never wipe
aye! here be one of them pinned posts. name’s sammoner and i’ll make sure you’ll never wipe again. socials (worth a fuck):
letterboxd
album of the year
Today's Document

Discoholic 🪩
art blog(derogatory)

if i look back, i am lost
I'd rather be in outer space 🛸
hello vonnie

Love Begins

Jar Jar Binks Fan Club
YOU ARE THE REASON
The Bowery Presents
Not today Justin

titsay
taylor price
The Stonewall Inn
noise dept.
Doug Jones
macklin celebrini has autism
EXPECTATIONS

roma★

seen from Malaysia

seen from Togo
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seen from United States

seen from United States

seen from Sweden

seen from United States

seen from Australia
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seen from United States
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seen from United States
seen from Switzerland
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seen from Italy
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seen from United States

seen from Brazil
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@sammonerwipemage
never wipe
aye! here be one of them pinned posts. name’s sammoner and i’ll make sure you’ll never wipe again. socials (worth a fuck):
letterboxd
album of the year

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Pam Grier in Coffy, 1973
Story Analysis: To Kill a Child (Att Döda Ett Barn)
Beforehand everything is too early
I think a lot about possible different outcomes, and the impact I-and others- have on how situations turn out. Sometimes, I have to correct myself that I acted with what information I had at any specific time. Slowly, I'm getting used to do the fact that I exist in the here and now, acting on what I know and perceive at this specific moment.
The narrator of Stig Dagerman's To Kill a Child (Att Döda Ett Barn), often repeats that "Afterwards everything is too late." The omniscient voice that tells the story sees the death of the titular child coming from a distance. The reader is informed that soon, a child will die, presumably hit because of the reckless driving of a happy man, on the way to the beach with his girlfriend. Nobody, not the driver, his lover, the child nor the child's parents sees the accident coming. Each character acts on what he or she knows. Of course, the blame falls on the driver. However, he too acted on what he knew at the time: the road was empty.
The point then, is that the driver should have acted on what could happen, instead of what he thought was happening. "Afterwards everything is too late" is a fitting conclusion to this short story, made as a persuasive statement against speeding.
As a person, all I can do is exist in the here and now, take precautions for the future else some bad thing might happen. This bad thing could, or could not take place. Not just in the context of driving a car, but also in other situations.
Yet, I also think that beforehand everything is too early. Some things you can work to prevent, while others just happen. As I get older, I start to remind myself that not everything is within my control. Not everything can be prevented. Some things just happen.
#hij is de meester
Amadeus memes (part 1)
alternate timeline where Tumbr was around in 1984 and Antonio Salieri became a sexyman
look at this sad gay man and his tragic musical yaoi

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The Lighthouse dir. Robert Eggers | 2019
Kingdom Hearts: a summary.
Julien Baker covers No Children by the Mountain Goats + an introduction from John Darnielle
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Excerpt from “I Hope We Both Die: How The Mountain Goats Wrote The Ultimate Anthem To Dysfunction” an interview with John Darnielle

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Whimsical guitars
TJ MIKELOGAN'S HALLOWEEN HORROR 2025 EVENT DAY 12: HORROR SCENERY
THE LIGHTHOUSE 2019・dir. Robert Eggers
“Jesus said it’s more important what comes out of your mouth than what goes in it.” Leonard Cohen on Rufus Wainwright
ofc i undress for wamen

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volkszangers voor hun big sterren op het plein break
Female Troubles, Dir. John Waters.