System Of A Down - Jet Pilot
d e v o n
KIROKAZE
cherry valley forever
ojovivo
Lint Roller? I Barely Know Her

Stranger Things
The Bowery Presents

blake kathryn
Jules of Nature

roma★

Andulka
Misplaced Lens Cap
Aqua Utopia|海の底で記憶を紡ぐ

titsay

oozey mess

if i look back, i am lost
One Nice Bug Per Day
he wasn't even looking at me and he found me
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@rudeb0yo
System Of A Down - Jet Pilot

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therapypilled deadbeat father: I really don't have the headspace for custody right now
MATT DILLON in Drugstore Cowboy, 1989.
via

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Piero Fornasetti (Italian, 1913-1988, b. Milan, Italy, d. Ibid) - Lunario del Sole, 1951.
Despair. Mosaic in the Cornaro Chapel, 17th century.
you have to be in a certain specific mood to listen to classic rock because sometimes a guy is playing his guitar and you're just like shut the fuck up man
me too mick me too
notice how everyones 30 now

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L7 - Pretend We’re Dead (1992) Donita Sparks from: “Pretend We’re Dead” / “Shitlist” (Single) “Bricks are Heavy" (LP|CD)
Grunge | Alt. Metal | Riot Grrrl
Tumblr (left click = play) (320kbps)
Personnel: Donita Sparks: Lead Vocals / Guitar Suzi Gardner: Guitar Jennifer Finch: Bass Demetra Plakas: Drums
Produced by L7 / Butch Vig
Album Recorded: @Smart Studios in Madison, Wisconsin and @ Sound City in Van Nuys, California 1991 - 1992
Album Released: on April 14, 1992 Slash Records
me while crossing the road
seeing english people this happy is my personal hell
In the Mouth of Madness (1994)
Chantal Pinzi. Shred the Patriarchy. India

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When the working class attempt to pass as non-working class, we become neither a member of the class we are attempting to pass as, nor are we any longer a member of the working class. Neither one nor the other, our true selves are subsumed under. As a result, we become nothing — a ghost trapped in a liminal limbo. We become a form of living dead, caught between deaths.
– Cynthia Cruz, The Melancholia of Class (2021)
The society I grew up in, ruled by the middle class, was and remains entirely middle-class. When I look in magazines or books, watch films or TV shows, when I talk to my colleagues and other writers and my students, there always seems to be the same handful of middle-class writers referenced. These books are referenced by the middle-class writer they read about in literary journals. And these middle-class writers write from a middle-class point of view, which is to say from a distance and, for the most part, this means not about the concrete, real world in which the majority of people live. This massive deployment of values and beliefs, aesthetics and desires, is a form of indoctrination, one we remain for the most part, unaware of. Rather than confronting the working class with their values and aesthetics, insisting we adhere to them, the middle class simply present their beliefs and aesthetics as natural, as the world.
― Cynthia Cruz, The Melancholia of Class: A Manifesto for the Working Class