully consent to any advances akio makes, because he's a minor and akio is an adult.)]
rgu asserts that yes, patriarchy does harm men, but that harm comes almost exclusively from other men. and, more importantly, while abusive men may have been hurt by the patriarchy at the hands of other men, it is still their choice to hurt the women around them. and rather than dawdle and sympathize with harmful men for how they themselves were hurt by other harmful men, it's more important to prevent them from hurting anyone else
okay back to utena. one of rgu's many best aspects imo is how it recognizes that adults who prey on teenagers are by and large not 'pedophiles' who are specifically sexually attracted to children because there's something medically wrong with them, but rather pathetic losers who want to be the one with power in a relationship so they pursue & predate on people who are much younger and less experienced and in a position of less power than they are. akio doesn't even fucking LIKE kids he thinks they're insipid and stupid he's just too much of a pathetic coward to face the real world outside ohtori so he constructs a world he can control inside ohtori instead. and while he does romanticize the youth of his victims it's also fairly clear that what he is really romanticizing is his OWN youth, his own sunlit garden that he cannot help but be nostalgic for despite the disdain he claims to have for his younger self's idealism. akio is not a 'pedophile,' he does not have any kind of abnormal attraction to children, he is just a foul loser who grooms and abuses kids because it's easier than leaving his coffin. because that's what most predators actually are.
Tumblr post 1: Stories are all too grimdark and such it is fash doomerism to assume reality is evil What we need in these times is stories that inspire hope that is truly revolutionary
Tumblr post 2: Stories are all too fluffy and happy and such it is fash revisionism to shy away from the darkness What we need in these times is stories that are cathartic and unsettling that is truly revolutionary
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
every so often i see takes from new fans of rgu who are like "i was liking this anime but idk why it has to have so much incest :/" and i bang my head against the wall
one of my biggest points of frustration with all the western cartoon makers (or any kind of lesbian western art as a whole) who cite revolutionary girl utena as an inspiration is that every "homage" or inspiration they take from the show seems to be about Cool Lesbians With Swords And Nothing Else. or at best star crossed lover girls. it's like all the darker and more genuinely challenging and unique aspects of it has to be cleanly excised. and like don't get me wrong i absolutely get why a western kids' cartoon is not gonna address any kind of sexual abuse nvm incestuous ones but it's frustrating to see newer fans want to omit these aspects of the show, or downplay its importance to the plot and themes at all as though the entire final arc wasn't about utena's grooming and anthy's suicidality as her sexually abusive brother ropes her further into the duel system and in helping grooming utena, while believing she doesn't deserve saving and resenting utena for how she refuses to understand the dynamic between them or how akio treats either of them for the longest time. like sorry the hand reaching scene at the end isn't simply touching because Yuri Wins or whatever but because even when anthy tries to push away utena one last time by stabbing her, giving in fully to her forced role of Witch and of suffering, utena straight up ignores akio and crawls to anthy to tell her that she's worthy of being loved and being saved no matter what. no matter if anthy thinks of herself or is seen as unclean and broken and monstruous both as a victim of incestuous sexual abuse and as the designated Witch who cannot be a clean woman or loved in normative ways according to the structures and rules of ohtori--anthy IS worthy of that love and of being saved. of existing outside these structures. it feels genuinely kinda sad when people think that discussing these structures at all (incestuous abuse and csa being considered the pillars of patriarchy in rgu, disguised and normalized by ideas of the nuclear family and the princess/witch archetypes) is sick or disturbing and should be left out!
This might be a really hot take, but I think the only way to salvage the Al Ghuls at this point is for another reboot, adaptation or alternate continuity to divorce them entirely from the League of Assassins. Have Henri Ducard or whomever be the one running it and the Al Ghuls (probably need to change their names) be a completely ordinary civilian family of Arab immigrants. So long as they're tied to the League of Assassins, we're always going to get Orientalist takes.
I understand why you may have come to this conclusion, but this is a pretty misguided take at best and making the problem worse at worst. The problem with the al Ghuls is not that they are villainous, powerful, or dangerous, it is that they are flattened and unchanging, unable to be given evolution, depth, or an interiority independent of a western viewer who brings them to life with his viewership. This, not base negativity, is the foundation of Said's Orientalism as scholarly critique:
In a sense the limitations of Orientalism are, as I said earlier, the limitations that follow upon disregarding, essentializing, denuding the humanity of another culture, people, or geographical region. But Orientalism has taken a further step than that: it views the Orient as something whose existence is not only displayed but has remained fixed in time and place for the West. [...] The West is the actor, the Orient a passive reactor. The West is the spectator, the judge and jury, of every facet of Oriental behavior. [...] The Oriental is given as fixed, stable, in need of investigation, in need even of knowledge about himself. No dialectic is either desired or allowed. There is a source of information (the Oriental) and a source of knowledge (the Orientalist), in short, a writer and a subject matter otherwise inert. The relationship between the two is radically a matter of power [...]
Orientalism happens in the distortion, generalisation, and instrumentalisation of that material for a Western gaze, not in the mere fact of a Western person writing about Asia or Asians at all, even villainous ones. There is obviously a certain amount of it that is inescapable; Orientalism in the pop culture is derived from the authority of scholarship which, uh, DC Comics will very obviously be unable to hold a candle to. You will never get revolutionary or liberatory writing from this company or characters. Nor can these characters ever be detached from their history or the history of the man who created them or the history of their inspirations and their creators, and so on and so forth. So that's the baseline.
But even working within that somewhat defeatist attitude, I think the above proposal in a reboot is far bleaker and dehumanizing than my own realism-ideal scenario, which is as simple as Make The Al Ghuls Complex People With Their Own Emotional Histories & Perspectives. Ra's can dangle Bruce chained up above a pit of lava (see also: the eroticism of Ra's al Ghul) for all I care as long as I understand how and why we got there and Ra's doesn't feel like a caricature. I am a reader; I like danger and mystique and power in my fiction! Danger and mystique and power is not the enemy, essentialisation is! The Asian man can be a despot because he individually is a despot, not because Asians are predisposed to despotism; to duck this truth due to a fear of the difficulties of clarification makes it sound like you're afraid of the ghost of Karl Wittfogel. The Orientalist levers we see in the depiction of the al Ghuls are writing choices that are independently fixable.
To take the League of Assassins and give it to Henri Ducard or David Cain or Slade Wilson or whomever has not de-Orientalised the story, but rather it states that only a European hand can safely (or rather, without discomfort) hold that power, while the Asians get flattened (again!) and stripped of their power for the sake of narrative rehabilitation (and again, comfort on the part of the audience). Not to mention that without fundamentally changing core components of what the League is but now denying it the possibility of evolution and depth in accordance with its leader, it still has its roots in Orientalist exoticism. The Orient still supplies the danger and mystery, it's just been outsourced to a white proxy so the reader doesn't have to feel bad about who's wielding it.
The bigger issue than the League, though, to me, is the framing of what is left for the al Ghuls. Asianness, Arabness, and the Oriental is only allowed clemency and legitimacy when they have been de-fanged and divested of, to be frank, anything interesting in their story. To deny Ra's his ideology and to deny Talia of her central conflict--what is left? "A completely ordinary civilian family of Arab immigrants"--why? Why is the only safe way to depict brown people smallness, innocence, mundanity? Why are they immigrants; is it so inconceivable that world traveler, billionaire, and superhero Bruce Wayne could fall in love in Lebanon, Palestine, Jordan, Iraq, Kuwait? Don't think that this is any different from the idea that the West can 'tame' and 'civilize' through its influence.
Why does ambition and grandeur and mysticism taint Asians so uniquely and thoroughly that we have to throw the baby out with the bathwater, while, say, the innate conservatism of Bruce's character as billionaire patriarch and hero stamping out a 'criminal parasite', while an obvious myth that flatters Anglo-American capital's right to rule against a failing state and assertion of moral order, allowed to be complicated, subverted, and redefined? Denying the al Ghuls that same grace is a failing, not a fix. It just shuffles the discomfort and asserts a kind of condescension, a lack of belief that a reader can identify the distinction between "Arab characters can be complex, powerful, and even antagonistic" and "Arabs are a sinister race".
This project is hosted as a digital comic book on Heyzine, and flips through just like a real one! However, if your device is unable to support that we do have a scroll-through, single-page PDF available here!
Thank you to everyone for your patience and support as we navigated delays, lost accounts and technical difficulties -- we appreciate you so much! When you've finished reading through this project, we would really appreciate your feedback so we can continue to improve this project as we move forward.
We would also love to hear back from you right here on tumblr! Reblog with your comments, send us an ask, or tag us in your own post! We'd love to know what you think!
If you would like to support this project even further, you can do so on our ko-fi, where starting THIS FRIDAY you can pre-order a physical copy of the zine. You can also donate as little as $1 for a digital reward pack that includes two digital wallpapers and set of six emojis!
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
I will die on my grave "Dick was not portrayed as a child in the 40's"
I've already said this and will do it again if necessary.
I'll make a comparison between Robin in the Batman comics and Dottie from Little Dot.
Let's go with Dick/Robin
Notice something? Dick's height varies greatly depending on the artist.
His physical proportions are very similar to those of an adult.
Why? Because the artists used the nine-head scheme.
An ideal artistic scheme for elongated and slimmer proportions, used mostly in fashion.
(For standard proportions usually artists use seven heads.)
Also, Dick reaches Bruce's shoulder in many volumes. Bruce is about six feet tall.
What ten-year-old is five feet tall?!
I'm sure Dick was initially supposed to be a teenager around 18 and Bruce in the first volumes, when he starts his career as Batman, is around 20, almost same age.
Someone might object by saying, "Well, it was probably more difficult to draw children!"
Okay, let me introduce you to Dottie, the main character from "Little Dot".
Same era as the first Batman issues. Notice anything?
About 4/5 heads in the head chart.
She is recognizable as a child. She has the proportions of a child. She is drawn with the outline of a child, which corresponds to approximately 4 or 5 heads.
So, seriously, when people tell me, "Dick was always meant to be a child," I laugh.
Because he clearly wasn't.
I think it's more likely that some artists wanted him to be a child, while other artists drew him as an adult, and that there were multiple internal meetings that led to Dick's design (and age) being reassigned over time.
(Anyway, my main HC is that Dick fell in love with Bruce after taking on the mantle of Nightwing, Dick has 20/22ys, and Bruce fell in love over the years, in a slow way and thus leading both of them to years of painful denial. PAINFUL DENIAL, I SAID.)
hmm, if we're going to be discussing brudick specifically through a historical context as a way to validate its existence (not that any ship needs to be validated) i think we owe it to the history of comics to be accurate about them, and it's not hard to find these comics and read them, as opposed to only using specific artistic examples as a backing. (which I say with genuinely no shade intended)
Dick Grayson verifiably was a child from his debut. he was created to market to the teenage boy audience, and it makes no sense to adult-code a character meant for children. and whilst children's media certainly will treat children like adults to justify mature plotlines, that's not the case for early Robin storytelling. for example:
Batman #20, by Bob Kane himself, which notably came out in 1943, not only positions Robin as a child who requires guardianship and is at the whims of the legal system, making decisions about who he can live with, but it also has Bruce say, verbatim, "Dick is like my own son!". he is not an adult in this story, nor any other story this early on. he is a child. in fact, he remains a child throughout the 50s, because this story is not unique as a "court drama" of Bruce fighting for Dick's custody.
Batman #57, again by Bob Kane, from 1950. wherein this time, it's Dick saying "You're like a father to me!". this is a child with the autonomy of a child (that is to say: none) who, if we're going to use the art argument here, *looks* like a child.
(and fwiw: i think the art argument breaks down to a much simpler occam's razor in which: he is a superhero. he is going to be buff and large and not looking like your average little girl. because again, this is fantasy material for teen boys, who like the thought of looking strong and menacing. if you have to extrapolate that heavily on cover art alone, the point becomes easy to poke holes in.)
Dick and Bruce don't enter their complicated sort-of-brothers-sort-of-something-else relationship until the late 60s and 70s, where Dick *is* an adult on page, because he's shipped off to college. [source: Batman #217, from 1969] the main reason for this was so Robin solo stories and Teen Titans stories had more breathing room. Dick was independent enough from Bruce to be embarking on his own, but still close by when a classic Batman-Robin teamup was needed. because Dick was operating on his own and as a member of his own team [with Teen Titans starting it's own line in 1966] he felt older, and the vibe shifted between him and Bruce where now Dick is clearly an equal to Batman and no longer treated like a ward and/or son.
and then of course, when Bruce fires Dick and takes on Jason Post-Crisis [Batman #408, 1987], they enter their "breakup era" which further complicates how Dick and Bruce feel about each other and view each other, bc neither of them seem inclined to wanting to claim the other in any sort of familial way. and they don't smooth any of this over until Batman: Prodigal [1994-1995] which gives a pretty significant time for their relationship to feel undefinable but with a clear undercurrent of deep love for each other.
but of course, if we *do* want to look at older comics that aren't by Bob Kane, we do see this distinction of Dick not being Bruce's son *or* brother, and instead "ward" being it's own, unique category of relationship, to them.
Detective Comics #234 in 1956, by Edmond Hamilton. but it's crucial to keep in mind, this nebulous and undefinable "ward" status *still* posits Dick as a child, as it requires Dick to be a minor.
and while it shouldn't be dismissed that *no* shipping of brudick happened based solely off of comics during the Golden and/or Silver Age, the biggest historical legacy the ship left was in the wake of the 1966 Adam West Batman show. in which Dick *does* look and act like an adult because well, he was *cast* as an adult. (and later on, the 1997 Batman and Robin movie would add to this queer legacy because again, Dick was played by an adult.) that show, which had far more eyes on it than comic books, was what introduced Batman and Robin to the cultural mainstream. it also introduced them as camp icons, because that show played up the campiness of Batman and the flamboyancy of Batman, which was relatable to queer culture of the time. and again, the 1997 movie also leaned camp and queer in its aesthetics.
this whole narrative of Batman and Robin as a comic book queer legacy going back that far is complicated. Seduction of the Innocent will get thrown around like nobody's business, but what's left out of that discussion is that 1, Seduction of the Innocent primarily wasn't about superhero comics and especially not about Batman and 2, the claim Wertham makes about a gay boy fantasizing about Batman was something he made up.
there's fascinating discussion to be had in how the comics were claimed as homosocial imagery by the queer community (this article i think discusses it well, as it mentions the difference between purposeful subtext and a gay reading) but you cannot remove Robin's age from the comic book angle of that reading to make it more comfortable. the point of it is that since it is a gay reading, not proper subtext, a gay reader can project elements onto the story that aren't there (the queerness), and remove elements that are (Dick's ambiguous but clearly minor age) to find elements of themselves. because it was so hard to find queerness in media back then, working with scraps and bending canon in ways that ignored certain elements was just how ppl chose to interact with the text. it doesn't make Batman (nor the fans) look pedophilic; it simply shows how queer ppl had to fight for leftover scraps. especially considering back then, canon was a very malleable thing within comics. it was eaiser to pick and choose and to ignore, which fandom still does. (some brudick shippers exclusively age Dick up, some do not.) neat and palatable queer representation is a very recent gift that is often taken for granted by the community, when looking back on queer history and where queer icons were made out of fictional characters.
i suppose my main point is, that you shouldn't attempt to sanitize the queer history of a ship (ie: trying to rewrite history and make claims about Dick being written as an adult from the beginning) in order to make it more comfortable for your modern-day queerness. really, no ship needs to be palatable to exist, but this one specifically doesn't, especially when it's being claimed as a queer history icon. sanitizing it just erases the struggles queers of past generations had in even finding symbols to project onto by acting like they would only ever project onto morally pure options and not kick and claw and be proudly messy in their history.
Replacing Batman With God: The Flaws In A Catholic Jason Todd
Methodology & Author Bias Disclaimer: For the purposes of this meta, the basis of Jason’s characterization is going to primarily be Post-Crisis/New Earth, as that is the most consistent form of his character, though most elements of this discussion can apply to most popular versions of him. I have read every single Post-Crisis appearance of Jason, but obviously, I will hold my own opinions and biases about him. Furthermore, I am a USAmerican raised Roman Catholic with a deep familial connection to the church, and currently consider myself folk Catholic. However, I am not a representation of every Catholic experience and am not pretending to be; this is again, my bias on my experience with American Catholic culture and Catholic scripture as a whole.
Before diving into the nuances of all of this, there is the elephant in the room to address, and the origin of most Catholic!Jason headcanons to begin with: in the Flashpoint universe, Jason is canonically a priest, as shown in Flashpoint: The World of Flashpoint. The very little information we are given about him is as follows, paraphrased from his own words: he was a bad kid who ran with the wrong crowd and stole to pay for a drug habit, eventually getting mixed into an apocalypse cult run by Brother Blood. This made him see the world as a terrible place, and he eventually died, but was given a second chance and was taken in by the Church, seemingly leading to him joining the Holy Order. There’s a lot to unpack with that, and a lot of missing information. We have the stereotypical worst interpretation of Jason’s childhood and who he would become as a result of it, a doomsday cult we have next to no information about, and somehow, an implied Jesus metaphor all in one page. Because comics are weird.
For the sake of simplicity, I won’t focus on the metatextual narrative and how Flashpoint did strange things with characters simply for the sake of subversion and transgression and why the idea of Jason becoming a priest was likely not a good faith exploration of his character but rather a shock value cameo. Instead, we’re going to take this plot at face value for what it is: Jason was in a vulnerable state of drug addiction that drove him to commit crime, which led to him being indoctrinated into a cult, dying, and getting taken in by the Church and eventually joining the Holy Order. It’s notable that Jason specifies he was taken in, not that he chose the Church on his own, which already removes a layer of agency. Furthermore, he enters religion already in a state of vulnerability and lacking agency, because he is a cult victim. As a member of a cult, Jason would’ve been subjected to cult tactics of mind control, intimidation, groupthink, and social isolation. (look into the BITE model for more information on how cults systematically maintain control over their members) And at some point, being in this cult led to his death.
While the Catholic Church is not a cult, it upholds its own hierarchical power structure that looks and feels similar. There is rigidity and specific behavioral expectations and requirements of belief. Seeking religion after leaving a cult is often done by victims as a way to seek out community, structure, and purpose that they lack without the cult defining their life. Jason going as far as becoming a priest means his life would be subjected even more to the rules and routines of the Church. Because of this, the most logical assumption to make is that Jason became a priest as a trauma response to coping with attempting to build his own life after cult brainwashing. He was taken in and conformed to the new community that was supporting him to survive, and assimilated to its power structures because of the comfort of familiarity. And because New Earth Jason at no point is indoctrinated in a cult, this circumstance cannot be replicated in the main timeline, nor used to make assumptions about New Earth Jason’s religious values. (It could be argued that the control Bruce exerts over the Robins, particularly Jason, replicates cult-like mentalities, but given this isn’t an intended canon reading and does not intentionally replicate the BITE model, we’ll breeze by it.) Especially when nothing in any other canon indicates any religious beliefs for Jason. For these reasons, I won’t be considering Flashpoint!Jason further in this analysis.
Which brings us to headcanoning of a main timeline Jason as Catholic. I can only speak to what I’ve observed in the fandom when it comes to the common points used in this headcanon. I am not using any specific person or post as an example, and instead painting broad strokes about fandom trends. Largely, the interest in making Jason Catholic comes from the aesthetics of Catholicism looking pretty on Jason, as any headcanon seeks to be pretty and esoteric. But more important to our discussion is the secondary interest: the idea of subverting Catholicism and, by extension, the pacifism of Catholicism/Christianity in a character like Jason. The issue in this attempted subversion is that it’s largely done by non-Catholics, with a lack of understanding of how Catholicism works both as a religion and as a culture in the USAmerican context. Which, ironically, ends up making most attempts of a Catholic!Jason read as incredibly Evangelical, ending up as almost an antithesis of Catholicism.
There is a supposed romantic idea to the thought of a Catholic!Jason being a “soldier of God” with a mission of salvation and divine violence. The issue is, the imagery evoked here may sound similar to the Catholic Crusades, but that is not reflective of modern-day Catholicism, which tends to renounce the Crusades. And even then, this isn’t really in alignment with the theology of the Crusades, which primarily sought to conquer, not to enact justice. The idea of a holy war being waged by soldiers of God is an incredibly Evangelical mindset, particularly by televangelists who profit by fearmongering off the idea that Christians are under attack and need to defend their religion. The ideas used in Catholic!Jason headcanon don’t sound similar to this televangelist narrative at first, but they share the same root: the idea of weaponizing religious faith against those who are acting outside of the doctrine of said faith. In this headcanon, where Jason is acting on his morals through a religious veneer, it is implied that the people he is taking down are sinners, and he is the soldier of God sent to punish them. It’s a fantasy of holy wars dressed in aesthetic language, replicating Evangelical persecution mindsets. It takes away Jason’s own moral and logical -and sometimes emotional- reasoning for targeting the people that he does to replace it with a “divine purpose”. Not only does this remove a layer of agency in Jason (which we’ll circle back to), but it paints the idea that he is right because of his religion and the reason these people are immoral is because of the religious doctrine he follows, not an ethical code he has created himself to abide by.
In addition to this “holy war” imagery is the imagery of “biblically accurate angels”. (Which, there is the general understanding of what this term means aesthetically, but theologically speaking, there is no such thing as a “biblically accurate angel”. All biblical descriptions of angels are humanoid. See: Genesis 18-19, Daniel 7, Isaiah 6. The only tradition with angels looking inhumane is Orthodoxy, not Catholicism. That is not what “be not afraid” meant. But I am digressing.) The idea of Jason specifically being the image of an angel, something inhumane and fearful, that fights. While Catholics do have a stronger presence of angelic veneration and belief than Protestants, Catholic angels are far more pacifistic, as they are venerated as guardians. The idea of unsettling angels with complex roles again, leans more Orthodox, not Catholic. The slight thing that this mindset does get right about Catholicism is the idea of the intermediary; whereas Protestants tend to view God as being the one to enact his will, Catholicism lends itself to the idea of things like angels being sent down to God’s bidding. But the idea of this being a violent crusade is intensely Evangelical. Evangelicalism loves the idea of Old Testament wrath, and the thought that they can call upon the Lord to smite their enemies. A wrathful, angry, violent God is the God that Evangelicals like to worship because again, they believe they are consistently under attack. And yes, it’s understandable that when we strip all the religious nuance from it, it’s a pretty picture to paint, the idea of Jason being something unsettling and inhumane, especially with how well this imagery melds with him “coming back wrong” or being “changed” by the Lazarus Pit, which are also common headcanons/beliefs about his character. But the issue lies in calling this Catholic imagery, and using it to desperately cling to the idea of a Catholic!Jason, when it doesn’t align with Catholicism.
Another thing Evangelicism enjoys is rapture theology, which ties into the “judgment day” imagery used in these headcanons. That Jason is bringing about divine judgment for the evil sinners of Gotham (or, for Bruce) when he returns, and that he has the ability to judge who is good and bad and enact punishment. It’s a small scale, psuedo-rapture for crime on Gotham. In Catholicism, the idea of good and bad is far less black and white. Beyond Catholics outright not believing in the rapture or judgment day, they also don’t believe in a strict “punishment/reward” system. The entire purpose of Purgatory in Catholicism -which isn’t present in other denominations- is that there is moral grey to actions and not everyone can be judged in this righteous way. Sins can be prayed away and atoned for, which directly clashes with the mindset being used in this headcanon, because it clashes with Jason’s ethics as a person. It's not so much that Jason doesn't believe in redemption, but rather that he judges actions as a reflection of a person and does not believe in forgiveness from the victim, which is something Catholicism holds at a high value, forgiveness and atonement as a rinse-repeat cycle with sinning. Jason is individualistic, and so is Evangelicalism. Evangelicalism makes its followers feel special, unique, and empowered to speak on behalf of God, something that isn’t present in the Holy Order of Catholicism, which requires God to be interpreted through the clergy. To make Jason’s faith individualistic and something he is in control of the nuances, in which he bends faith and scripture to his own personal beliefs puts him at odds with Catholicism. And to try to make this work and explain a theology he could have under his moral code, the romanticized violence of Evangelism is again evoked. Particularly the idea of scripture above the authority of the Church. If certain Bible quotes can be pulled out of context to support a holy war, then this is the correct path of God, as according to Protestants. Meanwhile, Catholicism has the clergy and papacy specifically to avoid any one person attempting to twist the words of the Bible to support whatever moral code a person has. (I am stressing that I am trying to remain neutral as possible as to which of these is “more correct” when engaging with Christianity. That is not the point of this essay. This is a neutral commentary on how Catholic theology does and doesn’t work. Form your own opinions on religion, don’t base them off a meta about a comic book character, I am begging you.)
So then, if we’ve covered the bases of why the most common elements of Catholic!Jason headcanons aren’t rooted in Catholicism, instead just a vaguely “Catholic-core” aesthetic that instead romanticizes Evangelicalism, then what does American Catholicism look like? And is it compatible with Jason’s ethics and morals? The answer? Shocking to no one, it’s complicated.
American Catholicism, as both a culture and a religion, broadly follows the following ideals:
Catholic Guilt: “Original Sin” is, most simply, the theological belief that all humans are born with the sin that Adam and Eve committed by eating the apple in the garden. It means that we are born sinners. And while Catholicism is not the only branch to believe in this concept, it is most prominent in Catholicism. (hence Catholics believing in things like the Immaculate Conception. The Mother of God cannot be born with sin, so she must be Immaculate from birth.) In a cultural way, this means Catholics are raised to believe we are always guilty of something. We will always be sinning, and we will always be apologizing to God for these sins. It’s a rinse and repeat cycle, where the weight of sin hangs over your head to force you to be a good person. And even then, you’re probably not being good enough. Sin, atone, and repeat the cycle. Hence the need for Penance/Confession. Most American Catholics tend to joke that they’re bad Catholics.
Catholic Judgment: If you’re born a sinner, then everyone else is too. In the same way Catholics are convinced they’re a bad person, the de facto assumption is: at least everyone else is a bad person too. There’s a quiet, whispered judgment to Catholic culture. The only person who can judge a Catholic more than themselves (and God) is another Catholic. Anything out of the norm will earn a judging stare. It’s not necessarily a superiority complex, but it is a complex of judgment. This complex is especially strong in the case of when others brag about being a good person. Catholics believe actions speak over words, and if you have to constantly tell everyone you’re a good Christian instead of letting God decide, then you’re prideful and the worst type of sinner. Which ties into the sanctimony in Catholicism. As long as you don’t say it, you can act better than everyone else, and certainly think you’re better than everyone else. (especially non-Catholics lmao)
Catholic Charity/Suffering: One of the most important things to Catholicism is charity. Especially charity when you yourself are already within poverty. This is why those in the clergy take oaths of poverty. Though the churches look flashy, the people within them are expected to live lowly and give to others any excess. (or: give to the Church) It is a good thing to give your happiness away. To suffer is to make you more Catholic. It earns your way to Heaven. God gives you a hard life to teach you lessons and to make you a better person. There isn’t much belief that God will reward you in this life like there is in Evangelicalism. Instead, you are grateful for what you already have, and you give anyway. Your life should be in service, and you are never the least fortunate person. (Catholic charities make up a disproportionate percentage of charity work in America for this reason, but the exact numbers are hard to gauge because the Church does like to... fudge the odds in their favor.)
The Holy Order: As previously mentioned, there is a lack of individualism in Catholicism because there is instead, emphasis on the Holy Order. You have priests and bishops and cardinals and of course, the pope, there to tell you what God means. There isn’t much personal control over religion, you need a priest (or higher) for the Sacraments, you need to be told what to believe, etc. The Church is the highest power, second only to God.
Forgiveness/Piety: No matter how bad of an action you do, it can be forgiven. So long as you are reverent of God and begging for his forgiveness, your actions speak little for who you are. Anything can be prayed away with a few decades of the rosary, and a couple of charitable acts. Catholicism deeply values redemption, so long as it is before God. Catholics like to lament to God, to beg for his help and his forgiveness and they usually assume they’re granted it, so long as they beg and worship enough.
Intercession/Veneration: A big thing Protestants like to accuse Catholics of is “worshipping saints”. The actual term here is veneration. There is a high importance placed on saints in the Catholic Church, and they’re venerated as holy figures who are beside God in Heaven. While they’re not worshipped in their own sense, they are often prayed to. These are prayers of intercession; asking a saint to pray to God on your behalf. Some Catholics honor saints more than others, but it’s a unique factor of Catholicism in comparison to Protestantism, to view people as holy and capable of miracles. Saints are oftentimes viewed as a more human connection, and as a way to reach Divinity through a person who is holier than you.
There are of course other qualities, no religion can be boiled down neatly, but these are the main ones of interest here as we transition into talking about the core tenets of Jason’s character and where these qualities conflict with him. This is not meant to be an all-encompassing list of Jason’s key traits (again, only viewed from a Post-Crisis lens to better narrow the playing field but I think most of these can apply to a well-written Jason on the whole) but rather notable traits that are relevant to the conversation.
As a quick aside before we address these nuances though, I do want to mention that some Catholic headcanoning for Jason is specifically headcanoning him as a cradle Catholic. (meaning: He was born and raised into Catholicism through a Catholic parent.) The reason I don’t see this as much of a talking point is because firstly, a religion someone is born into doesn’t reflect what they choose as an adult, and this essay primarily discusses Catholic!Jason as a religion he actively chooses to practice/identify with. And secondly, given Jason’s history, neither of his parents were present enough in his life to impress a strong religion onto Jason, even if we can assume they practiced one. (Catherine’s headstone had an angel on it, so she was likely Christian of some sort.) Willis was in prison, and Catherine was suffering health issues by the time Jason would’ve been old enough to notice and take in religious values. Furthermore, if Catherine was devoutly religious, specifically Catholic, I believe Jason watching his mother slowly die even as she was praying/attending mass would only distance him from religion, not incline him to follow it. And Bruce raised none of the “Batkids” with religion. So in my opinion, whatever religion Jason was raised with, if he was raised with any, would have little reflection on his religious identity as an adult.
Firstly, whenever a Catholic!Jason is brought up, the biggest thing discussed is murder, as Jason’s lethal morality is a defining characteristic. However, the ethics of his murder are where we lose the vision that is often had with the Catholic!Jason headcanon. Even if we strip the above nuance for a moment and approach this through the idea of Jason using Catholicism as a divine mission of violence, this doesn’t mesh well with how and why Jason does murder.
Murder for Jason is largely an action of praxis, not a larger mission that would be comparable to Bruce’s mission as Batman. Meaning: Jason is not prioritizing the idea of hunting down bad people to the point that it is his end goal, to constantly hunt and find terrible people, but rather he is killing them as he comes across them. When Jason does commit murder for the sake of killing someone as a function of removing a bad person from the world, it tends to be a person he organically comes across. He is not actively hunting criminals, in a Batman-but-lethal-esque style. The main time we see Jason going out of his way to kill people is Lost Days, in which his primary goal is to better himself as a weapon in preparation for his return to Gotham.
Most of Jason’s murders are functional. They serve his current goal, such as him killing drug dealers in part because they are bad people, but largely because they’re in his way. Even with an example such as Brothers In Blood, Jason’s choice to seek out bad people and kill them serves a goal of getting Dick’s attention above all else, hence doing it in a Nightwing suit. Jason does have a clear goal in Under the Red Hood outside of his confrontation with Bruce, one that’s a harm reduction-style controlling of crime in Gotham. Which does not involve him going out and killing every bad person, but rather calling them to heel. This is all to say: the “divine crusader” imagery of going out and targeting sinners with lethal justice is a moral code that does not align with Jason, even if it did align with Catholicism. Jason does not want to live a life where he is targeting and killing “sinners”, and his ideal worldview tends to be one without violence. He doesn’t take joy in killing people or have this idea that he is doing a divine right by the world in his actions, he simply is removing obstacles in his path, or taking out bad people as he comes across them. Jason doesn’t place this high, moral or spiritual importance on murder. He views it as an objective fact of justice sometimes, but he isn’t intending to be a divine missionary as murder, which this Catholic!Jason headcanon often places him as.
Though, while Jason does not love murdering as some kind of hobby, he also certainly doesn’t feel remorse for it. Which brings us to another angle often presented in this headcanon: assigning Jason with “Catholic guilt” over his sins, the primary “sin” of which being his murder. Often there is imagery of Jason with bloody fists and a bowed head asking for forgiveness for what he’s done. It feels very akin to Marvel’s Daredevil character, in how certain popular scenes involve Daredevil asking for forgiveness for violence he’s about to enact, or expressing guilt over enjoying being Daredevil. These scenes work for Daredevil because he’s a deeply Catholic character, but on Jason, they’re misaligned. Attempting to push a religious morality onto Jason he canonically never expresses is at best, just an OOC headcanon, but at worst, forcefully centering American Christian values onto a character. It implies Jason should feel bad for his murders, or that deep down, he must feel bad for them because to be a murderer is not Christ-like of him. Jason is not guilty about killing, no matter how many fan headcanons want to try to put him in a position where he might be, such as ideas where he kills the wrong person or is Catholic. That is not to say there are absolutely no actions of Jason’s that he might feel guilty for, and in some world where he’s religious, expresses penance over. But these actions Jason could or does regret are not actions reflective of his moral character. Strict Catholic morals just don’t overlay well onto Jason and the only way they can is by forcing a character-breaking guilt complex onto him.
Ultimately, Jason’s moral codes and actions reflect an end-goal of control, not moral sanctity. Jason may try to convince others to see his perspective and agree with him about murder or how to reduce crime, but he’s not grandstanding on a moral soapbox. Jason is not trying to project a holy, reverent importance on his actions. He’s fully aware the way he does things is often messy and not pretty. He understands the cost of collateral damage more than the fandom seems to acknowledge. The ends justifying the means is often highlighted in Jason’s actions as well as how he explains his justifications. Meaning, Church-like ideas of a perfect and sanctimonious mission do not work with Jason. He doesn’t want to achieve something morally enlightened such as the eradication of crime, because he’s aware that isn’t feasible within Gotham, or most anywhere else. What he wants to achieve is harm reduction and control of crime. The black and whiteness of Christian mindsets, where actions are either objectively good or objectively bad, fails to work here. And further fails to work under specifically Catholicism, which values sanctity and obsessively perfect ritual.
Jason is a character of many things, but primarily: he is a character of self determination and a rejection of hierarchical positions of power. He does not submit to those above him, he does not follow orders on how or why he should do certain things. His moral code is self-defined, as are his actions. Clearly, this would put him at conflict with the Catholic Church, an as-before-mentioned incredibly hierarchal and rigid power structure. But further, it even puts him at odds with the concept of God. A God that Jason would have to submit to, follow the rules of, and be beholden to is not a God Jason could ever follow. Because in essence: it replaces one dominating and controlling figure in Jason’s life with another. Jason rejects the control Batman attempts to put on his life and his morality, so why would he embrace the control of God? Making Jason Catholic in headcanon often subjects him, ironically, to the very thing he is confronting about in Bruce. Someone telling him what to do and who to be and how to fight crime. Even going back to Jason’s Robin days, he is consistently at odds with Bruce’s opinions on what should be done about crime. (see: the Felipe issue) Jason does not take well to being a blind follower. The entire purpose of his Red Hood arc is to challenge the indomitable control Batman holds over the “rules” of how to do superheroics. He challenges Bruce’s despotnature, and would do the same to any religion, if he was raised within one. It’s in his nature to question and to push back against the ideas of pacifism, love thy neighbor, and forgiveness. As was the whole point in the Batman-Joker confrontation.
Building off of the last point, while Jason opposes Batman specifically, he opposes the status quo entirely and exists to disrupt it. This is why he “targets” people like Mia Dearden, who have no direct relation to Batman; because he’s trying to break others out of the cycle he was in. The closest Jason ever came to proselytizing in a religious way wasn’t him actually trying to get Mia to agree with him and share his morals, it was to get her to question the system she exists within. Jason is trying to break cycles. In a way, he’s opposing a doctrine that could be compared to religion: the doctrine of superheroes and sidekicks and how they’re considered an unquestionable “commandment” of saving the world, that the sidekick is obedient to the hero and takes on the hero’s ethical codes. While a Catholic!Jason is often claimed in a counterculture “Catholicism as an aesthetic not a religion” way, assigning him such a rigid religious framework ironically becomes antithetical to his character in this way. Because it takes a character whose existence is about challenging status quos and subjects him to a massive status quo: organized religion. It inserts Jason into a comfortable cultural norm, being a part of one of the most popular and “default” religions in America, just for the sake of aesthetics, which flattens the most interesting thing about him.
So, if we’re going to focus just on aesthetics and not Catholic doctrine, can we find a middle ground? With folk Catholicism, possibly. Folk Catholicism does a blend of aesthetics and community that seems to appeal to what people find so intriguing about this headcanon.
For the sake of this discussion, the rough definition of folk Catholicism is: the blending of cultural/regional/local beliefs with Catholicism. It syncretizes Catholicism with the folklore/folk magic/folk practices of the people of the region it exists in, making it highly variable from region to region. Simply put: it is Catholicism of the people, not the Church, which brings into question if it’s “actually Catholic” or not. I do not have a neat answer for that, I think it is both Catholic and it isn’t. Every practitioner will be different. But some key features of folk Catholicism worth noting are:
Disinterest in the Church/not following the doctrine of the Church. No member of the clergy, from priest to pope, holds any real power over what folk Catholics do or believe. They care about their personal experiences and cultural norms first. More importantly, they care about the needs of the people, and the faith bends to fit those needs.
Syncretic practices (ie: blending of Catholicism with beliefs of the people that are not Catholic. This can be “pagan” or polytheistic beliefs, or folk magic beliefs.) from the people practicing. This makes folk Catholicism place an importance on community, ancestor work, and culture. Hence why every iteration of it is so different. Santeria (Afro-Caribbean) does not look like Benedicaria (Italian) which does not look like Candomble(Afro-Brazilian), etc. There is often ritual work that looks like witchcraft, but doesn’t necessarily fall under that label.
Saints hold even more focus and reverence in folk Catholicism, going from veneration to actual worship, with altars and ritual work surrounding saints. The ritual work isn’t always positive, saint punishing is its own complicated (and debated) topic, but the most important facet of saints is the reverence put on the divine feminine. Mother Mary is the most prominent example, but there’s also figures like Santa Muerta, Mary Magdalene, and Joan of Arc given more time and space in folk Catholicism. Because again, this is a practice of the people that is filling in the gaps left by the Church, it carves out more of a space for women, especially when it comes to themes of motherhood.
If I were to personally write a folk Catholic!Jason, given my experience, certain elements I’d attempt to highlight on that manage to find a healthy balance between Jason and this religious experience would be:
Charity & Mutual Aid: applying Jason’s harm reduction mentality to crime as a way of protecting a community is one of the best ways to highlight Jason’s moral positions. Folk Catholicism is just that, a religion of the folk. It’s incredibly communal, and not something that exists sitting alone in a quiet, dusty church. There are of course, many headcanons about Jason protecting sex workers, protecting kids from drugs, and protecting the disenfranchised. (With most of these headcanons having a basis in canon to begin with) Putting Jason in a position where if he has a folk Catholic-esque faith, he focuses that faith on helping others and building stronger communities in Gotham is a way to focus this headcanon on Jason’s kindness, not his violence.
Subjugated Women: as mentioned in the above, Jason has a canonical history with respecting and protecting marginalized women, particularly sex workers and victims of sexual violence. One of the biggest ways folk Catholicism differs from the Catholic Church is its reverence of women. Female saints, madonnas, and martyrs are beloved by the community. Many folk Catholics often put Mother Mary above God, seeing her as the most important holy figure in their worship. This could be particularly interesting to see in Jason, someone who has canonically longed for maternal love and had a complicated history with it. If Jason is going to worship any Catholic figure, it’s going to be a loving mother, not a God off in the sky. That is where he would find comfort in religion, if he had to be religious in the first place.
Gospel of Mary Magdalene: This is where I get a little rhapsodical on the topic, but I think if Jason were to be interested in religion, he would apply his interest in academia to religion. He wouldn’t take a Church doctrine blindly, and would want to engage with all religious texts, canonical and non-canonical to develop his own opinions, leading him to apocryphal gospels, like Mary Magdalene’s. Again, a woman who has been subjugated and a strong feminine presence. Jason just is a respecter of women constantly, I deeply am of the belief if he were folk Catholic, he’d relate strongly to her Gospel and would be a Mary Magdalene devotee. This is admittedly more personal headcanon than anything else, but I think it’s worth noting since it ties neatly into Jason’s history with women. (Also this Gospel presents the idea there is no sin, it is mankind who makes sin in man-made doctrines, thus rejecting the idea of people being born with the Original Sin, which I think Jason would fuck with. But I digress.)
Rejection of the Church: this point is a simple one and self explanatory: while it’s interesting to headcanon Jason believing in certain religious ideals, it’s almost always incompatible to make him exist within the Church. And since folk Catholicism is likewise in its rejection of Holy Order, there is an alignment that could be had.
Action Over Belief: Orthodoxy (the word itself, not the branch of Christianity) loosely means “correct belief”, while Orthopraxy is “correct action”. Almost all Christian denominations are orthodoxic, meaning they value what a person believes over what a person does. This is where atonement and forgiveness come into play; as long as someone believes in God “correctly”, it doesn’t matter what they’ve done. This obviously does not align with how Jason views people’s beliefs, in that he wholly believes people should be judged based on their actions. Because folk Catholicism blends with local non-Christian religions, it oftentimes leans more orthopraxic, in which emphasis is placed not on having the exact correct “beliefs” but rather on doing the right things. This mindset better clicks with Jason, in which less rigidity and value is placed on believing exactly what the Church says. So long as the worship and the intent is there, there is religion to be found, usually in doing good for yourself and others which as touched on above, aligns with Jason’s harm reduction.
Guilt: If Catholic guilt has to be assigned to Jason, there are other places to insert it that don’t disrupt his moral character. It makes the most sense for Jason to feel guilty about those whom he has failed to protect. In a way, that’s what fuels Red Hood. When he was Robin, he repeatedly saw how Bruce’s moral framework failed victims and protected criminals. Jason existed alongside Bruce and aided in these actions. Which is not his fault, given his was a child lacking autonomy, but it’s clear he expresses guilt and upset when a victim is hurt and he can’t stop it. If I have to imagine Jason bowing his head and praying for forgiveness, the best way to place such an image is here: in which he’s praying over those he couldn’t save, not those he killed. Himself included.
Born With Sin: There is a pervasive idea, both in fandom and current canon, that Jason was “born wrong”. He was the bad seed, the angry Robin, etc and so on. And since Catholicism believes in Original Sin, it seems those two things align a bit too well. Obviously, Jason wasn’t born wrong, and he’d likely reject the thought of anyone being born a sinner. Again, rejecting Catholic doctrine. But, the idea of rebirth and redefining oneself outside of who they were before is important to Catholicism and Christianity as a whole, that anyone can change. That mindset is intriguing to place on Jason, as the rebirth ideal can be applied to Robin being reborn as Red Hood. Jason can pick and choose which parts of doctrine to follow, if he’s folk Catholic, and find comfort in reinventing himself while not being beholden to his supposed “sins”. (again, tying in the apocrypha of Mary Magdalene’s views on sin which I totally had a point in bringing up that wasn’t just self-serving lol)
Now, even with all of the above, it’s clear there’s still gaps and awkward leaps of logic that have to be made to even slightly make Jason work as a Catholic. A very specific framework of Catholicism has to be applied to him, whole chunks of religious doctrine have to be ignored, and an understanding of Catholicism that goes beyond surface-level aesthetics needs to be applied. I don’t think Jason needs to be or should be Catholic, based on who he is in canon. The concept is flawed from birth. I included sections on folk Catholicism not as a way to proselytize what I think should be written, but to try to find reasonable middle ground with fans who hold this headcanon without looking like a complete and utter buzzkill who’s just thinking too hard about a headcanon that, admittedly, is mostly for the vibes.
Because, to be clear, I do not believe whatsoever that Catholicism can be “appropriated” by these sorts of headcanons. There is no harm being caused to the most influential religion in the world by some fans of a comic book character gutting it for aesthetics without understanding its culture or doctrine. With the rise in tradCatholic converts (ie: those not raised in Catholicism converting to the religion because of their interest in its supposed conservatism, rigid rules, and rejection of modern reformation) there’s a new push in people insisting that certain things are “disrespectful” to Catholicism and God as a whole, like sexy nun outfits or the “improper use of a rosary” tag on archive of our own. Simply put: you cannot oppress the oppressor. The large-scale harm Catholicism has done to indigenous communities and marginalized peoples are in no world equitable to someone “aestheticizing” Catholicism for character headcanons or religious kink porn. In fact, I think more people should get into Catholicism strictly for the aesthetics just to piss off tradCaths.
And on the character side of things, headcanoning and fanworks are ultimately just fans playing with barbies in whatever way they find fun. There is no unholy degradation being done to Jason Todd in someone drawing him holding a rosary. In fact, there are far worse headcanons out there for Jason that are much more rooted in classism or other forms of bigotry, even if unknowingly, that perpetuate harmful narratives than just someone taking Priest!Jason and running with him, as that’s where this whole thing comes from in the first place: finding the idea of Priest!Jason, frankly, kind of hot. It’s not always trying to be deep and doing all the things that this meta is criticizing. Sometimes it’s just silly fun. But ultimately, that said, headcanons/creative ideas can sometimes reflect on internal biases we hold. And while Catholic!Jason has an obvious root; there is still some level of consideration to be had in the ways we default to assuming every character must be Christian. This Christian defaultism flattens and devalues unique character traits to homogenize them into the “norm”, and doing so to Jason Todd feels particularly egregious. His entire point is to challenge status quos, not fall right back into them. None of these headcanons are intending to be “that deep” in the first place, but sometimes they try too hard to justify themselves narratively and bastardize both the religion and the character in the process. And while Catholicism can’t be appropriated, it does still hold a global political power over the world, and leaning too hard into treating it just as a pile of aesthetics that can be vaguely applied to anything sometimes treats it with a little too much levity. Catholicism is a spiritual thing, but it’s also a tangible one, with tangible powers. This meta is mostly food for thought, challenging both preconceptions of Catholicism that make it look a lot nicer than it really is, as well as challenging how people think about Jason in a spiritual and moral sense. You can’t replace Batman with God, you can barely even make Jason align with some of the most basic aspects of Catholicism, but if you really want to, you can try to meet somewhere in the middle. Because hey, who doesn’t look hot in a clerical collar.
kpop fan inspired in-universe heroblr dash simulator
🔥 nightwinger
people being shocked impulse swears wait till you find out they have sex too
📟 mrsflash09 Follow
first of all he could be celibate and still swear. Secondly, I heard he has erectile dysfunction so he can't fuck the way he wants to. You clearly know nothing about him nor how a healthy sexual life even works so why are u making posts like this ?
340 notes
🫐 robinh8r Follow
superboy looks sooo fine then u got the twinkatron 3000 hanging on his shoulder like
127 notes
🎃 jerseygrrl12 Follow
when the war on transplants happens in big BH and i have to kill nightwing
👤 nightwingoffical
i appreciate the hesitation though
20k notes
💝 heroimagines Follow
cw // nsfw
imagine him looking at you like this right as he is about to go down on you
🏎️ bluebeatless Follow
would red hood be there too? just chilling?
782 notes
🐸 greenarrowprmanager Follow
every week i bring up how green lantern stans use their moms flour for pics like this but the animal man stans are always using real coke
🐸 greenarrowprmanager Follow
like.
3k notes
❤️ kalsbabygirl Follow
when someone in metropolis showed their superman collection to kal-el 😭
🚬 gothamornowhere Follow
he’s so cute if i did this to batman he’d just tell me to sell it all and get a job instead
456 notes
🚬 gothamornowhere Follow
can’t stand bitches who call him kal-el like they know him omg you kryptonaboos must be dealt with!!! you mean SUPERMAN????????
❤️ kalsbabygirl Follow
vaguing me meanwhile the joker literally just got out of arkham again no thanks to BUMman right. right…….
🚬 gothamornowhere Follow
just go back to glazing superfag and mind your own business.
9 notes
☮️ batgrrrl Follow
no way a new bat just appeared outside my apartment oh my god.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming