Tom Sturridge as Dream of the Endless The Sandman 2.05: The Song of Orpheus.

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Tom Sturridge as Dream of the Endless The Sandman 2.05: The Song of Orpheus.

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kevin brings out the competitive side of neil and an understanding of what he has been through more than andrew ever can (no matter how hard he tries). andrew brings out the darkness in neil that he has always felt ashamed of and needs to explore to grow. neil brings out the submission of andrew that he has always felt too scared to feel (not sexually just in the fact that he too sometimes needs to be protected). kevin and neil bring out the protective nature that andrew needs to have to feel in control of his life. andrew brings out the security in kevin and forces him to grow and recognise his mistakes. neil forces kevin to reconcile with his trauma in a way that andrew can only wish kevin would. the three of them need all of them. kevin needs andrew and neil (in the future - def not at the end of trk because that man needs no romance) and they are willing to wait for him in a way that other people never will. neil needs andrew and kevin to solidify neil josten and dissolve nathaniel wesiniki. andrew needs kevin and neil to make him believe in some passion and teach him that life truly is worth living (not that andrew would kill himself just in a way that u can find a passion and a will). firm believer that in the far far far fictional future (because this would never happen irl) that kevin joins andrew and neil. platonic life partners or in a romantic and in the andreil sexual way. they all need and understand each other in a way that no one else ever will or ever will bother too.
ed zitron, a tech beat reporter, wrote an article about a recent paper that came out from goldman-sachs calling AI, in nicer terms, a grift. it is a really interesting article; hearing criticism from people who are not ignorant of the tech and have no reason to mince words is refreshing. it also brings up points and asks the right questions:
if AI is going to be a trillion dollar investment, what trillion dollar problem is it solving?
what does it mean when people say that AI will "get better"? what does that look like and how would it even be achieved? the article makes a point to debunk talking points about how all tech is misunderstood at first by pointing out that the tech it gets compared to the most, the internet and smartphones, were both created over the course of decades with roadmaps and clear goals. AI does not have this.
the american power grid straight up cannot handle the load required to run AI because it has not been meaningfully developed in decades. how are they going to overcome this hurdle (they aren't)?
people who are losing their jobs to this tech aren't being "replaced". they're just getting a taste of how little their managers care about their craft and how little they think of their consumer base. ai is not capable of replacing humans and there's no indication they ever will because...
all of these models use the same training data so now they're all giving the same wrong answers in the same voice. without massive and i mean EXPONENTIALLY MASSIVE troves of data to work with, they are pretty much as a standstill for any innovation they're imagining in their heads
Vi's just running with it đ
(pretend they can have phones..)
âWeight on the bed had him drawing his arm back. Jean was leaning over him, one hand braced on the mattress beside Jeremyâs head. His charcoal dress shirt was only half-buttoned, and Jeremy instinctively followed the line of his throat down to his exposed collarboneâŚ
If Jean noticed his distraction, he gave no sign. His expression was serious as he said, âTell me the phrase.ââ
-The Golden Raven by Nora Sakavic
This moment has been living in my head rent free

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views from the rooftop at golden hour đ
oh i know the foxes are fighting for their mf lives right now at the dorms with andrew quitting smoking and neil not being able to play⌠thoughts and prayers those bitches are being INSUFFERABLE
kinda obsessed with the metacommentary in the golden raven
the fandom wanting to see the first red card for the trojans reflected in the public getting bored of the trojanâs pristine image and wanting to see their fall from grace. and in response to that jean starting to appreciate the trojansâ style during the game against bobcats and telling jeremy âwe will do it your wayâ.
the fandom wanting jeremy to be imperfect and to snap for him to be interesting and in response jean telling jeremy âit makes you more interesting. not your capacity for unkindness, but how fiercely you fight against itâ
pre-tfc , extra content :
the raven king, chapter eight :
the king's men, chapter ten :
the king's men, chapter seventeen :
kandrew [ w/ neil ] + the 2 year quest
andreil is so unique because they donât actually fit into any trope. enemies to lovers? they were never enemies. friends to lovers? they were not exactly friends either. sunshine x grumpy? theyâre both grumpy as fuck actually. miscommunication? they understand each other on a level that no else can. love at first sight? well andrew smashed neil with a racquet at first sight so, idk. love triangle? you are not gonna believe this, they were supposed to be a throuple.

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i donât think people realize how well neilâs demisexuality is written. you can see his emotional connection to andrew change and grow as he learns andrewâs motivations and boundaires long before you can see his attraction to andrew appear.
i think the best example is how neil describes andrew in tkm. he never really thinks about it in detail at all and then all of a sudden âandrew looked as he always had, and neil knew his face as well as he knew every iteration of his own. despite that, something seemed different. maybe it was the sunlight streaming through the window, making andrewâs pale hair shine brighter and his hazel eyes seem almost gold. whatever it was, it was disorienting.â
demisexuality sometimes feels like a switch gets flipped out of nowhere. and andrew flipped neilâs switch because neil trusted him. trust and safety and boundary respect was literally the turn on.
Why, Miss Elphaba--look at you. You're beautiful.
Gabrielâs (missing) cross
Letâs put everything we know about that spooky statue of the Archangel Gabriel in one thread to make the conversation about its possible meaning as a Good Omens 3 clue more structured. Starting off with the relevant part of the official commentary from X-Ray:
Douglas Mackinnon got one thing wrong in his part of the interview â Gabriel wasnât carved by âsome guy in Italy,â but a British sculptor and prop maker David Field working as a part of the team at 3DEye in London.
Technically speaking, itâs a gorgeous piece of hand-carved expanded polystyrene with a clay sculpted head on top of it â even if the Archangelâs smug likeness isnât that pleasant to look at, all things considered. The scenic artists from 3DEye made it look like stone afterwards.
The body itself took ten days to sculpt and is a faithful copy of the famous statue on Ponte Sant'Angelo in Rome called Angel with the Cross by Ercole Ferrata. It stands on the inscription âCuius principatus super humerum eiusâ (âWhose government shall be upon His shoulderâ, Isaiah 9:16), and this quote makes much more sense for Gabriel than the cross in his hands. The usual iconography of the Archangel uses a trumpet or a white lily instead.
Ponte Sant'Angelo was originally used to expose the heads of those sentenced to death â each of the angelic statues on it carry Arma Christi, the Instruments of the Passion. Like the Second Coming, what seems to be a hopeful message to the Chosen Ones can also be a warning for the others.
The statue of Gabriel, first shown in full in the cemetery scene of the Good Omens 2 title sequence, reappears at the very end as a part of the bridge leading to the biggest Easter egg â at least according to Peter Anderson, the animator behind it â which is the lift in the background, implying how weâre getting closer towards the Second Coming. Notice how the cross broke down in half at some point between these two scenes!
And it disappears in the plot as well: Gabrielâs memory depicts it only from his point of view, with the camera deliberately moving slightly to the right and stopping at his eye level. The centered, establishing shots show the statue with empty hands as a bookend.
I believe that this cross is meant to serve as a foreshadowing, a reminder of the absolution of sins and eternal life through Christâs sacrifice and Second Coming. We see it only through Gabriel and Aziraphaleâs eyes â when Beelzebub looks at the statue, the cross is not there.
As seen in the BTS photos and videos, itâs not an editing error, but a deliberate positioning of the physical props on set. The cross was clearly meant to be a removable part of the statue and displayed in a specific way to convey a message to the audience.
The question remains: is it a reassurance, something to look forward to, or maybe rather a warning?
Not helpfully at all, the traditional use of angelic imagery in Christian cemeteries matches both interpretations.
Forgot to post here haha
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I have no excuse for this
When Izzy first walked out I was worried that he would be made into a joke that the crew would laugh at
but then he started singing and the dancing began and I realized that he wasnât meant to be a joke at all. This is the most open and happy weâve ever seen Izzy and the show treated it that way. Not mocking him but instead celebrating this moment.
When we talk about queer representation itâs usually just focused on queer relationships, but what I love about this episode is it shows other sides of being queer. That moment where Izzy saw Wee John doing his makeup and had a realization that he wanted that too? That is what being queer means to me. The crew singing along and cheering for him? That is what being apart of the queer community means to me.
What i love about this show is that it shows queer joy, not in a sanitized way, but in away that is messy, beautiful, and without any mockery or shame.