MAURIZIO CATTELAN / UNTITLED, 2001 Couple of elevators (scale 1:7,5), stainless steel, electronic components 35 x 59.5 x 26.3 cm | 23 ½ x 33 ¾ x 18 inch
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MAURIZIO CATTELAN / UNTITLED, 2001 Couple of elevators (scale 1:7,5), stainless steel, electronic components 35 x 59.5 x 26.3 cm | 23 ½ x 33 ¾ x 18 inch

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I could never forget you.
I think I’m meant to forget you. We were just kids when we Got close and closer still, But then you moved.
Your house was still close by. It’s still there. I could just Come to see you, but when? There’s not enough time.
I’m too busy writing and reading And doing schoolwork and crying, And you’re too busy with revision And going on cruises with boys.
We’re from different classes, Like at different schools, Like at different echelons. I’m not good enough for you.
But we’re trying so hard Not to forget eachother, Clinging to short conversations Between the countries you’re at.
Please keep trying so maybe Some day I’ll see your face In your room across from me Again and not from your profile.
I miss the way your embrace felt And the way your voice sounds Because when we talk all I hear is The machine saying it to me.
Do you think God listens to machines? It’s a line from a novel but it’s true, Because does he hear when your Words aren’t from your divine voice?
I'm scared the sound of your voice will disappear From my mind, please let me hear.
Hanif Willis-Abdurraqib, from “And What Good Will Your Vanity Be When The Rapture Comes”

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“Daughter of the Steppes”, Harper’s Bazaar Kazakhstan
Art by Albin Grau

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Franz Kafka, from a letter featured in Letters To Friends, Family and Editors
Flaming Telepaths

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Kashmiri Muslims pray in the garden of a house while celebrating Eid Al Fitr in Kashmir. 2020.
Image Credit: Reuters