Keep your eyes out as we reveal songs from the Steven Universe Soundtrack! Can you guess how many of your faves will make the cut?
This is really happening! WE’RE GETTING A SOUNDTRACK! ♪
d e v o n
"I'm Dorothy Gale from Kansas"
Not today Justin
Show & Tell
EXPECTATIONS
hello vonnie

★
Keni
2025 on Tumblr: Trends That Defined the Year
Sweet Seals For You, Always
wallacepolsom
Peter Solarz

KIROKAZE
he wasn't even looking at me and he found me

❣ Chile in a Photography ❣
trying on a metaphor

pixel skylines

roma★

blake kathryn
seen from China
seen from United States
seen from United States
seen from Indonesia

seen from France

seen from Brazil

seen from United States

seen from Malaysia
seen from United States

seen from United States
seen from Malaysia

seen from Canada

seen from India

seen from United States

seen from Australia

seen from United States

seen from Malaysia
seen from United States

seen from Türkiye

seen from United States
@sanjuroboe
Keep your eyes out as we reveal songs from the Steven Universe Soundtrack! Can you guess how many of your faves will make the cut?
This is really happening! WE’RE GETTING A SOUNDTRACK! ♪

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Thoughts about leaks and pirating and stuff
Please note: these are my personal thoughts, not an official statement. I don’t represent CN staff. I’m just a composer who writes music day in and day out.
If you stayed up with me last night, you probably pieced together some drama where fans alerted me about supposed “leaks”, fellow musician friends talked about watching them, and I stumbled across illegal downloads of the episodes and show music with no credit to our singers and instrumentalists. I spoke up about hurting creators when you enjoy their work illegally.
If you watched the episodes on the CN app, you’re cool. That’s on CN, not you. If you’re downloading it from illegal sources, however: illegal sources don’t pay licensing fees to show an episode like legit sources do. I don’t really care what you do, but own up to your choice when you watch the show from a source that doesn’t pay the people involved. I can’t say how other crew members are affected, but music royalties allow surasshu and I to improve the quality of the show’s music and hire other musicians. Composing for TV doesn’t pay as much as you think, especially when shared by two people. I worked my day job on the side of SU in the beginning, which allowed me to invest in better samples and hire live musicians for SU, push the quality of music in a Western animation, bring surasshu to America so we can work on music side by side, not to mention personal endeavors like supporting friends in need and donating to my favorite charities. Working two jobs was exhausting, but it brought me closer to being a full-time composer. I cried when I got my first royalty check. It’s funny that people think “rich Hollywood woman” when they think of me because I work for a popular TV show–I’m not that, but I am a lucky, comfortable, and happy woman.
I understand reasons for piracy and did a lot of it when I was younger. I lived outside of America during my childhood. Sometimes it’s a money thing, sometimes it’s an access thing. Now that I’m getting older and can afford it, I’m buying back a lot of my favorite media. As my way of giving back to my creative community, I’ve always kept my own music ad-free. surasshu and I released our debut album under the “name your price” model and plan to do the same for our sophomore album. An entire year’s worth of work, and you can literally get it for free.
Thank you to those of you who support my music and legal sources that actually pay when they use my work. If you’re pirating my stuff right now, I hope you’re enjoying it. But my music will get better and better from here because of the people who support me.
FALLEN: A Retrospective (part 1)
It’s been about a week and a half since FALLEN: An Undertale Tribute was released. It was one hell of a project–having never directed an album before, a 97-track release honoring Undertale was a pretty heavy first attempt.
One of the aspects of my artistic vision was that I wanted this to be a seven-disc album. However, to organize the album this way on the platforms we released it on (iTunes, Spotify, etc) would have resulted in pretty prohibitive pricing. Therefore, we decided to distribute the album as a large, “single-disc” release so we could price it as affordably as we wanted, and ensure that more hands had the opportunity to obtain and enjoy the album.
What I wanted the listener’s experience to be was a journey through the underground, through the eyes of each of the fallen humans of Undertale lore. Each disc represents one of those humans: Patience, Bravery, Integrity, Perseverance, Kindness, Justice, and Determination. I organized the tracks roughly in the order that you would experience them in the game (with some exceptions here and there), as if to imagine how each one of them would have interpreted the regions, characters, and experiences of the Undertale story, expressed through music.
Now that I’ve had some time to breath (and wrap up all of the other projects I was putting off while working on FALLEN!), I’d like to go through each one of these discs and talk a little bit about why I organized them the way I did. Let’s start with Patience!
Disc 1: Patience
(art by @recklessflailing)
Track 1: Jason Lux, Saskia Kusrahadianti - Home
How do you begin a disc? No, let me rephrase that–how do you begin a 97-track album when the first track of the first disc is being themed around the concept of “patience?” Admittedly, I was pulling my hair out over this a little bit. Normally, when organizing an album, I would pick something high energy and exciting to get the listener pumped. However, that made no sense for Patience, who was the first human we are (subtly) introduced to in Undertale. Furthermore, I wanted it to be either the main theme of Undertale, or a piece you hear early in the game! When I tried Jason and Saskia’s track, it fit like a glove. Their rendition of Home is smooth, chill, and comforting, but with crystal-clear production values and a solid groove. It brings me back to the golden age of the 90′s pop ballad, which I was unashamedly a big fan of. On top of that, Home is mostly based on the main theme of Undertale (Once Upon a Time) anyway, so it worked well as an overture piece as well. I’m very thankful for this track, because I don’t know how I would have started this album without it!
Track 2: Sean Schafianski - Detritus (Ruins)
Sean “sshafi1″ Schafianski is a Materia Collective veteran, if there is such thing, given that the Materia Collective is only about a year and a half old. Sean is well known on YouTube for remastering video game music, and has always been generous with his mixing and mastering skills to other members of the community. Sean’s primary contribution to this album was an interesting combination of classical minimalism and rock, and was also the only person to explicitly arrange Ruins for this album. I also got to play drum set and marimba on this track! I decided to put this track on Patience because of the repetitive nature of the minimalist influences on this arrangement. I consider minimalism as a style to be a patient endeavor–it takes patience from the composer’s perspective when working with such little material, but also from the performer and the listener as well.
Track 3: Matthew S. Harrison - Ghosts n’ Dummies
Matt Harrison is another Materia Collective “veteran” who submitted 3 whole arrangements to this album! Matt specializes in electronic music and has been a wonderful asset to the community since joining us for the original “Materia” album. I thought his Ghosts n’ Dummies would be a great addition to Patience because I wanted to ensure there was some variety of genre on this disc, but thought the energy of this track was still compatible with the idea of “patience”. After all, this is the music you hear when fighting Napstablook. He was pretending to be sleeping that whole time–that takes some patience!
(art by @recklessflailing)
Track 4: Faseeh - The Skeleton that is Sans
I believe FALLEN was Faseeh’s first Materia Collective project, and joined us when wunderkind Charles Ritz had to unfortunately step down from arranging sans. for us. Charles recommended Faseeh directly, and I couldn’t be happier to have him on board (though, having Charles on board would have been great too. Both of them next time, please!). This track is a little more upbeat than the others, but fits because it still has a relatively slow groove. I also consider Sans to be a very patient character. Perhaps the most patient? Or perhaps I’m confusing patience for laziness ;)
Track 5: Kirill Polyanskiy - Waterfall
Kirill was a last minute addition to the album–he’s a wonderful arranger, but was having trouble finding musicians to work with and we were afraid we wouldn’t be able to include him! But Sean Schafianski stepped up to the plate and worked with Kirill to help him realize his arrangements using his apt production skills. Kirill ended up being able to contribute two arrangements to this album. I placed Waterfall here because his orchestral style exudes a certain placidity that I found appropriate for Patience. Honestly, both of his tracks could have worked on this disc, but I wanted to space them out a little bit. One thing I realized as I programmed this album is that there is no one right answer when organizing each discs. There are many “right” answers–this is just what I chose!
Track 6: Bonnie Bogovich - Inner Monologue of a Bird Waiting on the Edge
Seriously–that bird has been waiting there forever. If there had to be one character in Undertale that embodies patience, I think I would probably pick that poor bird. Sorry, Sans. And Napstablook.
Bonnie has been a part of the Materia Collective since the beginning as well, and has consistently ensured that there would be comedic contributions on every album since. She does not fail to disappoint on FALLEN! More on that later :).
Track 7: Leslie-Anne Snipes - Double Chill
It’s Napstablook’s family’s tradition. Eat a ghost sandwhich, lie down and feel like garbage. But really, who hasn’t done this? Last MAGFest, there was an entire panel devoted to it.
Leslie-Anne Snipes gave Chill a laid back, hip-hop groove that I knew was perfect for Patience. By this point, I admit that I was getting excited when I realized there would be an electronic track appropriate for patience. I really wanted to make sure that these discs were organized by essence, not genre. I got worried that Patience would get overrun by orchestral or acoustic arrangements, so tracks like this one were important to me in establishing the atmosphere of this disc.
Track 8: David Peacock - Another Medium / CORE
I have to be honest: I’ve been a fan of David Peacock’s for a while. I’ve had the opportunity to play for him a number of times, and each experience is better than the last. I got to play vibraphone on this arrangement–the part he wrote for me was actually pretty difficult, but also really beautiful. David’s Another Medium / CORE was one of the longer tracks on the album, and was also written in an minimalism-inspired style. For these reasons, I thought Patience was the right disc for it. David wrote a wonderful blog post of his own explaining his process writing this piece and his experience working with the musicians on the track.
(art by @recklessflailing)
Track 9: Jeremy Harris Jones - Uwa!! So Mettaton!
Jeremy teamed up with pianist Tom Miller on this super relaxing, atmospheric arrangement of the Uwa!! themes, mixed with a bit of For the Fans as well. This was an obvious pick for Patience–the warm, slowly undulating chords that swell into one-another, accompanied by Tom’s beautiful piano improvisation, put me in a nice, relaxed state that I really shouldn’t be driving during. It’s also one of the longer arrangements on the album, which is another reason for it’s Patience candidacy.
Track 10: Laura Platt - dogsong musak
Let’s be real here: being in an elevator takes patience. You have to wait for it to get to your floor!
More on Laura Platt later. Also, I guess I should mention that I placed this one where in the soundtrack you would normally hear Long Elevator. ;)
Track 11: Doug Perry - Undertale Variations
Oh hey, it’s me! This is my “theme and variations” style marimba arrangement of Undertale. I wrote this piece as part of my continued interest in expanding the percussion repertoire while also writing music that the younger generation would find attractive and relevant to their interests. I also wrote it because I really love Undertale. In this arrangement, I tried to see how many different lines I could play from the original tune at the same time, and try varying different parameters of the composition while doing so. I do hope to have sheet music for it at some point!
Honestly, placing this arrangement on the Patience disc was almost entirely a gut decision for me at first. However, I think it fits. I like the way Sam “Slambob” Bobinski put it: “it takes patience to learn a marimba piece, right?”
Track 12: Laura Platt - The Last Soul
Laura “Pl511″ Platt had originally proposed a different track for this project, but ended up changing her mind to adapt her ASGORE arrangement for FALLEN instead. She originally wrote this track for her own Undertale album, Fragments of a Heart (which I also played on!). However, for FALLEN, she replaced some of her digital instrumental samples with live players: Kristin “Field of Reeds” Naigus on Oboe, Tera “TeraCMusic” Catallo on violin, and Lauren “Laurentheflute” Liebowitz on flute. The live players added a lot of depth to an already emotionally heavy interpretation of ASGORE. Most arrangers don’t think to work with Asgore’s theme in such a peaceful, contemplative way–it was a natural pick for Patience.
Wowie, that was a doozy! Admittedly, that took a lot longer than I expected. But if you enjoyed this, please let me know! That will give me more incentive to keep writing ;). Disc 2: Bravery is next!
GLEAM GIVEAWAY
As part of your FALLEN promo, we’re doing a giveaway on GLEAM. Five people will each win a free copy of the album one day BEFORE official release!
Since our promotion has also included prose and art, we’d love if you’d also participate! We have a few prompts to inspire you:
What do you like most about Mettaton? Write a response in 500 words or less! (Please title your submission “Mettaton Love”.)
What kind of act/music would you expect to see if you were able to attend the Mettaton/Napstablook/Shyren tour (as featured at the end of the True Pacifist Ending)? Write a response in 500 words or less! (Please title your submission “Monster Tour”.)
What do you think W.D. Gaster’s research entailed? What becomes of his untold fate? Write a response in 500 words or less! (Please title your submission “W.D. Gaster”)
50 points will be awarded to the winner, 25 to runner-up, and 5 points for submission. You can only submit once for each prompt.
Please send your submissions to your submission box: here!! Submissions are due by 9/13 11:59 pm PST.
If you have any questions about the giveaway, please head to the link: here. Any questions about Materia, the FALLEN album, or the tumblr-submissions can be directed to our askbox!
materiacollective:
“Today I learned that flowers are a better cushion than you might think they would be. Also, it’s not dark down here, and not everything is scary. Some of it is scary, and it’s certainly very different, but I am not alone.Well, right now, I am alone. But she’ll be back. Until then, I’m going to wait here and write to you.” @laurentheflute Chapter 1: Patience with wonderful art by @recklessflailing
“I know times are tough right now. Believe me, I really do; what you’re going through is something no human your age should have to endure. I know you didn’t ask for this, and I know it’s not fair. Right now, everyone is telling you the same thing: “stay strong,” “have courage,” “be brave.” @drumultima
Chapter 2: Bravery with wonderful art by @cliffe
“Every star is different, Some are red, some green, some blue. So I’ll ask you a question, now: What kind of star are you?” @drumultima Chapter 3: Integrity with lovely art by @loopy-lupe
Fig. 1, Fig. 2: “Bridge Seeds”. They are surprisingly easy to lift, but make for a strong surface to walk on. An organic puzzle? Fig. 3: “Echo Flower”. They repeat the last thing said to them. Fig. 4: Glowing Mushrooms! Chapter 4: Perseverance with art and words by @heholloway and additional words by @drumultima

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FALLEN
Come check out FALLEN: An Undertale Tribute, featuring contributors numbering in the hundreds, a massive track listing, and something Undertale for everyone. Hit the link for some pics, words and preview tunes. Presenting Chapter 1: Patience Check back everyday for a new installment. Consider a reblog or comment and let us know what you think?
I've once again had the honor of contributing a track and some oboe to a Materia album! FALLEN is a (not so) tiny musical tribute to a lovely game called Undertale and it's coming very soon! I'm always in awe of how amazing my fellow Materia folk are..
Here’s a taste of our soundtrack for the upcoming game, Cryamore! 8 full tracks from the first part of the game. Guest performances by Chris Woo, Kristin Naigus, Michael Evans, and Marc Papeghin. Arrangement assistance on “The Expedition” by surasshu. Artwork by Rob Porter.
Less than a week before Himeko Sutori's campaign ends! Support us by pledging and sharing! #indie #gamer #RPG #JRPG http://thndr.me/QR4FyS
#XionLives
“I used to watch the sun set with somebody else. Or when I’m by the sea… When I look at the water, and hear the waves lapping against the shore… it’s almost like I can hear another voice.”

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"A Sacrifice" SUCCESSOR: Final Fantasy VIII Remixed Composed by Nobuo Uematsu Arranged/Performed by Damian Nguyen Hello! This track is "A Sacrifice," Disc 2 ...
Here’s my track, “A Sacrifice,” from SUCCESSOR: Final Fantasy VIII Remixed arranged for flute, oboe, English horn, piano, and a tiny bit of melodica!
Read more about SUCCESSOR and the Materia Collective at http://www.materiacollective.com/
Pick up a copy of the album on:
Loudr: https://loudr.fm/release/successor-final-fantasy-viii-remixed/UcaXy
iTunes: https://itunes.apple.com/us/album/successor-final-fantasy-viii/id1082178757?ls=1
Happy Holidays! Here's my take on "Love Like You," the ending theme from Steven Universe! I'm in love with the song and all of its variations *_*. My arrange...
Here’s my take on “Love Like You,” the ending theme from Steven Universe!
Performed by Maria Palaroan on vocals, Jeffrey Lam on violin, and Damian Nguyen on piano
Music by Aivi & Surasshu
Lyrics by Rebecca Sugar
Arranged by Damian Nguyen
Happy Holidays! Here's a cover of "Do It For Her" from Steven Universe (ft. my mom and aunt sneaking by in the background and an alpaca)! We all absolutely l...
Here’s our cover of “Do It For Her” from Steven Universe!
Performed by Maria Palaroan as Pearl, Sihyun Ahn as Connie, Jeffrey Lam on violin, and Damian Nguyen on piano
Music and Lyrics by Rebecca Sugar
Original Arrangement by Aivi & Surasshu
Transcribed by Matt Oca
“I used to watch the sun set with somebody else. Or when I’m by the sea… When I look at the water, and hear the waves lapping against the shore… it’s almost like I can hear another voice.”
"On That Day 5 Years Ago" from Final Fantasy VII Arranged for flute, oboe, English horn, melodica, and piano Composed by Nobuo Uematsu Arranged/Performed/Mixed by Damian Nguyen Mastered by Michael Schiciano
Here’s my contribution to MATERIA: Final Fantasy VII Remixed, the debut album by the Materia Collective! This is my arrangement/performance of “On That Day 5 Years Ago” for flute, oboe, English horn, melodica, and piano!
To enjoy more amazing FFVII arrangements, check out the rest of the 5+ hr album! Links to Loudr, iTunes, and Spotify are available on http://materiacollective.com/ along with the album booklet filled with the bios of the near 200 people that contributed to the album!

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Here's a straight cover of Track 19 of the 1st Bleach OST - "Never Meant to Belong"! Performed by: Jeffrey Lam - violin Damian Nguyen - piano
drlam and I did a cover of Never Meant to Belong from Bleach :D.
I have all the work in the world to do and instead I made this why it sounds like a swarm of angry bees
YES