sayitasitis

Openness, curiosity, and a little bit of chance are all a part of Esbjörn Svensson’s artistic foundation: “I play piano because we didn’t have any other instrument in the house. Actually, I would have rather played drums. For instance, as a kid, I put together a set out of old odds and ends, and tried to sound like “Sweet” on “Ballroom Blitz”. But then Magnus-ström came with his drums, and I decided to stay with the piano. Magnus and I grew up together, and have played together from the beginning. When Magnus was given his first drum set, he brought it over to my house, and we started playing. We had no idea how to play, but it was a lot of fun. Since we didn’t have a teacher, and no one was telling us how to play, we were able to gradually develop our music in a very unique, individualistic way.”

seamus heaney

Mark A. Reynolds ‘The 1.111 Series: Ode to John Cage, 2.13’ Graphite on cotton paper, 2013

Plato, The Republic

DARIA WERBOWY - Thunder Perfect Mind - Prada

Endre Tót: Gladness Drawings, (announcement card), Galerie A, Amsterdam, 1979 [Unoriginal Sins, Eals Farm, Eals, Brampton. Moravská galerie, Brno. © Endre Tót]

On passe souvent trop de temps à courir après la prochaine destination, en oubliant de savourer le paysage qui s'offre à nous. Cet après-midi, c'est pause obligatoire. Face à l'immensité blanche du sable et le bleu de l'océan, on recharge les batteries et on laisse l'esprit vagabonder au rythme des marées. Écouter le silence, tout simplement. 🤍

Bitter Sweet Symphony by Richard Ashcroft, supporting Oasis at Cardiff night 1, 4 July 2025.

And colour us blue

Caravaggio, The Calling of Saint Matthew at San Luigi dei Francesi, Rome

— Fyodor Dostoyevsky, The Brothers Karamazov