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will’s arc with mike isn’t framed as a fleeting crush or the tired “gay best friend pining” trope. the cinematography itself insists on reciprocity: the way shots linger on mike’s reactions, the framing that places them in visual symmetry, the deliberate mirroring of their emotional beats. narrative choices and staging underscore that mike is positioned as will’s one true love, his soulmate. this isn’t unrequited longing, it’s a love the text treats as central, inevitable, and deeply mutual in its weight.

Fellas is it gay to gain powers after thinking about your homie