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Times That Copyright Expansion Has Historically Fucked Over Artists On An Institutional Level:
Sampling rights becoming prohibitively expensive to use by small artists
Musicians being forced to sign over sampling rights to their record company, making any benefits they would hypothetically gain moot.
The Digital Milennium Copyright Act leading to the vidmaker-stomping nightmare that is ContentID
The DMCA leading to making it harder than ever to preserve media due to the way it prohibits tinkering with any locks the megacorps put on it, meaning it's way easier for artists' hard work to end up vaulted and lost.
The way basic chord progressions and musical styles have become copyrightable thanks to various lawsuits by the Marvin Gaye estate
The fact that the artists of the past used to be able to remix; adapt and iterate on art made within 56 years of them, likely created in their lifetimes, and now artists can only do those things with art produced nearly a century ago by people long dead.
New and independent artists being crowded out of the market by megacorp-owned IPs that would be public domain (and thusly convey less of an overwhelming advantage-via-marquee-value to megacorps) if the US had its pre-1976 copyright laws.
Times That Copyright Expansion Has Actually Materially Helped Artists On An Institutional Level:
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The desire so to speak for Shounen Yuri is the desire for outside driving forces that Enhances the yuri. Sure, it can be compelling that that woman wants to make out crazy with another woman but has some level of baggage of intimacy aversion that keeps her from happiness but. What if the demon inside of her arm is keeping her from that woman by demanding the blood of other demons, which some would find unappealing as a first date.
I need everyone to be talking about how Qween Jean, a Black trans woman (founder of Black Trans Liberation Kitchen!) won a fucking Tony last night, first openly trans person to do it!!
Out of control Edwardian youths refuse to clap at production of Peter Pan, force distraught J.M Barrie to pull out rarely seen "Tinkerbell Fucking Dies" ending
You probably know this but shitpost ruining fun fact for anybody who doesn’t:
When the play first was performed, JM Barrie et al were so concerned this might happen that they instructed the orchestra to drop their instruments and clap at this point, just in case
Children not clapping did happen too, (and some were even expected to have hissed, which was later written into the 1928 playscript and 1911 novel). But my all time favourite anecdote about it is from Pauline Chase (who played Peter)'s intro to Peter Pan's Post Bag 1909:
Children love to clap their hands at the play because then they feel that they are really part of it, and you can see them holding their hands poised ready to seize an opportunity. Their great chance is when I ask them to clap their hands if they believe in fairies, and so save Tink's life. But they are very wrathful if any one claps who has the reputation of being a cynic, and once there was quite an uproar in the front row of the dress circle because of a girl who clapped. Those about her pulled down her arms angrily. "How dare you clap," they cried, "when you know you don't believe in fairies!"
There was one dreadfully hard-hearted little boy who came to the theatre not to clap. That was his object for coming, and he came round "behind" to tell me so in the middle of the play. His teeth were firm set. "I won't clap," he said doggedly; "I'm not going to clap." And when the time came he didn't clap; above the clapping of all the others I could hear him shouting from a box, "Peter, I'm not clapping."
I also think that the strength gap is at least partially manufactured women would in fact be stronger overall if little girls were encouraged to do physically taxing games and activities and eat their fill while they’re growing vs having to constantly diet and be sedentary indoors (or god forbid do intense cardio while under-eating). The amount of adult women honestly afraid to lift weights bc they think they’ll get bulky as though bulking isn’t a full time job that athletes have to spend all their time on and anyone on earth gets shredded from just using their adult muscles for their intended purpose, girl your bone density 🥀
if you say women are intentionally nerfed from birth in 2026 people look at you like you’re insane and start condescendingly telling you about how women are just better at different things (but not during their periods haha) but this was a completely basic feminist talking point I grew up with like “girls can do it too! [shot of little girls climbing and running with boys]” nickelodeon commercial tier base level I hate it how is everyone suddenly dumber than the average 7 year old
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It actually kinda pisses me off that every time there’s an adaptation of some classic work coming out, there are takes like “maybe we should not judge the adaptation compared to the original”… I think if the creator doesn’t want their work to be compared and judged on comparison, they can make literally any other type of piece. I’m not arguing for a word for word adaptation - I think those are impossible, first of all, and just not fun to strive for. But slapping a recognisable title, names and plots into your work, and then turning around and asking people not to compare your work to the original is simply absurd lol
ever since TLOV premiered I wanted to have a shot at a whole Vox Machina lineup, so I've been working on this on and off. i mixed all my favorite bits from their official designs (the campaign art, the comics and the tv show) and challenged myself to keep it simple enough for animation (although i ended up forgetting and putting too much detail in some places). also tried to give their designs a cohesive color scheme, mostly browns and blue.
yapping continues below!
Percy: included the extra glasses lenses, because they're truly iconic. his hair isn't totally white as a callback to his original portrait, and he also looks a lot more unkempt and tired, as I imagine Orthax is sicking nightmares on him constantly to feed his vengeful thoughts. he has his original two guns, the List and Bad News, and his spooky mask hanging on his belt.
Vex'ahlia: she and Vax look much more identical (i know they're fraternal twins but it's more fun this way!). Her makeup is inspired by Laura's from the cosplay opening and is meant to look a little messy, and she wears colors that are appropriate to hide in a forest, mostly browns and a green cloak. The striped shorts are a nod to the original design.
Grog: back to his actual giant height! i almost gave him black marks like he had in the OG art and the comic, but kept it blue to match with the rest of the group. His axe is tied to his wrist in a simplified version of the chain of returning, and he has the bag of holding on him.
Trinket: it's VERY important to me that Trinket look cute! I gave him one of Vex's feathers to link their designs, and he also has a little collar to show that he's tamed and not, you know. a brown bear on the lose in the city
Scanlan: his design intentionally has a lot less brown and blue than the others as a nod to his feelings of being set aside by the others. I almost kept his stupid puffy shorts from the original art, but it felt too ostentatious for the start of the story. I always loved his longer hair though so I kept that, and he has his flute, lute, and hand cone within reach.
Pike: Vax put her hair up in fun buns :) there's not much to say here except that I really wanted her body type/silhouette to show her physical strenght, and contrast with Scanlan's scrawny body.
Vax'ildan: his silhouette mirrors Vex's perfectly. He's wearing a pelt like hers, their capes have the same diagonal cut, and their boots are similar. Although he wears dark, he's not in full black yet. Simon is there of course :)
Keyleth: TALL and lanky as she used to be before they cowardly made her short! She wears more blue, the color of the Air Ashari, and some green, since she's already completed her earth trial, and she has airy cloth things to flow in the wind. Her design is mostly based on the comics and tv show, but i added the butterflies from her original portrait.
I've been working on a second version of the lineup, from the last episode, which includes every magic item they've gathered over the campaign (and also Tary). perhaps i'll complete it one day...
Finished the episodes and OH MY GODDDDDD. Tary is so perfect, first of all, like they just lifted that loser (affectionate) right out of Sam’s hands and into the screen. Wayne Brady (unsurprisingly) is doing a phenomenal job, oh my god, perfect casting. Second!!! I can totally see what they meant by bring M9A’s attention to facial expressions into TLOVM, it’s sooooo good. The animation as a whole feels on a new level compared to s3 and I love to see it.
LOVING what they’re doing with the Whispered One arc. Making them an organization with a message and purpose is a really great move, it makes a lot of sense as a way to tie them in more and make them a bigger threat, as opposed to just shady cult guys with One Big Goal. VERY curious to see where Pike stands in regards to it all, after Zerxus nudged her that way last season, the fact that she was NOT holding the Everlight’s emblem in the Taryvan, and the shadow over her face in Zephrah just happened to form that same rectangular blindfold shape we see with the cultists. Also I love that they kept her being really unhappy after the time skip, even though Scanlan headed off on good terms this time around. It’s good character texture.
I have more thoughts but unfortunately I think I have a migraine brewing and I’m waiting for my meds to kick in 😭 so I leave this post here for now
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