Backrooms, 2026, Kane Parsons
Aqua Utopia|海の底で記憶を紡ぐ

Kiana Khansmith

⁂
ojovivo

Discoholic 🪩
Cosimo Galluzzi
Keni

JVL
"I'm Dorothy Gale from Kansas"

tannertan36
almost home
let's talk about Bridgerton tea, my ask is open
One Nice Bug Per Day
Game of Thrones Daily

Three Goblin Art

roma★
we're not kids anymore.

if i look back, i am lost
Jules of Nature

seen from Türkiye
seen from Türkiye
seen from Iraq

seen from Netherlands
seen from Russia
seen from Ukraine
seen from Ukraine
seen from Tunisia

seen from Colombia
seen from China
seen from Spain
seen from Argentina

seen from Pakistan
seen from Switzerland
seen from Spain
seen from Kenya
seen from Saudi Arabia
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@kansassire
Backrooms, 2026, Kane Parsons

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Husio aka The House (1983), Egill Eovarosson
James Baldwin. From Another Place, 1973, Sedat Pakay
Four seasons utopiano, 1980, Shoichiro Sasaki
Nuestra tierra, 2025, Lucrecia Martel

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Nuestra tierra, 2025, Lucrecia Martel
Nuestra tierra, 2025, Lucrecia Martel
Nuestra tierra, 2025, Lucrecia Martel
Nuestra tierra, 2025, Lucrecia Martel
Vincent Lindon, un grande!!!
Jouer avec le feu aka The quiet son, 2024, Delphine Coulin, Muriel Coulin

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Jouer avec le feu aka The quiet son, 2024, Delphine Coulin, Muriel Coulin
Los días perdidos, 1963, Victor Erice
❤ ❤ ❤ ❤
Me ha envuelto completamente, y no es la primera vez que me pasa con Valeska Grisebach, recuerdo que en su momento, Sehnsucht me impresionó muchisímo también con sus elipsis y con sus personajes intentando comunicarse. Grisebach tiene un control absoluto del ritmo, y de su personaje principal a medida que deambula en una tierra desconocida, intentando conectar. Y a medida que deambula, la tensión va cambiando, el ritmo germinando en un algo fascinante que me vuelve a impresionar muchisimo. Realmente me parece alucinante como una pelicula de dos horas contando lo que cuenta, que a muchos les parecerá una tonteria, puede manejar el ritmo y la tensión como lo maneja pero el control de la Grisebach está precisamente en lo que sugiere, en el misterio que va envolviendo poco a poco el paisaje, los sonidos. Además que es un tipo de cine que se queda ya impreso, y que te sigue dando vueltas Y sí, es un western en toda regla.
Western, 2017, Valeska Grisebach
Western, 2017, Valeska Grisebach
Western, 2017, Valeska Grisebach

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Western, 2017, Valeska Grisebach
Western, 2017, Valeska Grisebach