your honor you must understand that this is all a simple misunderstanding. the music made my client lose control
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Xuebing Du

oozey mess
Lint Roller? I Barely Know Her

Love Begins
KIROKAZE
dirt enthusiast
RMH
Alisa U Zemlji Chuda

Product Placement
Not today Justin

titsay

⁂

Kaledo Art
Game of Thrones Daily
d e v o n
Sweet Seals For You, Always
Misplaced Lens Cap

if i look back, i am lost

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@rumarried
your honor you must understand that this is all a simple misunderstanding. the music made my client lose control

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Legendary fantasy artist John Blanche has died. He is known mostly for his long association with Games Workshop, where he served as art director and created many of the iconic images that shaped the Warhammer and 40K worlds. He was capable of working in diverse styles, but much of his art and his own creative miniature conversions made his name synonymous with the "grimdark" aesthetic, mixing elements of moody gothic architecture and body horror with a limited color palette.
He also contributed to GW's UK edition of Dungeons & Dragons, Fighting Fantasy and Sorcery! books, and other books and album covers. Wombat Games recently published an authorised biography, Blanche: The Rise of Grimdark. A skirmish game, John Blanche's En Garde, is in development with a setting and visual style based on his art.
コブハクチョウ
Mute swan

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🐍 Iconographie générale des ophidiens Milan: chez l'auteur [etc.]1860-1881. Original source Image description: Illustration from “Iconographie générale des ophidiens” (1860-1881) depicting two species of snakes labeled Hydrophis Westermanni and H. frontalis. The image shows detailed black and white snake drawings with distinct scale patterns and banding. It includes close-ups of snake heads from multiple angles, scale texture samples, and isolated scale shapes. The snake bodies are coiled or elongated to display their markings and anatomy in a naturalistic style typical of 19th-century scientific illustrations. The title “Hydrophidiens” indicates these are sea snakes, emphasizing their distinctive scale arrangements and anatomical features for identification.
Back at it with some cheap felt tips that were masquerading as copics
@pagliahater twin question sent me on a mission to find the video one of the twins I knew made (featuring her taxidermy raccoon (that had their own insta under the name stuffedreece))
Feeding our seagull spicy sour cream Pringles
A White Guest - Elena Wuest , 2026.
German , b. 1977 -
Oil, 90 × 70 cm.

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@sickouthere
Listen to Scuffed Recordings with Ian DPM & Wager - 11 May 2026 by Rinse FM #np on #SoundCloud
Cant be arsed to figure out how to format sc links properly on mobile this whole set is great at 48 ish mins in there's some cheeky garage tune using the bassline from massive attack - angel and earlier in the show they declare the tune vibe for the year to be 'evil wafters'
@rumarried
Rudi Hurzlmeier
Cy Twombly, Gaeta Set (For The Love of Fire & Water), 1981
As a matter of fact, the main trouble with avant-garde art and literature, from the point of view of fascists and Stalinists, is not that they are too critical, but that they are too "innocent," that it is too difficult to inject effective propaganda into them, that kitsch is more pliable to this end. Kitsch keeps a dictator in closer contact with the "soul" of the people. Should the official culture be one superior to the general mass-level, there would be a danger of isolation. Nevertheless, if the masses were conceivably to ask for avant-garde art and literature, Hitler, Mussolini and Stalin would not hesitate long in attempting to satisfy such a demand. Hitler is a bitter enemy of the avant-garde, both on doctrinal and personal grounds, yet this did not prevent Goebbels in 1932-1933 from strenuously courting avant-garde artists and writers. When Gottfried Benn, an Expressionist poet, came over to the Nazis he was welcomed with a great fanfare, although at that very moment Hitler was denouncing Expres- sionism as Kulturbolschewismus. This was at a time when the Nazis felt that the prestige which the avant-garde enjoyed among the cultivated German public could be of advantage to them, and practical considerations of this nature, the Nazis being skillful politicians, have always taken precedence over Hider's personal inclinations. Later the Nazis realized that it was more practical to accede to the wishes of the masses in matters of culture than to those of their paymasters; the latter, when it came to a question of preserving power, were as willing to sacrifice their culture as they were their moral principles; while the former, precisely because power was being withheld from them, had to be cozened in every other way possible. It was necessary to promote on a much more grandiose style than in the democracies the illusion that the masses actually rule. The literature and art they enjoy and understand were to be proclaimed the only true art and literature and any other kind was to be suppressed. Under these circumstances people like Gottfried Benn, no matter how ardendy they support Hitler, become a liability; and we hear no more of them in Nazi Germany.
Clement Greenberg, Avant Garde and Kitsch
" As for Mussolini-his case is a perfect example of the disponibi/ite of a realist in these matters. For years he bent a benevolent eye on the Futurists and built modernistic railroad stations and government-owned apartment houses. One can still see in the suburbs of Rome more modernistic apartments than almost anywhere else in the world. Perhaps Fascism wanted to show its up-to-dateness, to conceal the fact that it was a retrogression; perhaps it wanted to conform to the tastes of the wealthy elite it served. At any rate Mussolini seems to have realized lately that it would be more useful to him to please the cultural tastes of the Italian masses than those of their masters. The masses must be provided with objects of admiration and wonder; the latter can dispense with them. And so we find Mussolini announcing a "new Imperial style." Marinetti, Chirico, et al., are sent into the outer darkness, and the new railroad station in Rome will not be modernistic. That Mussolini was late in coming to this only illustrates again the relative hesitancy with which Italian Fascism has drawn the necessary implications of its role. "

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apparently there are some problems with case study series about neurological mcas sequelae but just speaking for myself about this particular part, i endorse trying as much of this "Step One" protocol as you can manage if you have any weird medical shit going on that can be described as "allergies but worse and weirder". its a lot more targeted than trying to faff around with the FODMAPs stuff and most of these pills are OTC and cheap.