Syd Mead: Light Cycles from Tron, 1980
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Syd Mead: Light Cycles from Tron, 1980

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“One doesn’t invent a new architecture every Monday morning,” Mies van der Rohe “like a Hollywood studio lot, the Generic City can produce a new identity every Monday morning.” Rem Koolhaas
Hajime Yatsuka: Millenarian Theory: The Nihilism of the Metropolis, 1996
Sachio Otani: Kyoto International Conference Centre, 1966
Integration of Japanese traditional house (roof) style and contemporary concrete construction.
Dezeen and MINI Frontiers: Virtual and augmented reality technology will converge in digital "contact lens", 2014
Captain Earth, 2014 (2nd trailer)
directed by Takuya Igarashi
main design works by Shigeto Koyama
mechanical design by Shinji Aramaki and Takeshi Takakura
production studio: BONES
http://captain-earth.net/

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Ordnance Survey: The National Grid
Shusaku Arakawa + Madeline Gins: Ubiquitous Site・Nagi’s Ryoanji・Architectural Body, 1994
Arata Isozaki: Nagi Museum of Contemporary Art, 1994
Philip K. Dick: The Three Stigmata of Palmer Eldritch, 1965
Dante Gabriel Rossetti: How They Met Themselves, 1864
Autoscopy is the experience in which the individual while believing himself to be awake sees his or her body position outside of his body. Autoscopy comes from the ancient Greek αὐτός ("self") and σκοπός ("watcher"). Experiences - are characterized by the presence of the following three factors: ・disembodiment, an apparent location of the self outside one's body; ・impression of seeing the world from an elevated and distanced visuo-spatial perspective or extracorporeal, but egocentric visuo-spatial perspective; ・impression of seeing one's own body from this perspective (autoscopy).
Autoscopy
Wikipedia: Autoscopy

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A Freudian concept of an instance where something can be familiar, yet foreign at the same time, resulting in a feeling of it being uncomfortably strange or uncomfortably familiar.
Das Unheimliche
Wikipedia: Uncanny
SANAA: Louvre Lens Museum, 2012
photograph by Iwan Baan
Tsunehisa Kimura: Visual Scandal, 1979
In 2024, John Vines, a Boston neurosurgeon, ran a fully conscious Copy of himself in a crude Virtual Reality. Taking slightly less than three hours of real time (pulse racing, hyperventilating, stress hormones elevated), the first Copy's first words were: 'This is like being buried alive. I've changed my mind. Get me out of here.' His original obligingly shut him down.
Greg Egan: Permutation City, 1994
Hugh Ferriss: The Lure of The City, 1925
Many people seems to be mistaking the name of this drawing as "The Metropolis of Tomorrow," but the title of the drawing is "The Lure of The City." The Metropolis of Tomorrow is the name of a book where this drawing appears, which was published in 1929. This comment may seem trivial to certain people, but thinking of Hugh who was disappointed by works of architects in New York at that time, and decided not to work as an architect but as a renderer, it is important to know that this drawing was titled as a "lure" of the city, and not as "tomorrow" of the city or any cities.

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Charles Robert Cockerell: The Professor's Dream, 1848
Cities of Neo-Classicist
Charles Eisen: Vitruvian Primitive Hut, frontispiece of "Essai sur l'Architecture" by Marc-Antoine Laugier, 1755 (2nd edition)
The well-known allegorical engraving of the Vitruvian primitive hut. Laugier considered that a hut (architecture) structured only by pillers, beams (entablature) and gables (pediment) is the genuine norm of classical architecture.