will byers stan first human second


titsay

oozey mess

Janaina Medeiros

Love Begins
hello vonnie
Jules of Nature
One Nice Bug Per Day

Origami Around
dirt enthusiast
Three Goblin Art
sheepfilms

JVL
Lint Roller? I Barely Know Her

@theartofmadeline

he wasn't even looking at me and he found me
Aqua Utopia|海の底で記憶を紡ぐ

seen from Singapore
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@sadieekane

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this is my impression of what it would look like if the toddlers at my job could make traumacore edits about me
alright by popular demand here is more toddler traumacore
Corona Del Mar, Newport Beach, California Photo by Pham Huy Trung
carl jung

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"children's program room" (2006), thousand oaks library
smerz :)))
Orchid Pearl Drop Pendant
i really liked this essay on why literary fiction is sounding so much Like That these days, especially work by asian american authors:
This entire process selects for homework-doers, personal entrepreneurs, and individualistic bureaucrats. It's why, like I said, the oracular outsiders, the Pauls of the world, who can't conform to society's expectations to check boxes and become legible to the powers that be, aren't in these programs and aren't getting the opportunities that are downstream of them. It's why you end up with tons of fiction about "my white boyfriend" and "everyone online is mad at me" or "anxious strivers in NYC" or "my annoying polycule." These are the obstacles this class encounters. You can't spend time, like Cormac McCarthy did, living in an unheated cabin in the Smokies, or embedding with the Mujahideen like William T. Vollman, or working as a psychotherapist like Olga Tokarczuk. You must move from strength to strength, always turning in your homework on time, and certainly never suffering a psychotic break.
-- Trip, Estragon News, The Oracular Outsiders and the Homework Doers
i quite liked the conclusion to the piece:
Maybe it's because that fiction is being written for the people already bought in. Art that is made for the purpose of institutional legibility and approval is dead on arrival. Writing must stand on the outside, viewing the world at a tilt. Our world is being eaten by word machines that can imitate us perfectly. Unless American letters find the courage to welcome back in the oracular, it will disappear, replaced by machine that can conform to the demands of institutional legibility—really, the demands of capital—better than any human ever could.
Andrea Calisi (Italian b.1968), The Bridge and the Blue Knight, 2026, Illustration

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Cats romp in a cherry tree. Tit, Tiny, and Tittens. 1865.
Internet Archive
Southern Black-backed Jackal | Eugene Tulleken
Submitter comment: I'd like to submit this '[s]tudy of defensive behavior of a venomous snake as a new approach to understand snakebite' not for it's topic (worth studying!) but for it's insane methodology, which... well, I'll just let the researcher speak for himself:
[Q: Why did you decide to do this experiment?
A: Snake behavior has been generally neglected as a field of research, especially in Brazil. And most studies don’t examine what factors make them want to bite. If you study malaria, you can research the parasite that causes the disease—but if you don’t study the mosquito that carries it, you will never solve the problem. Up until now, the popular wisdom was that the jararaca would only attack if you touched it or stepped on it. But that was not what we found.
Q: Why did you need to be the victim?
A: The best way to do this research is to put snakes and a human together. In this case, the human was me. We put the snakes inside a ring on the floor of our lab until they got used to it, then I stepped in wearing special protective boots. I stepped close to the snake and also lightly on top of it. I didn’t put my whole weight on my foot, so I did not hurt the snakes. I tested 116 animals and stepped 30 times on every animal, totaling 40,480 steps.]
From the recent (aptly named) interview: Researcher steps on deadly vipers 40,000 times to better predict snakebites
the things that are reported matters. the language used matters. what is left out of the story matters.
Hernmarck, Helena. 1909 Plan of Chicago. 1986. Linen and wool, plain weave of discontinuous wefts with supplementary brocading wefts, 233.8 × 110 cm. The Art Institute of Chicago.

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Angelic Pretty Japan Expo Paris Kera 110 September 2007