I will follow Him (Wherever he May Go)
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@ronwebeth
I will follow Him (Wherever he May Go)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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"EverythingGirl.com Archive" is a personal project of mine that attempts to reconstruct the whole website, and fix/replace any broken/missing assets. I'm excited to finally show this to the public! But keep in mind the website's still a work in progress, so a lot of clickable links lead to nothing:
https://everything-girl.neocities.org/
Franz Wright, from Walking to Martha's Vineyard; âP.S.â
Buttercream Joy Sullivan
George Orwell on writing:

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Orgullosa de hacer pjs totalmente desesperados por cariĂąo. Nunca dejarĂŠ atrĂĄs la costumbre de escribir a un hombre perdidamente enamorado de su crush.
PD: YO TAMBIĂN TE AMO JOAQUĂN.
Monologue of Despair Penelope Alegria
Succubi by Aleksandra Wojcik
it's the way that ruben's abuse towards everyone else is pure rage and violence, but with niall it is always the abuse of a father. punishing niall like he's a disobedient child: clean the house, mow the lawn, show me a picture when you're done so i know you've done it well. i pay for everything you have.
on top of the emasculation and on top of the way he resorts to sexual violence every single time. it's the way he calls him son as much as he calls him brother.
AND the worst part of it is that it's the making of that bond that creates the vehicle for the violence! ruben insists that niall is family (they both do) and so he's allowed to hurt niall in the way that he learned family is allowed to hurt each other. he does love niall, and so he has to love him in the same way that he learned to be loved.
Half Man // Fyodor Dostoevsky

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i am gonna lose it.
WHAT
insane production design choice to put a 1984 poster on niallâs bedroom door, because the immediate shorthand of the novel is obviously âbig brother is always watchingââthis idea of an omnipresent authority that continues governing your behavior even in moments of physical absenceâwhich feels inextricable from the way ruben operates within the show. but what makes 1984 so genuinely horrifying is the psychological consequence of prolonged domination: the erosion of a private self, the way fear and control become so thoroughly internalized that the watcher no longer needs to stand in the room because he has already taken up residence inside you, rewriting how you understand love, loyalty, safetyâand what you believe you deserve from all three.
that is exactly what rubenâs violence has done. even in his absence, everyone continues organizing themselves around himâanticipating him, contracting around wounds he opened years earlier, the past remaining not behind them but invasively, insistently present. heâs a specter lingering over everything.
which makes the placement on niallâs door so devastating, because this episode is about niall reachingâtoward autonomy, toward a life expansive enough to finally contain honesty and desire. just awayâfar enough to exhale, far enough to start anew. and yet gadd frames his most private space with a novel about what total surveillance does to a personâs interiority and selfhood.
niall is trying to become someone. the poster is gadd telling you, in the most precise way possible, that big brother already got there first.
because in the end, winston smithâthe protagonist of 1984âdoesnât just submit to big brother. he loves him.
before sunrise (1995)
Wildness Before Something Sublime Leila Chatti

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Jennifer's Body (2009) Gone Girl (2014) Hannibal (2013-2015)