Register is now open for our next Massive Open Online Course Othello: In Performance - Sign up today at https://www.futurelearn.com/courses/othello
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Register is now open for our next Massive Open Online Course Othello: In Performance - Sign up today at https://www.futurelearn.com/courses/othello

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Leading actors perform key Shakespeare speeches in a set of videos that capture the romance, tragedy, villainy and magic of his plays
#ShakespeareForEveryone #TheatreAtItsBest
Are you studying Shakepeare for A or AS Level? Then our FREE 4 week Massive Open Online Course is for you!
Othello: In Performance is completely free, and you don’t have to write essays or hand in work to be marked - you just work through all the fantastic video and audio made available each week and join in online discussions with other learners across the UK and the world.
Helping you along the way are academics, directors and actors from the RSC, the University of Birmingham and Shakespeare Birthplace Trust. Together you will go on a journey from Othello’s original performances in Shakespeare’s lifetime to the latest RSC production, looking at different themes each week.
Taking place from 22 February to 18 March, Othello: In Performance is hosted by FutureLearn and registration is now open.Â
Register now
P.S.To coincide with the course, our 2015 production of Othello will be broadcast free into UK schools on Thursday 17 March - find out more and tell your teacher today!
Six hundred years ago, on 25th October 1415, King Henry V led his army into battle at Agincourt. The battle was fought and won on the fields of France the road to Agincourt is said to have begun with a surprising event in Warwickshire.
Kenilworth Castle was a favoured residence of Henry. It was whilst staying at the castle in 1414 or 1415 that Henry reportedly received from the French an insulting gift of ‘pilas’ – or tennis balls!
The incident was recorded by monk and chronicler John Streeche who, writing shortly after the King’s death, wrote that the French embassy to the King ‘foolishly said that they would send to Henry King of England, because he was young, little balls to play with and soft pillows to sleep on to help him grow to manly strength.’
The meaning was clear – the French implied that the king, who was not yet 30 years old, was too childish to engage in the serious kingly practice of diplomacy and warfare.
Whether Henry’s insulting gift from the French was indeed the spur to his invasion of Normandy, it was recorded as such by later chroniclers. Famously, the incident features in Shakespeare’s play, and it was certainly the gift of the tennis balls that gave Henry his decisive impetus to war in Shakespeare’s Henry V.
Henry V is running at the Royal Shakespeare Company directed by the RSC’s Artistic Director, Gregory Doran, the production features Alex Hassell in the title role. Henry V will be transferring to the Barbican Centre in London on the 7th November. Henry V will be LIVE in cinemas on 21 October.Â

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To mark the 400th anniversary of Shakespeare’s death, we are inviting every UK school to join RSC Dream Team 2016 and take part in a nationwide celebration of A Midsummer Night’s Dream.
Whether you weave lines from the play into a lesson, create an Athenian wood in your playground or put on a full production, every school can get involved.
Join RSC Dream Team today and download FREE resources including:
60 and 30 minute edits of A Midsummer Night’s Dream, for use by secondary, primary and special schools
A specially-composed score suitable for all ages and abilities
A range of other supporting resources including guidance on staging the play
There will also be opportunities for you and your students to perform in Stratford-upon-Avon or work with an RSC actor.
Download the resources before 31 October 2015 and tell us how you would like to celebrate A Midsummer Night’s Dream in your school for a chance to receive one of 400 commemorative hard copies of the Playmaking Pack.
www.rsc.org.uk/dreamteam
Aged 18-25? Â Dive head first into Shakespeare this summer with our immersive Student Summer School from Monday 24 - Friday 28 August.
Spend 5 days in Stratford-upon-Avon, using the plays from the Summer 2015 season as a starting point to explore the text from all angles with insights from actors, practitioners, academics and creative teams. Perfect for undergraduates, gap year students or those interested in an in-depth exploration of the plays in performance
Cost: £250 including tickets to see Volpone and Othello.  Excludes accommodation and meals.
For more information call the RSC Ticket Hotline on 01789 403434.Â
Please note that this course is only available to people aged from 18 -25 years old and proof of age will be required at the first session.
The Head that Wears a Crown is a fantastic celebration of the achievements of children and young people involved in The Learning and Performance Network, the RSC's long term programme where we work  in partnership with schools and theatres across England.
100 young people from 47 schools will come together to present scenes from Henry IV Parts I & II and Henry V in this special performance. Book now and join them as they tell the thrilling story of wayward bad boy Prince Hal and his transformation into a courageous and noble king.
Wednesday 8 July, 2pm, £3 Royal Shakespeare Theatre
http://www.rsc.org.uk/whats-on/the-head-that-wears-a-crown/
We decided to take a trip down to Stratford for the day which ended, as only a day in Shakespeare’s hometown should, with us attending the Press Night of the RSC’s latest production of Othello, thank you RSC! This…
Thanks guys! Love the review, really glad you could join us last week and we look forward to seeing you again soon!Â
Magna Carta (the Great Charter) was sealed by King John 800 years ago and is one of the most famous documents in the world. So why is it not mentioned in Shakespeare’s play The Life and Death of King John (1596).Â
Read this post on Finding Shakespeare to find out.

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Synopsis | Othello | Royal Shakespeare Company
Ever wondered what happens in a rehearsal room? Take a sneaky peek behind the scenes of The Famous Victories of Henry V, now touring schools and venues across England.
www.rsc.org.uk/famous
Our residency at the Barbican will culminate in January 2016 with a major theatrical event to mark the 400th anniversary of Shakespeare’s death. King & Country: Shakespeare’s Great Cycle of Kings – a complete 4-play season cycle of Richard II, Henry IV Parts I and II and Henry V in repertoire.
David Tennant will return to the Barbican, reprising the title role in Richard II, joined by Antony Sher and Jasper Britton as Falstaff and Henry IV respectively in Henry IV Parts I and II. Alex Hassell will also follow his performance as Price Hal in Henry IV Parts I and II as Henry V in the final play in the tetralogy.
For more information visit our site.
Here are some fantastic production photos from The Famous Victories of Henry V - see more at http://www.rsc.org.uk/whats-on/the-famous-victories-of-henry-v/production-photos.aspx
Get ready to practice your war cry if you’re coming to see #RSCVictories today!
http://www.rsc.org.uk/whats-on/the-famous-victories-of-henry-v/

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Our new production The Famous Victories of Henry V opens this week in Shipston-on-Stour, Leamington Spa and the Swan Theatre, Stratford-upon-Avon - find out more here:Â http://www.rsc.org.uk/whats-on/the-famous-victories-of-henry-v/
Here’s the cast to tell you a bit more about the story.
Before the Show
Our Schools’ Broadcast Series, where in partnership with Ravensbourne College we  stream our productions from the Royal Shakespeare Theatre to schools across the country, started in November 2013 with our production of Richard II with David Tennant. Since then we have live streamed The Two Gentlemen of Verona, Love’s Labour’s Lost and Much Ado About Nothing (Love’s Labour’s Won). Over 60,000 young people have joined us so far.Â
Daria is a student at Ravensbourne College.
 While watching your favourite television programme you have probably never thought about what goes on months back before it gets on your television at home. Let me start off by saying that to create a programme, especially one that goes out live, takes a very long time in the pre-production offices with many hours of discussion and planning with key, important people: commissioner or client producer, writer and director.
My name is Daria and I am the Executive Producer for the RSC’s Live Schools’ Broadcasts at Ravensbourne. My role is crucial to the success of our show to make sure those watching feel thought about and understand the plays. I am responsible for guiding the producer of the show and I also make sure that we create a crew who are talented, passionate and willing to achieve our mission.
While working as a producer on The Two Gentlemen of Verona broadcast I have gained experiences, which have helped me decide on my future career path. I have a full insight of what the real world of TV is and how to position myself in it. I have learnt valuable lessons such as decision making and voicing my opinion or needs to a group of people. I have also learnt how to work with professional talent and how to create a strong crew. Dedicating many hours into a broadcast proved to be worth it. I feel extremely lucky to be a part of such a wonderful project and I am glad that I have received invaluable experience in return, which I know will help me in my dream job.
During pre-production we hold many meetings with the RSC team alongside the in-house team to make sure that everyone in our ‘big team’ is aware of what is happening and what will be the final result.  The meetings vary in length but are very detailed giving enough time to ask questions. Throughout this process, I have learnt to listen and accommodate the needs of a real-time client as well as being able to voice my opinion and give guidance as to what is possible with our crew and facilities. During this process we also make sure that the timings and running order are correct, as it is essential to a successful broadcast.
So after many months of preparation for the broadcast, similarly to a theatre performance, we hold a dress rehearsal. This is where as the executive producer I have to make sure that any issues with regards to time, talent, set and crew are tackled.  The rehearsal helps us to see how the live broadcast will go and by the end of the day – we know we are prepared.
The broadcast day is an exciting period for everyone involved because it brings in all the hard work from every corner of the team together. The atmosphere in the gallery and studio is great.
And we’re going live in 5, 4, 3, 2…