every single person in the notes who even remotely knows who keffals is is saying "oh yeah, thats a good call"
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@rizzless-trans-guy
every single person in the notes who even remotely knows who keffals is is saying "oh yeah, thats a good call"

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Party laughers in the house tonight everybody just have a delight and it will be a funny sight we just want to see you (giggle)
Every day I’m chuckling
pls god where is the fourth of julie goodbye 2007 hello 2008
dear dire

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dumb thing based on this tweet lmaooo
(comms info)
someday
Seeing people I know and like using AI is making me understand the protagonists of those old time sci fi dystopia's.
"Oh I don't normally use AI, I just wanted it to plan my trip"
You lived on this planet for decades, you know what you like, there are hundreds of websites where you can type into any search engine " things to do in [area]" and have at least a hundred different options.
"Oh I only use it so I can figure out what to make during the week with what I have"
The most popular website as you type in "recipes" into google have sections where you click dinner- quick and easy and those usually rely on staples + 1 or 2 items. I found 30 recipes on chicken alone.
"I had a writing idea, so I typed a few sentences into Chat GPT and I was able to write 20 pages with it."
Youdidn'twriteit.Youdidn'twriteit.youdidn'twriteit.youdidn'twriteit.YOUDIDN'TWRITEIT.YOUDIDN'TWRITEIT.YOUDIDN'TWRITEIT.
absolutely looosssinggg it. i'm so obsessed with movies which portray the woman MC in a highly specific job because the writers clearly think it's like "off-beat" and "quirky" but have no idea how the field works whatsoever.
i decided to try a romcom i somehow missed i the 2000s 'head over heels' and i got 3 and a half minutes in and we're introduced to the lonely MC with bad taste in men as evidenced by her extremely short list of ex boyfriends, including her first boyfriend when she was 11 or something because i guess that's still relevant in her adult life.
so she's resigned herself to never finding love and prefers to ignore men to focus all her energy into her career.
this job is immediately presented as though it's for spinsters with no hope of ever finding a man.
the mc's lesbian bestie (whose first line involves her being scolded for being too sexual in the workplace, but moving on) points out their colleagues as evidence that they're doomed to a romance-less, sexless life if they don't switch up their shared career path. the colleagues are three old women, so-dubbed "the menopause triplets":
these women are presented as if they have no idea what's going on at any given moment. this is 2001, and presumably this is an entry level job requiring low effort and no experience.
then their boss bursts into the room, unceremoniously bumping a large painting into the door jam and walls, announcing that it's a new project for our MC.
our MC is thrilled to see the painting. apparently it's a light in the daily slog at her dreary job for loser women with nothing going on in their lives.
And that job is? Conservator of paintings (specializing in Renaissance) at the New York City Metropolitan Museum of Art.
The painting being handled like an old couch on its way to the curb?
The Bacchanal of the Andrians by Titian.
Her lesbian colleague who is presumably also a a highly trained & skilled curator finds it depressing that the MC is so excited about the painting.
it's a quirk unique to this MC that she cares so much about paintings, in her department at the metropolitan museum of art, where her colleagues find all that art business rather dreary. because we all know that's what conservators in extremely competitive museum positions are like.
I'm not saying there can't be lifelong love in here somewhere but I also just feel like the monogamous heterosexual marriage you're fantasizing about isn't necessarily best represented by the bacchanal. and that's okay. but i do stand by that.

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the leading male characters of RGU have variations on the same complex: "I failed at being a prince." however, they have their own specific versions of it, which manifest in widely different behaviors. I'll run through them, basing my account of the characters on how they were at the start of the show:
Saionji is deeply troubled by Utena's despair, but then witnesses her miraculous transformation. since Touga seems to be more mature than himself, he assumes Touga must be responsible for it. Saionji begins to feel himself a child, lacking in insight; not only was he unable to save the girl in the coffin, but he couldn't even understand her plight. having caught glimpse of a world he can't enter himself, he develops an inferiority complex, which he attempts to compensate for with old-fashioned masculinity, violence, and domination of others.
Miki gets sick, and his weakness forces Kozue to go to the concert hall alone. while she learns from this experience that she requires Miki in order to shine, he comes to the conclusion that he has committed a grave sin and destroyed the sunlight garden with his own hands. this irrational belief follows him into early adolescence, and he has somehow managed to turn it around and allot blame to Kozue as well. perhaps this is because siblings do not have strong ego boundaries, or maybe it's that Miki sees Kozue's failure to be a princess as an affront to his desire to be a prince. this becomes a vicious cycle, since negative attention is good enough for Kozue, who flaunts her naughty behavior to keep Miki fixated on her.
Touga is a two-faced character who outwardly projects the version of himself that he'd like to be. in actuality, though he may not be aware of it, he is a person who wishes the world was a better, fairer place and longs to alleviate suffering. however, he learned his own weakness young; to avoid the terror of powerlessness, he is willing to do just about anything. as Saionji believes Touga saved Utena, Touga believes Akio saved Utena, and so he models himself on him. on one level, he maintains a cynical worldview in which he is justified on acting however he pleases because he has gained power, but on another (deeply buried) level, he hopes he will become a prince and set things right. unfortunately for him, his behavior is contradictory with that goal and will only serve to enforce the status quo. he copes with this using cynicism, pretending to himself that he doesn't believe in nobility anyway.
Akio is like a monstrous combination of the previous three, with one crucial difference: Akio no longer actually wishes to be a prince. he may mourn his failure, but that's a form of narcissism; he doesn't even have the commitment to despair. rather, his "sadness" is a grand show in which he is the leading character. does he have a lingering spark of care for Anthy? perhaps, but he only calls it forth for the purposes of manipulation. long ago, his weakness caused Anthy immense suffering, suffering which has never ceased since. as eternity stretched on, Akio began to think to himself, "isn't this actually her fault? she's the reason I'm no longer a prince; she stole my beloved self from me. and what's more, she isn't a princess, which means she deserves this. in fact, doesn't she actually want this? yes, it's true: both of us love the way things are, and so she will always help me to keep them this way. why, I'm so magnanimous that I'll forgive her for starting this, even though it's so hard for me to bear living in my fallen state." thus, to Akio, being a failure of a prince is a sublime torture, and the scab he's grown over his original wound has calcified, not healing but rotting what's underneath.
the question now is where does Utena fit into this schema? I don't think she's in line with the characters listed above, since she's not living her life based on a failure, but instead on determination to suceed. in that way, I think she's most similar to Ruka, at least in outlook. Ruka tries to be a prince through manipulation and coercion, which is of course doomed to failure, but he is staking his life on his desire to be a prince. Utena, after overcoming her own hurdles, does the same.
the way i understand the difference between blorbo and The Character is that blorbo activities are 1. fun and 2. voluntary. when youre rotating blorbo in your mind you’re playing with your tuoys. but when The Character has got ahold of you then you are a tortured artist being plagued by visions
Are you lost?
another version
Before I finished the linework, I had zero desire to make Nemuro suffer, just wanted the poses to convey how utterly shattered he is by his relationships. But of course, as soon as people saw the WIP, everyone assumed I was drawing incest…
Anyway, I tried combiningsketching with digital painting again. Hope it doesn't look too rough.
#saionji is so interesting to me bc he's the first and most overtly abusive guy of the show#but he has these moments of shocking perceptiveness...#like. characters like anthy or touga would never be able to say somewhere in the middle of the show 'we are all in our own coffins'#or whatever it was lol#utena is in so many ways abt like. how gender roles reinforce behavior - the whole point is that utena fails at being a prince#and in fact MUST fail#characters like anthy and touga are 'succeeding' at their given roles - anthy as the rose bride and touga as a prince in akio's image#even utena herself until akio is mostly societally able to live out HER ideal of a prince. kind of. sort of. well she's able to pretend#but saionji is SUCH a flop from the start .. even tho he WANTS to be a prince (seductive manipulative powerful) like touga and akio#he just doesnt have that juice in him#and by sheer lack of ability is able to access and understand more of the world than objectively more successful/smarter characters#even the fact that saionji's abuse is more obvious.. touga and akio are just as bad if not worse but w/ saionji there's no facade.......#it's the way utena and saionji both fail at being a prince.. and this failure is what allows them to see that the idea of a 'prince'#is not necessarily natural or genuine#utena is able to see that being a prince isnt even good but even saionji can see the cracks in the academy's worldview
Akio’s pose in this frame sickens me. So how are you little fledgling bird? Is the search for the futile embodiment of eternity going well?? Do you need a prince Dios?

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I do think Dios was victimized by that town too because like. Idk how else to describe seeing him laying down, battered and bruised, while dozens of pale men go to his house with various weapons, banging on the door trying to get him to do everything for them. The moment Dios wasn’t acting princely, there was more vitriol for him than other (pale) men who were also not doing that.
They would rather pick up a sword to basically threaten their brown prince than use it to actually defend the women they claim to care about. The hate is easily directed towards a more acceptable target, a brown girl, but the witch takes the sword in place of her prince.
Dios grows up into the absolutely despicable person that is Akio, yes. But I think the fact that while he does become bitter about it, he chooses to abuse Anthy for more power instead of standing in solidarity with her. Is meant to illustrate a point maybe.
kie you should meet mon