Roksana Bajda (Polish, d.o.b. unknown) - Herd (2026)

"Innamorato della Luna" (In Love with the Moon) Antonio Rubino, 1907

my watery friend... are you too brushed with the pattern of the dappled light...?

Refraction Collection - Melodic Hues No.154 // Seamus Dao, 2024 Mixed media (Acrylic paint and Airbrush) on canvas (70x100cm)

Doechii by Brianna Capozzi for Victoria’s Secret

this is my impression of what it would look like if the toddlers at my job could make traumacore edits about me

alright by popular demand here is more toddler traumacore

Corona Del Mar, Newport Beach, California Photo by Pham Huy Trung

carl jung

"children's program room" (2006), thousand oaks library

smerz :)))

Orchid Pearl Drop Pendant

-- Trip, Estragon News, The Oracular Outsiders and the Homework Doers

Maybe it's because that fiction is being written for the people already bought in. Art that is made for the purpose of institutional legibility and approval is dead on arrival. Writing must stand on the outside, viewing the world at a tilt. Our world is being eaten by word machines that can imitate us perfectly. Unless American letters find the courage to welcome back in the oracular, it will disappear, replaced by machine that can conform to the demands of institutional legibility—really, the demands of capital—better than any human ever could.

Andrea Calisi (Italian b.1968), The Bridge and the Blue Knight, 2026, Illustration

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