Jennifer Willoughby, The Sun is Still a Part of Me
(1)
The Shock of the Fall
Sweet Seals For You, Always
Monterey Bay Aquarium
Today's Document
ojovivo
almost home
Misplaced Lens Cap
Claire Keane
Cosimo Galluzzi
todays bird

blake kathryn
he wasn't even looking at me and he found me


NASA

Discoholic πͺ©
cherry valley forever

titsay

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@roamanova
Jennifer Willoughby, The Sun is Still a Part of Me
(1)
The Shock of the Fall

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WIDOW Β // Β 009.
DECOMMED
<Β β β βΒ YOU SCARED ME. β >Β Β Mumbled with an artlessness that hinges loose even for him, a rushed exhale of the breath he didnβt realize heβs been holdinβ white - knuckledΒ βtil he lets it go.Β ITβS CERTAINLY IMPOSSIBLE TO LIE Tβ HER but he wouldnβt know because heβs never tried.
Sweaty hair escapes the tattered braid released by the rough tug of the cowl backward, but heβs movinβ too fast to register that or anythinβ else except the solid shelf of her hip and how it fits undeniable in the desperate pull of his palm, except the jewel - bright confirmation he gets the briefest glimpse of before he tips their lips together like he maybe still needs convincinβΒ because he does.
β Youβre okay ? β
@roamanovaβ
SHEβS OKAY ONLY IF SHE WILLS IT. Β ββ- Β Β One of her tricks, long mastered in the art of pulling herself upright to rectify any lethargy that left her in such a state.Β James draws her closer to him and sheβs all the more thankful for it. Β Β (Β Β Excusing shallow breaths her revolting, cracked ribs, collarbone, and arm demand. Β Β )Β
Natasha presses her palm to his cheek, some fleeting breathless smile pressed to him like the thick fabric of her suit holding her together.Β Β (Β Β He helps here too, but more on that later. Β Β )Β Β While one stays tight to her side, the hand free to move does just that with a line traced against the turn of his jaw and another kiss sought in spite of her next breath.Β
βΒ Β Iβm right here. Β ββ-Β Β IβmΒ okay.Β Β β
π²πΎππΏπΎππ°π» π±π°ππ½π΄π, βββ.
Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β LEONID NOVOKOV.

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NATALIE WOOD: WHAT REMAINS BEHIND, 2020 | dir. Laurent Bouzereau
SERGEANT BARNES. 001.
please understand that everything natasha does is, in fact, a power move
RUZKIYA
π·οΈ
SISTERSΒ ORΒ FOESΒ Β ?Β Β Β easierΒ answerΒ isΒ neither.Β Β Β noΒ familialΒ bond,Β Β sheΒ doesnβtΒ wantΒ one.Β Β Β π½π΄π π΄π Β π±π΄π΄π½ Β π½π΄π΄π³π΄π³,Β Β norΒ considered.Β Β Β aΒ bondΒ thatΒ existsΒ onlyΒ whenΒ suitable,Β Β convenienceΒ speakingΒ theΒ finalΒ word.Β Β Β pΠΎΠΌΠ°Π½ΠΎΠ²Π°Β Β .Β .Β .Β Β Β someΒ wouldΒ sayΒ πππππππ,Β Β butΒ othersΒ wouldΒ sayΒ COMPLEMENT.Β Β treacherousΒ watersΒ theyβreΒ walkingΒ on,Β Β Β sheΒ fearsΒ toΒ stepΒ onΒ glass,Β Β andΒ ruinΒ theΒ littleΒ bitΒ ofΒ amicableΒ demeanorΒ theyβveΒ beenΒ having.Β Β Β Β βΒ Β Β Π― Π½ΠΈΠΊΠΎΠ³Π΄Π° Π½Π΅ ΠΏΠΎΠΉΠΌΡ, ΠΏΠΎΡΠ΅ΠΌΡ ΡΡ ΡΡΠΎ ΡΠ΄Π΅Π»Π°Π»Β Β Β .Β .Β .Β Β Β Β thereΒ wereΒ otherΒ waysΒ Β Β ββΒ Β Β Β itβsΒ beenΒ soΒ long,Β Β butΒ iΒ stillΒ wonderΒ Β Β Β :Β Β Β ΠΠΎΡΠ΅ΠΌΡΒ ?Β Β βΒ
@roamanovaΒ· Β Β Β Β» Β Β Β ππ.
APOLOGY FINDS NO HOME ON HER LIPS ,Β Β rendered inhabitable. Now she knows waking required for aΒ Selichot is no issue, yet she still swallows herself whole in the translation. But long before Natasha has understood mercy in cruelty, the art in which they so often cohabitate. Her most valued lesson passed on Β Β ββ-Β Β the act of becoming relies on both. Β Β
βΒ Β You ask again, but your logic is flawed.Β Β β
(Β Β You stole me from me.Β A kindness. Β Β )Β Β Β
βΒ Β You were wrong, little one,Β Β β Β Β she speaks finally, without malice or guilt. Β Β (Β Β A bullet awaits. You stole me from me. The transfer of hands, identity found in the decimation of false claims of control.Β Β )Β Β Forgiveness requires ritual following a transgression, liberation requires steps forward.Β Β Β βΒ Β ββ- Β Β You believed yourself to be yours at all. Β Β β
rp sentence starters taken fromΒ shinji moonβsΒ workΒ ,Β the anatomy of being.Β
β pay attention to the story. β β there are certain things about myself that i romanticize. β β this isnβt me being a dreamer. β β itβs just me trying to turn this husk of muscle and dirty fingernails into something more. β β for so many years iβve held words beneath my tongue. β β my taste buds are revolting against me. β β everything leaves before it hurts us too bad. β β the body knows all that language cannot say. β β my skin was a million tiny mouths yellingΒ β listen β. β β the body is a premonition. β β your sadness delivers itself into your organs. β β worry drops pebbles into your stomach. β β love evaporates and condensates onto the roof of your mouth. β β do you think itβs okay to fall apart ? β β we live in aΒ β break it , you pay βΒ kind of culture. β β thereβs no room for mistakes. β β we give up so easily. β β we are stronger than what these fragile bones can take. β β weβre so ashamed of that which fumbles and falls through our fingers. β β we walk around carryingΒ β closed βΒ signs around our necks. β β i love you for how human you are. β β tectonic plates are shifting beneath my skin. β β thereβs a new continent in my chest that i want to call by your name. β β kill me by giving me a grenade and telling me itβs your heart. β β i donβt want to know what your favorite color is. β β i do want to know what color you bleed. β β this is what it must feel like to be the sea. β β what else can this heart do but break or fall in love ? β β my palms are mines , and youβre just a fingerβs length away from leaving me splattered across your chest. β β you are just a handful of billions of cells. β β you walk like youβre trying to hold the sky up with your palms. β β no one ever talks about what came before the flood. β β at first , they thought it was a miracle. β β i can hear how a heartbeat echoes. β β i no longer feel anything. β β my fingers are hollow shells , this skin is a shroud. β β we are uncharted mine fields. β β i shouldnβt ask questions that only i know the answers to , should i ? β β have you counted the freckles on your cheeks ? β β screw falling in love. β β i donβt want your sentimentality. β β what iβm trying to say is that youβre not allowed in. β β i donβt want to think of all the suns that will rise without you. β β i want so bad to forget. β β there are certain people who leave scars when they go. β β history repeats itself , sometimes in ways you wouldnβt imagine. β β thereβs redemption in the night sky tonight. β β all iβm left with are paper cuts where your hands used to be. β β sometimes touches me and i bleed for days. β β what the hell do i do now? β β we measure catastrophes by how close they hit to home. β

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roamanovaβ:
good morning natashaβs relationship with shield ended with her killing a room full of people including her handler at the time. she barely gave a shit about it before, she certainly does not now. natasha is not, never has been, a company gal !
addendum : natashaβs relationship with shield is entirely contingent on what miss sharon carter asks her to doΒ Β
good morning natashaβs relationship with shield ended with her killing a room full of people including her handler at the time. she barely gave a shit about it before, she certainly does not now. natasha is not, never has been, a company gal !
ππππ ππ ππ’ ππππ : πΈ π°πΌ π½πΎπ π°π΅ππ°πΈπ³ πΎπ΅ π°π½π πΌπ°π½ π°π»πΈπ π΄. βββββββ @ππππππ
Random gifs of Mila Kunis 1/?
canβt wait to leave social events early wit my husband and just go home and chill (and have bomb sex)

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This is my system, Dolores. I alone control it.
and for good measure like this to plot