Sand im Haar

Fred Herzog. Mexico City Shoe Shine, 1963

DDR by Thomas Billhardt

Yexley

1915 German propaganda map of Europe if Entente won.

The art of forgetting, Helga Paris

Verkehrskanzel (1954-56) in Berlin, Germany, by Werner Düttmann & Werner Klenke

Robert Frank 1924-2019 

The road less taken, Arnaud Montagard

Biking in Berlin

From The Library of Congress

London’s East End in the 1960s and 70s by David Granick.

Helga Paris “There is something about Helga Paris’s pictures which speak of experiences and feelings that are communicable to a strong degree because they can be shared. Her pictures have a psychological quality that permits identification in an unique way. It is my claim that this can be found in the respect and esteem for the subject that Helga Paris’s pictures are capable of expressing. Perhaps it is the longing to be observed by such a gaze: a gaze that is capable of seeing through the debris and upheavals of everyday life to that what Elke Erb so fittingly calls “cradle honesty”; a gaze in which the individual is capable recognizing himself through the anonymity of the masses by virtue of his own, personal longing for human togetherness.” – Inka Schube, Sprengel Museum, Hannover

Crossing Powell 2, 1984. 

FRED HERZOG