Fae golden knight from Remnant 2 their teleporting jumpscared the crap outta me! I heard a really hyped boss music then BAM!
styofa doing anything
hello vonnie
ojovivo
dirt enthusiast

★

shark vs the universe
Three Goblin Art

if i look back, i am lost

pixel skylines

⁂
RMH
Aqua Utopia|海の底で記憶を紡ぐ

Love Begins
Peter Solarz
d e v o n


#extradirty

JVL
we're not kids anymore.
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@pippastrelle
Fae golden knight from Remnant 2 their teleporting jumpscared the crap outta me! I heard a really hyped boss music then BAM!

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The desire so to speak for Shounen Yuri is the desire for outside driving forces that Enhances the yuri. Sure, it can be compelling that that woman wants to make out crazy with another woman but has some level of baggage of intimacy aversion that keeps her from happiness but. What if the demon inside of her arm is keeping her from that woman by demanding the blood of other demons, which some would find unappealing as a first date.
I need everyone to be talking about how Qween Jean, a Black trans woman (founder of Black Trans Liberation Kitchen!) won a fucking Tony last night, first openly trans person to do it!!
Out of control Edwardian youths refuse to clap at production of Peter Pan, force distraught J.M Barrie to pull out rarely seen "Tinkerbell Fucking Dies" ending
You probably know this but shitpost ruining fun fact for anybody who doesn’t:
When the play first was performed, JM Barrie et al were so concerned this might happen that they instructed the orchestra to drop their instruments and clap at this point, just in case
I did not know this and I'm grateful for being informed
Peter Pan edited by Anne Hiebert Alton (2011)
(sorry to interrupt joke post but) this is true!
Children not clapping did happen too, (and some were even expected to have hissed, which was later written into the 1928 playscript and 1911 novel). But my all time favourite anecdote about it is from Pauline Chase (who played Peter)'s intro to Peter Pan's Post Bag 1909:
Children love to clap their hands at the play because then they feel that they are really part of it, and you can see them holding their hands poised ready to seize an opportunity. Their great chance is when I ask them to clap their hands if they believe in fairies, and so save Tink's life. But they are very wrathful if any one claps who has the reputation of being a cynic, and once there was quite an uproar in the front row of the dress circle because of a girl who clapped. Those about her pulled down her arms angrily. "How dare you clap," they cried, "when you know you don't believe in fairies!" There was one dreadfully hard-hearted little boy who came to the theatre not to clap. That was his object for coming, and he came round "behind" to tell me so in the middle of the play. His teeth were firm set. "I won't clap," he said doggedly; "I'm not going to clap." And when the time came he didn't clap; above the clapping of all the others I could hear him shouting from a box, "Peter, I'm not clapping."
(Tink was revived each time anyway)
I also think that the strength gap is at least partially manufactured women would in fact be stronger overall if little girls were encouraged to do physically taxing games and activities and eat their fill while they’re growing vs having to constantly diet and be sedentary indoors (or god forbid do intense cardio while under-eating). The amount of adult women honestly afraid to lift weights bc they think they’ll get bulky as though bulking isn’t a full time job that athletes have to spend all their time on and anyone on earth gets shredded from just using their adult muscles for their intended purpose, girl your bone density 🥀
if you say women are intentionally nerfed from birth in 2026 people look at you like you’re insane and start condescendingly telling you about how women are just better at different things (but not during their periods haha) but this was a completely basic feminist talking point I grew up with like “girls can do it too! [shot of little girls climbing and running with boys]” nickelodeon commercial tier base level I hate it how is everyone suddenly dumber than the average 7 year old

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It actually kinda pisses me off that every time there’s an adaptation of some classic work coming out, there are takes like “maybe we should not judge the adaptation compared to the original”… I think if the creator doesn’t want their work to be compared and judged on comparison, they can make literally any other type of piece. I’m not arguing for a word for word adaptation - I think those are impossible, first of all, and just not fun to strive for. But slapping a recognisable title, names and plots into your work, and then turning around and asking people not to compare your work to the original is simply absurd lol
ever since TLOV premiered I wanted to have a shot at a whole Vox Machina lineup, so I've been working on this on and off. i mixed all my favorite bits from their official designs (the campaign art, the comics and the tv show) and challenged myself to keep it simple enough for animation (although i ended up forgetting and putting too much detail in some places). also tried to give their designs a cohesive color scheme, mostly browns and blue.
yapping continues below!
Pike Trickfoot rapidly about to become my favorite S4 character...
Finished the episodes and OH MY GODDDDDD. Tary is so perfect, first of all, like they just lifted that loser (affectionate) right out of Sam’s hands and into the screen. Wayne Brady (unsurprisingly) is doing a phenomenal job, oh my god, perfect casting. Second!!! I can totally see what they meant by bring M9A’s attention to facial expressions into TLOVM, it’s sooooo good. The animation as a whole feels on a new level compared to s3 and I love to see it.
LOVING what they’re doing with the Whispered One arc. Making them an organization with a message and purpose is a really great move, it makes a lot of sense as a way to tie them in more and make them a bigger threat, as opposed to just shady cult guys with One Big Goal. VERY curious to see where Pike stands in regards to it all, after Zerxus nudged her that way last season, the fact that she was NOT holding the Everlight’s emblem in the Taryvan, and the shadow over her face in Zephrah just happened to form that same rectangular blindfold shape we see with the cultists. Also I love that they kept her being really unhappy after the time skip, even though Scanlan headed off on good terms this time around. It’s good character texture.
I have more thoughts but unfortunately I think I have a migraine brewing and I’m waiting for my meds to kick in 😭 so I leave this post here for now
Me, seeing terry in the lovm trailer for the first time, having never seen the campaigns: “please be Sea Hawk coded, please be sea Hawk coded…”
Terry; having his first frame on screen being him screaming ADVENTURE while being thrown through a window of a fight HE CAUSED ON PURPOSE.
Me: OMG I LOVE HIM!!

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MY NAME IS WRITTEN CLEARLY ON THE EMAILS AND ON THE SYSTEM??
WHY DO PEOPLE FEEL THE NEED TO EXTEND MY NAME INTO A DIFFERENT NAME??
OC Week Day 1 - Alternate Universe
I decided to make Gertrude in a Modern Day AU, I think she'd absolutely slay
I am so glad that I live in a world with trans women and trans men and nonbinary people and intersex people. Things are hard for all of us right now, but I love you all and I am wishing that things get better and easier for all of us! ❤️
The world is better with trans people in it
being anti-amatonormativity in a romance centered world is like watching half the people you know put all their eggs in one basket and then drop the basket and all their eggs break and they’re crying and swearing they’re never gonna do that again and then a month later they have all new eggs in a new basket and they tell you the problem was they didn’t have a strong enough basket or fresh enough eggs and then they drop the fucking basket again.
(this post is about putting all your time, energy, and care into one relationship, about staking all your happiness on a romantic relationship, effectively making the entirety of your joy and stability dependent on one person who could exit your life for any number of reasons no matter how great the relationship seems. it’s about the societal expectation to build your entire social life around one long term relationship, putting all your eggs in that basket, so to speak, instead of tending to larger social network and maintaining a variety of strong connections so that even if one very important relationship comes to an end, you won’t be losing your whole social life in one fell swoop.)

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A lot of criticism of delivery apps focuses on the fact that they offer convenience and variety, which I find much less compelling than criticizing the fact that the apps often send their contractors on fetch quests from Hell.
There are real labor problems here. Base pay is often insulting. Customer tips carry too much of the burden. Workers need better protections, more transparent algorithms, protection from arbitrary deactivation, and actual recourse when the app or a customer screws them over. Car-dependent delivery is also an environmental and infrastructural problem, though in a denser city I’d still be doing this work; I’d just be doing it by bike.
But when people talk about delivery work, I rarely see them talk to actual delivery workers. I see a lot of abstract arguments about convenience, consumer decadence, “hustle culture,” and internalized neoliberalism. Meanwhile, when I’m out working and waiting in restaurants for orders, the other Dashers I meet are usually people who only speak Spanish, people who read as neurodivergent, visibly physically disabled people, or some combination of the above.
I have not met this mythical Disco Elysium poor ultraliberal hustlegrinder-wannabe people seem to be arguing with. Maybe that archetype exists somewhere. If it exists among any kind of gig worker, it would probably be rideshare drivers. But most of what I see looks less like “rise and grind” and more like “this is one of the few forms of work available to people who need flexibility, low barriers to entry, limited managerial surveillance, or a way to work around language barriers, disability, burnout, chronic illnesses and injuries with symptoms that come and go unpredictably, caregiving, résumé gaps, or discrimination.”
That does not make the current system good. It means the current system is filling a real gap that a lot of supposedly better systems do not even acknowledge.
As a disabled person who is burnout-prone and demand-sensitive, contracting as a delivery driver has given me an unprecedented level of financial flexibility. I can work when I have capacity. I can stop when I’m deteriorating. I can build my day around my actual body instead of being trapped under a manager who thinks “reliable” means “able to perform the same way every day no matter what.” That matters. It does not cancel out the exploitation, but it is also not fake just because it is politically inconvenient.
And delivery itself is not some inherently decadent evil. Sometimes people live alone. Sometimes they are sick. Sometimes they are disabled, exhausted, overwhelmed, grieving, overloaded, or recovering from something else - perhaps the stress and fatigue induced by their own job. Sometimes they need medicine, groceries, or a meal that will actually unplug their sinuses instead of whatever generic community-care slop someone thinks they should be grateful for. Humans are allowed to need specificity. “Food” is not the same as “the food I can actually eat right now.”
A serious labor critique would ask how to make delivery work safer, better-paid, less tip-dependent, less car-dependent, less algorithmically punitive, and less precarious. It would ask what kinds of flexible, accessible work should exist for people who cannot thrive in conventional employment. It would ask how cities could support bike delivery, worker cooperatives, public infrastructure, and real protections without simply replacing one bad system with a moral sermon about how nobody should ever want takeout.
But a lot of the discourse does not do that. It treats convenience itself as suspicious. It treats wanting flexible work as false consciousness. It treats the needs of disabled people, immigrants, and other people who can't fit into traditional employment structures as details to be swept aside in favor of a cleaner political image.
I guess the opinions of delivery workers only count when they are politically convenient.
yaaaay brimcap / librarian AU