90

1981, a time when the moon was apparently made of radioactive cheddar cheese and hovered menacingly close to the financial district. This photo radiates that specific "opening credits to a slow-burn detective show" energy, where a guy named Rick stares out the window, nursing a lukewarm scotch and wondering why his informant hasn't called. You can practically hear the saxophone solo and the click-clack of a thousand IBM Selectrics echoing from those illuminated windows. Every single light represents a middle manager in a brown suit staying late to smoke indoors and physically cut-and-paste a report together. It’s moody, it’s grainy, and it captures the exact moment the city goes to sleep, except for the people trying to meet a deadline before the morning fax.

兵庫 出石 // Izushi, Hyogo

Keiji Uematsu. Wave Motion I, 1976

Bob Petillo, “Strata,” 1983

mariwka

alexis doyle

— Warsan Shire

ELOGIO A LA CURVA Hoy os traemos una imagen que inspira, el proyecto de una villa unifamiliar que cuenta con una zona de entrada que da acceso a dos galerías. En esa entrada destaca como pieza central una mesa Petal redonda en madera de nogal. En STUA nos gusta que las curvas sean las protagonistas de nuestros muebles, ya que los hacen más orgánicos, más fluidos, más cercanos a las personas. PETAL: www.stua.com/es/design/petal

Blade Runner concept art by Syd Mead, as seen in Fantastic Films, June 1982.