Phantogram Three

#extradirty
Today's Document

@theartofmadeline

⣠Chile in a Photography âŁ
I'd rather be in outer space đ¸
Lint Roller? I Barely Know Her
noise dept.
Fieri Frames

Product Placement

blake kathryn
Keni
Claire Keane

Kiana Khansmith

izzy's playlists!
$LAYYYTER
tumblr dot com
Show & Tell

seen from Malaysia

seen from Australia
seen from Bangladesh

seen from Malaysia

seen from Germany
seen from Argentina
seen from United States

seen from TĂźrkiye

seen from Colombia
seen from France
seen from United States
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seen from Ecuador
seen from United Kingdom
seen from United Kingdom
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seen from United States
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@sameoldnews-blog

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hate this town.
Over Manhattan, 1931
live by the numbers
Risk in the breeze Riding our backs, As Cadillac cars Come trampling past.
The luxury nightlife, It comes with a cost: You drown in the bullshit Toâbe somethin youâre not.
You smile like youâre satisfied, Laugh like youâre cured Pose for the freak show, Whatever itâs worth.
Measure the moments, Cut out the waste We live by the numbers And die by the days
Drink up the poison, Brush off the stains The pains in your chest, They pound to keep you awake,
Through heartache and romance Love as a game A gamble for passion A slap in the face
A quest for the moment When time fades away, Where the answers are simple And theyâre all that remain

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falling out of bed
1:07 In bed Hot air Pockets of cooler air sheepishly patting me with drunk fingers Hearing tides of cars blow east and west on main street 1:09 Through the screen Window open Shocked blood in busy, groggy veins She doesnât have time And iâm getting away 1:10 Hit the ground Backbreaking Neck-breaking Loud questions and hard palpitations in panicked tones As the cars roll by in tides And rhythmic waves
Broken rhythm Broken out
âŚthoughts?
Not many people listen these days Or maybe I talk to much Or maybe I trust too little Do I seem paranoid? I don't fit the role But the director is too stubborn To call it off now Investments were placed And now the crowd is waiting Waiting for something to happen Bored as hell My hearts a scared deer knocked over Thrashing and shaking And they're laughing at me behind my back and they won't stop and I think I heard my friends voices laughing at me and pointing and ridiculing but I can't make them out and the spot light's so bright but I'm trying but I'm just too nervous and I just can't concentrate and I just want to go home.
Same old sane old panic attack and anxiety and bullshit and worrying and heart pounding and flights of thought and worry and panic.
Dayton, Ohio c. 1904 (via)
Hercules '83 (..........uh. what?)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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wish I had a decent camera.
Some things youâll never see (by Nathan Spotts)
Fields spent his last weeks in a hospital.  One day, a friend stopped by for a visit and caught Fields reading the Bible.  When asked why, Fields replied, "I'm checking for loopholes."
Any attempt to conciliate an inexplicable momentary state with logic strikes me as a boring kind of game.Â
http://www.sas.upenn.edu/~jenglish/English104/tzara.html

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I know that you have come here today to hear explanations. Well, don't expect to hear any explanations about Dada. You explain to me why you exist. You haven't the faintest idea. You will say: I exist to make my children happy. But in your hearts you know that isn't so. You will say: I exist to guard my country, against barbarian invasions. That's a fine reason. You will say: I exist because God wills. That's a fairy tale for children. You will never be able to tell me why you exist but you will always be ready to maintain a serious attitude about life. You will never understand that life is a pun, for you will never be alone enough to reject hatred, judgments, all these things that require such an effort, in favor of a calm level state of mind that makes everything equal and without importance.Â
http://www.sas.upenn.edu/~jenglish/English104/tzara.html
For his 1948 feature âCountry Doctorâ â republished here, in its entirety, for the first time online, with all of the photos and â LIFE magazine photographer W. Eugene Smith spent 23 days in Kremmling, Colorado, shadowing general practitioner Ernest Ceriani.
His powerful, intimate images capture in poignant detail the emotional and physical challenges faced by this modest, hard-working rural physician â and gradually reveal the inner workings and the outer trappings of what is clearly a uniquely rewarding life. When first published, âCountry Doctorâ was an instant classic, setting Smith firmly on a path as a master of the unique art form of the photoessay, and solidifying his status as one of the most passionate and influential photojournalists of the 20th century.
Feast your eyes on a classic â Eugene Smithâs âCountry Doctorâ