Disney princesses in their historical costumes
by eneteeme
occasionally subtle

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@rhetoricandlogic
Disney princesses in their historical costumes
by eneteeme

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Gustave Doré (1832–1883), “The Gnarled Monster”
illustration from “The Days of Chivalry; Or, The Legend of Croquemitaine” by Ernest L’Épine (as Quatrelles), 1866
source
10th century unicorn
some tuesdays.
Cross stitch inspired by Michael Whelan's art for Stormlight Archive.
I'm pretty new to cross stitch so I'm not even sure how well I did, but this is the first pattern that I've designed myself! It's a low res interpretation of Words of Radiance's interior art. Me and my bf love these books so this was a little gift to him, hope someone else likes it too :)

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How to dodge an arrow (if you have the requisite training and safety procedures!)
a BRILLIANT read, and even more incentive for me to make my own wizards trope-defying and excellent.
God it’s fascinating to look at the timestamp on this one and then realize that Pratchett went on to write his Witches Series and Granny Weatherwax, who’s strong and fierce and brilliant and austere and so achingly, bitterly, intensely good. I think Granny Weatherwax would give Gandalf a hard look and Gandalf would remember he had a very urgent appointment three shires away and stroll off really fast.
Holy fuck, everybody go read this right now.
Pratchett is one of the people whose work is not only hilarious, but legitimately brilliant. I learned so much from reading his books. Even this talk is peppered with the kind of thing that makes you snort out loud and get stared at by coworkers:
No wonder witches were always portrayed as toothless — it was living in a 90,000 calorie house that did it. You’d hear a noise in the night and it’d be the local kids, eating the doorknob.
And he fucking nails the witch/wizard dichotomy. Wizards = wise, powerful, organized, educated; witches = crones who give you warts. The Tiffany Aching series addresses this directly, as do the regular Discworld books focusing on the Lancre witches. Like Roach says, Granny Weatherwax is achingly, bitterly, intensely good, and that’s partly because she’s constantly aware of how easy it would be to be bad. How someone has to do the mucky jobs and help the obnoxious and stupid and never, ever take credit for anything you didn’t do; how the hardest thing is to stay balanced just on the edge between extremes, maintain that equilibrium, do what needs to be done no matter how awful or difficult it may be. Wizards never have to think about this. They just forge straight ahead, eating big dinners and squabbling amongst themselves and taking their power for granted.
Come to think of it, that’s one of the most significant divisions of power in Discworld: the men all gang up into this big elitist mob and loll around indolently, specifically not doing magic. Their magic is so powerful and dangerous that it’s a better use of their time to all keep each other down, all the wizard books basically revolve around ‘Oh no, someone’s doing magic, we’d better stomp them flat and then go home for second breakfast’. They keep the world from turning inside out but not much more than that, and they’re kind of a bunch of assholes about it too. Meanwhile the witches are just grimly slogging along, delivering babies and rousting out vampires and changing compresses, like, they stake out territories and then take care of everyone in it… while everyone still thinks that wizards are respectable and witches are shady.
The line about equal rites killed me, though. The insightful commentary (on the internet no less) here helped buffer that.
Discworld Heritage Post
It’s the difference between status and value. Who does the necessary work, and who takes the credit. Who the world would actually fall apart without, and who reaps the rewards of being considered important.
There’s gender in it, but shades of poor-and-rich as well.
What’s marvellous I think here is that Pratchett’s criticism of Le Guin, on Earthsea, was made in 1985 - and in 1990, she wrote Tehanu, which is a fantastic indictment of the sexism and misogyny of the earlier Earthsea books. Doesn’t meant she saw this, she probably didn’t - her own unease with the earlier Earthsea books was evident in other places - but it’s what Pratchett himself is saying, reality creates fantasy creates reality.
Terry being brilliant, and read the comments.
The music in water levels:
The music in snowy levels:
Don’t forget the desert levels
The haunted house level:
Every Spyro Level
Coptic Manuscript. 3rd–12th century. Credit line: Rogers Fund, 1919 https://www.metmuseum.org/art/collection/search/453587

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one thing i do find fun about having a new adaptation of homer very present in the public eye with a lot of very vocal critics is that it truly is a continuation of an age old tradition of getting mad at homeric reception. there were people in the 1st century complaining at vergil for Doing Homer Wrong. a critic named herennius pointed out everything he thought sucked in vergil's poetry. agrippa thought maecenas hired vergil to create a new poetic style and that style was Lame. quintus octavius avitus supposedly wrote an 8 volume series of every line he thought vergil plagiarized. i hope we get this every 2000 years from now on.
Oh, it’s even better than that.
What happened was the lease to The Theatre (actual name) was coming to an end, and the asshole landlord Giles Allen refused to extend it. He even tried to argue that since he owned the land, he also owned The Theatre itself (see: asshole).
So the Burbages and/or Shakespeare came up with a very clever solution: While they did not own the land The Theatre was on, they did in fact own The Theatre itself. So they hired people to dismantle The Theatre in Shoreditch on the sly and take the pieces to set up a new one in Southwark.
Across the Thames River.
In the winter when the Thames was frozen solid.
During Christmas.
The plan was successful, and they reconstructed their new playhouse by the summer of 1599: The Globe, now famous for being the home of Shakespeare’s later plays, from Henry V or Julius Caesar on.
Definitely one of the most badass moments in Shakespeare’s actual life.
(Is the law of our side, if I say aye?)
LOLLL. got me there
The less of me remains, the greater I become.
OC: cpt Floyd
First attempt at Eshnonai

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Catstronomy - Lim Heng Swee.