happy birthday
i just love his scrunchy face in the helmet
we're not kids anymore.

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@ribuless
happy birthday
i just love his scrunchy face in the helmet

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I miss my heated rivalry x(
This is dumb to say and I know Paul loves George and misses him but it does sometimes feel like he forgets about George :/ and I do think George was a big part of his life even taking away the Beatles so it confuses me when John gets honorary mention and he doesn’t. Maybe cause I’m a George fan so to me it looks kinda meh but that’s just the vibe I get like he didn’t even write a song about George like he did with John?
No, it’s not a dumb thing to say because it does feel like that sometimes and you could be forgiven for thinking that it indicates that Paul loved John more than he loved George. But I don’t think that’s true, so I’m gonna stick up for Paul a bit here…
Paul does talk about George, but largely (particularly in the world outside of the ‘proper’ Beatles fandom) people are still much more obsessed by the whole Lennon-McCartney thing, the McLennon. So in interviews, two things happen - first interviewers want a nice John-and-Paul story, so they will ask Paul things to make him talk about John - eg. songwriting, etc, where as Paul didn’t write songs with George. Then secondly, when Paul does say something about John (even things that he’s mentioned time and time again) it gets reported widely and frequently. Quite often it will become the headline of the article - why? Because the media knows John-and-Paul stories sell.
To illustrate, here’s the top news results on a Google search for Paul McCartney:
Obviously, Paul’s been in the spotlight a lot recently as he’s busy promoting Egypt Station, but still two of the six results are John-and-Paul stories, and in the pictures at the bottom, you have John there most prominently on the left hand side and a few Beatles pictures too.
Paul does mention George and talk about him too, but these stories are not picked up as often as the John ones, particularly by non-UK media outlets, who seem more interested in John and not so much about George - so they just don’t get spread around so much.
Here’s a nice quote from Paul which came out around the 6th October 2018:
“I often have dreams about John or George. I often dream about people who aren’t here anymore. They tend to be very good. And it’s only when you get to wake up you go, ‘Oh yeah, it was a dream.’”
Paul mentions John and George equally here, but when you read it in newspapers stories, like this one, they concentrate far more on John and Paul again.
I think also this has a lot to do with how John died, and also the fact John and Paul had a quite public feud in the years following the break up of the Beatles.
As a last comment on this aspect, Paul - always a highly skilled self publicist - is aware that mentioning John in an interview can and often does have this effect, so when he has something to sell, like he does currently with his new album - he knows mentioning John (and secondarily the Beatles and George and Ringo too) it will work in his favour to help promote whatever he’s selling. And it works - number one album on the US Billboard 200, his first since Tug of War in 1982.
And then secondly, I wonder if Paul’s also aware of something else that could be a factor…
“Thing is, there’s a lot about me and George that the public don’t know about, and I like it better that way.”
[Paul]
(This is part of a bigger quote where Paul is talking about the last time he saw George).
As you’ll know, George was not a fan of gossip. He didn’t offer tantalising stories about his bandmates if he could avoid it. He didn’t talk about personal things very often. And I think Paul is aware of this and because of that, and what he thinks George might not like him to talk about, it may possibly cause Paul to self-censor stories he offers about George. It doesn’t mean he loves or misses George any less, it’s actually more respectful of George and what one might suppose George would want.
Plus I think it’s lovely that George and Paul do have this whole private shared past and memories which still exist only for them. I’m sure there is a lot that happened between Paul and George (maybe good and bad) which is not public knowledge.
Finally, as for writing a song for George, well - no, he hasn’t done a song which directly addresses George in the way that Here Today does for John, but there is one song worth mentioning….
Friends To Go was a song written by Paul which appeared on his 2005 album, Chaos and Creation in the Backyard. This was the first album Paul released after George had passed away, four years earlier. Paul dedicated the song Friends To Go to George, and has said it was influenced and/or inspired by George. Paul said about the song:
“To me it just started to sound like a George Harrison song… I was just sat down to write and the feeling of George came over me and I just kept writing it thinking, ‘George could have written this!’ […] I just got this feeling, this is George. So it was like I was writing – I was like George – writing one of his songs. So I just wrote it, it just wrote itself very easily ‘cause it wasn’t even me writing it.”
And to end, here’s a few things Paul has said about George before…
“George was always the one who brought John and me back down to earth when we were about to get too big-headed. Without George I wouldn’t be who I am today.”
[2001]
“I have big photographs of George behind me when I do the song ‘Something’, his song, and I look at them, and it’s so sad because he’s not here. But it’s lovely to look at those pictures and think: ‘God, my mate George, isn’t he a good-looking boy?!’ You think all the things you couldn’t think when you were a kid, because the bravado aspect forbade it. I do think of them [John and George] quite a lot.”
[2012]
“He is really just my baby brother.”
[2001]
“He was my little baby brother, almost, because I’d known him that long.”
[2008]
something went wrong last night
do you still accept ideas or inspiration to draw? :))
yeah sure(o^^o)i’m still slowly working on some previous ideas though…

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want to draw something but didn’t come up with particular ideas lately. please feel free to send me asks including ship name + key words/scenes/sentences etc.
i might draw it pretty slowly(but who knows, maybe not ><
ships that are not included in the tags: carbono/galex are also welcomed(which i’ve never drawn before) in case you wanna give it a try
feeling this old mitski tweet so hard lately
🤫.
Patient on the Pitt: wahhh my feet hurt
Doctor: no problem sir we'll stitch you up. Get me 100ccs of lorazepam stat and intubate. Oh no, why isn't this working? His feet are still in danger!
*uncovers sheets to reveal hooves*
Other Doctor Who Is More Woke: those are his hooves you bitch. Prep 10000ml of Ketamine.
First Doctor: damn. I was wrong and it almost cost this poor patient his life.
Second Doctor: 90% of all patients are secretly horses and anti-horse bias kills thousands every year. As Doctors we need to check our prejudices, and you can read more about this on www.somepatientsarehorses.com

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tale as old as time (oscar/carlos, rated m, 6k, complete)
There's a cupid on the loose at the circuit, prowling the team garages' narrow halls.
The sleeves of his McLaren hoodie are too long on him, which means they are too long on Carlos. Oscar tries not to dwell on the fact, because eventually he’ll start thinking about how they match each other length for length (hah), palm to shoulder an almost perfect fit, which then gets Oscar all gooey and atrociously warm, and he can’t have that. Especially not in this moment, with Carlos attempting to hold Oscar’s hand discreetly using the too-long sleeves. At least one person has to keep their head screwed properly on their shoulders.
“Not subtle,” Oscar informs him.
“What,” Carlos says, but it’s Carlos, so it’s more like a whaaaaaat? “You’re shy, Oscar? Don’t tell me you’re shy.”
“I’m shy.”
“You’re no fun if you don’t protest,” Carlos says, still flapping his orange paw around the vicinity of Oscar’s hip.
Feeling a little too indulgent, Oscar lets Carlos chase his fingers while he half-heartedly tries to escape. Halfway through play-fighting in the middle of a street like children, Carlos’s palm slips out of his sleeve like a nervous squirrel and envelops the whole of Oscar’s. Victory! the grin on Carlos’s face says, and yep, that, among a million other things concerning Carlos, Oscar’s barriers have no hope against. The joy exuding out of Carlos’s pores when he stands on a podium, dragging Oscar right out of the doom symphony playing in his head on fortissimo in Qatar. The delight when he steals the last pancake out from under Oscar’s nose. And the apparent pleasure Carlos gets from simply holding Oscar’s hand.
Oscar allows his hand to be held, very much a conscious decision. Even to be swung around merrily.
“This okay?” Carlos asks.
“Uh huh,” Oscar says immediately, even though he means Obviously Not.
The Obviously Not comes in the form of a couple of blurry photos, and suspiciously nonchalant questions thrown around at testing. The ill-fitting length of Oscar’s sleeves remains a lifesaver. Held up in court, no one can definitively claim if Carlos’s hand was actually curled around Oscar’s (it was) or not.
“I was cold,” Carlos says, just as nonchalantly, except it’s Carlos, so it’s more like a cooooooooold. “Oscar was very kind, eh? Lending me his hoodie.”
“Didn’t really have a choice mate,” Oscar says. “You were moaning a lot.”
Carlos opens his mouth.
“Don’t,” Oscar quickly interrupts, “offer a demonstration.”
“Hm,” the journalist says, fascinated. “Hm,” Lando says. “Hm,” the rest of the paddock with two eyes says.
Even in promo snippets and the videos they film for Grill the Grid, they’re getting a little careless with it. Who would you go to a desert island with? Who has the best hair? Who’s the best cook? Have you ever been to the house of another driver on the grid? Who?
Carlos. Carlos, I feel like that’s going to be a very popular answer, because, duh. Carlos. Yes. Carlos.
Years of PR training kick in, and Oscar begrudgingly remembers to throw in other drivers for pepper and spice. Having a singular answer to all these questions should be worrying. It’s putting all his eggs into one basket. It’s poor planning, Mark would say. But as myopic as it may be, Oscar can’t stop his teeth from forming around the vowels in Carlos’s name each time.
At least it doesn’t seem to be a game he’s playing alone. When they’re apart, when Oscar’s feeling a particular kind of way, lonely and dressed down, he pulls up the video where they’d sectioned the drivers’ faces into three, and you had to make guesses. It was clear Carlos wasn’t trying to be obvious, but he had taken one look at Oscar’s lips, and knew.
Maybe it had been obvious only to Oscar. Maybe.
Eventually, the unwanted attention grates and chips away at them, and the third time he’s asked Oscar wants to take the journo’s head off. His skin itches with agitation. He starts to wonder if they’ve finally gone too far. He starts to wonder if there’re clearer photos. Unwittingly, the edges of his body turn sharp. Sensitive even to the most minute of fractures in Oscar’s expressions, Carlos withdraws. And continuing the cycle of misery, Oscar will resign himself to three weeks of distance before Carlos feels comfortable enough to take Oscar’s hand in public again.
Carlos meets him after testing’s done, orange hoodie carefully folded up and hidden under one arm.
“Thank you for letting me borrow,” Carlos says.
“I don’t need you to return it,” Oscar says, failing spectacularly at disguising his hurt. “Since when do we return each others’ clothing?”
“Ah.” Carlos scratches the back of his neck. “Maybe it’s better. Less questions.”
“Coward,” Oscar mutters, and Carlos flushes red. Between the both of them, it’s Carlos who is the most honest. His arm is still tight around the hoodie; he hasn’t handed it back to Oscar. As reluctant to part with it as Oscar is to receive it. Back of neck scratcher, face flusher, heart on sleeve wearer.
“I meant less questions for you,” Carlos says angrily. “You want me to wear it to the next press conference? Then they’ll ask you, hey, and what will you say?”
A couple of things become clear at once. First, that they can’t be protecting each other in circles. Second, that there are exceedingly few things in a racing career and even less things in a racing career mixed up with another racing career that Oscar can stand absolute on. Only that Carlos swung their hands between them, fingers interlaced, that night. And the world isn’t ending yet.
“That I gave it to you,” Oscar says. “What else? I gave it to you.”
“Fine,” Carlos says, jerking his arm back almost violently. “It’s mine. I’ll wear it when I want. Maybe now, even.”
Oscar wants to kiss the stupid man, cameras be damned. “Good.”
“Good.”
“I said it first.”
“Well.” Carlos tugs the hoodie back on, too-long sleeves and all, and the soft part in Oscar packed with yearning cheers. “I said it better.”
I think it’s really telling that you’ll tag stuff as LG and not the full acronym, you really do have a biphobic terfy vibe about you
…………lg is my tag for when i’m doing rpf about the guy who sang wonderwall Liam Gallagher……..not lgbt minus the bt………………………………..

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update on personal life stuff
got hit by 12 cars and died. sory. all at once. no traces left behind. I think one of the cars was carnivorous