i just need bill and charlie to be really hot and ill be fine
Please HBO Max I am begging you. Don’t let me down.

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@rhaenyraqueenred
i just need bill and charlie to be really hot and ill be fine
Please HBO Max I am begging you. Don’t let me down.

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What is this obsession the show has with putting Alicent through sexual assault repeatedly across seasons and then just… moving on like nothing happened? What does each instance add to her character, or to the story? If the goal is to show the brutality and lack of agency women have in Westeros, that can be established without repeatedly returning to the same type of trauma without meaningful development. This is juste sexually punishing her character, rather than something the narrative is seriously engaging with.
i'm probably tripping but vasya from winternight trilogy is very lyanna stark coded if you think about it. 14/15 yo girl, living in a wintery wilderness at the edge of the world, is betrothed to some pervert who she doesn't want to marry, only wishes to be free, father dies trying to save her, killed by a family member of her "lover", runs away to travel the world with the emo gloomy twink helping her, who ends up falling head over heels in love with her when he is very much NOT supposed to and ends up giving up his freedom to his evil nemesis just to keep her save. i see it.
VASILISA PETROVNA was an ugly little girl: skinny as a reed-stem with long-fingered hands and enormous feet. Her eyes and mouth were too big for the rest of her. Olga called her frog, and thought nothing of it. But the child’s eyes were the color of the forest during a summer thunderstorm, and her wide mouth was sweet. She could be sensible when she wished—and clever—so much so that her family looked at each other, bewildered, each time she abandoned sense and took yet another madcap idea into her head. In truth, VASYA was still awkward, but she had begun growing into her face. The bones were still rough-hewn and overlarge, her mouth still too wide and full-lipped for the rest of her. But she was compelling: the moods passed like clouds over the clear green water of her gaze, and something about her movements, the line of her neck and braided hair, caught the eye and held it. When the light struck her black hair it did not gleam bronze as Marina’s had, but dark red, like garnets caught in the silky strands. (x,x)
It's easier for me to criticize than to praise, but I'll try. And to make it more interesting, I'll compare my favorite fantasy romances with most empty waste of my time.
Your Feyre became High Lady by marriage, devaluing the title of Cursebreaker. She had magic of seven High Lords, but it didn't help at all in most important war, and she has no friends or allies of her own.
My Jude became Queen of Elfheim because the land chose her, saving from death. She outsmarted her father, the most cunning and cruel general, ruled in secret as seneschal, and made advantageous alliances.
Your Rhysand is supposedly the most powerful, surrounded by strongest fighters, his army is the best of all, but he couldn't protect his wife's sisters, fucked up with Book of Breaths and almost lost the war.
My Cardan is a pathetic loser twink, very young and almost always drunk. But he is cunning as hell, saved the woman he loved from underwater captivity, avoiding the war, pal up with her allies while being their prisoner, and created an entire island.
Oh, Jude is still human. And Cardan is a true fairy, not just a guy with pointy ears.
Your Feyre left the man she died for in a fucking message and married her rapist. My Rose went to a strange, faraway country to save her man, but to kill him if she couldn't. Not to turn into a bloodsucking killer to be with him forever - kill him.
Your Rhysand thought for a second that age gap between him and his wife more than between her and their son. My Dimitri was going crazy and pushing away his love because he was her teacher just several years older. He is more responsible than 500+ years old ruler.
Oh, and despite being coolest, Dimitri became a monster. And Rose had an "alternative" - Adrian, who wasn't turned into an abuser and asshole, to show how beautiful love with Dimitri is.
Your Feyre hasn't done a damn thing for women (or anyone), her "feminism" is to be proud of role as a thief, saboteur and half-naked toy of a powerful man. My Vasya Petrovna (I'll die and rip anyone's throat out for her) dresses up as a boy and defends her right to be a witch, challenges ancient monsters, and saves everyone she can with her brains, courage and unbending will.
Your Rhysand chose to die with his mate, leaving his son an orphan, and at 500+ years old he's an infantile sexoholic. My Morozko, the ancient god of death and winter, make a deal with his enemy, a monster of chaos, choosing to be an eternal prisoner without memories about his love, saving woman that he loved as he could.
Whoa, Morozko didn't rape her in order to "protect" her. And it wouldn't be Vasya who would have to change - he would have become a mortal for her. One PG-13 sex scene was hotter than all the sex in ACOTAR series.
Why am I only comparing to Feyre? Well, she's the FMC, three books were enough to show her. I just don't believe Nesta would go to HoW with Cassian, and not decide to die in slums or run away. Elain is so side character that most of discussions about her will be fiction, not canon. Rhysand and Cassian were not even close to any of the men mentioned above. They are not otherwordly, old creatures, not morally gray, but only insulting to women whom they supposedly love more than life.
Romance in ACOTAR is vulgarity, violence and gaslighting, feminism is a mask and illusion, and the characters are too "cool" and therefore boring and flat.
Respect yourself. Read books where authors give a care about the plot, worldbuilding and development of unusual, fairytale love.

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"We shall wed her to MOROZKO, the lord of winter. Can any maiden ask for a finer or richer bridegroom? Why, he is master of the white snow, the black firs, and the silver frost! [...] Some say he is naught but a cold, crackling breeze whispering among the firs. Others say he is an old man in a sledge, with bright eyes and cold hands. Others say he is like a warrior in his prime, but robed all in white, with weapons of ice. No one knows." The cold man—the frost-demon—stood in the center of the room, and at least she could look at him. His dark, unruly hair hung to his shoulders. The sardonic face might have belonged to a youth of twenty or a warrior of fifty. Unlike every other man Vasya had ever seen, he was clean-shaven—perhaps that was what gave his face the odd note of youthfulness. Certainly his eyes were old. When she looked into them, she thought, I did not know anything could be that old and live. (x,x)
no one is saying fire and blood is peak literature or that adaptations should stick to their source material 100% of the time. but i genuinely cannot imagine looking at the characters that grrm created in rhaenyra and alicent and then deciding that it makes more compelling and believable television to lock those characters in rooms to cry every episode than to portray any of the decisions they made that impacted the book's original plot
They're using Helaena's neurodivergence as a reason to render her a politicaly insignificant oracle. Don't let them fool you.
At Aegons coronation, they erased Dowager Queen Alicent placing her crown on her daughter's head and calling Helaena her queen.
We know that Helaena was happier before she became queen, but that's after Jaehaerys died. Before that, Helaena doesn't express her opinions and feelings on her ascension or the political scenario.
During Blood and Cheese, Helaena offers her necklace for Jaehaerys' life. Her NECKLACE. In the book, she offers her LIFE. They changed so much of the scene, whole characters aren't where they're supposed to be, but they couldn't leave in a line that shows Helaena is willing to die for her LITTLE CHILDREN, like many mothers would, including neurodivergent ones.
In the book, when forced to choose a son to be murdered under horrible threats made to her daughter, Helaena chooses Maelor to die instead of Jaehaerys. It could be because Maelor was younger and didn't have the awareness that Jaehaerys had, but Helaena's choice ultimately prioritises the life of her firstborn, Aegon's heir. It's a political move. In the show, she's so far removed from politics, the only thing she does that remotely comes close is being forced to parade her son's body around the city.
Then, they refuse to let her call Jaehaerys by his name, instead she calls him "the boy", and people argue that it's because she's in shock, but no other character calls Jaehaerys by his name UNTIL Helaena herself says "I'm sad for Jaehaerys but I ought not to. Children die all the time" in the most dismissive way possible. She doesn't ugly cry. She doesn't sob or scream or express her pain. Her devastating grief is conveniently opted out, and episodes later she is ready to be the cryptical catch-you-in-a-lie targaryen oracle. She doesn't ride her dragon to assist the war efforts, not because she's spiralled into depression and what is crudely called madness, but because she doesn't like to ride, as per Rhaenyra, and if she's ought not to be sad, she can't be enraged or vengeful either, because it would be just as inconvenient and wrong, and she's a pacifist with a sensitive soul that shouldn't be corrupted by her evil brother.
An angry mob of smallfolk throws fish at her and Alicent, when she was notoriously beloved by them in the book.
Her authority as Queen Consort is constantly ignored, bypassed and disrespected by her own mother, when Helaena outranks her.
Why is no one campaigning for Helaena to use the power her position gives her?
They made her a vessel for the prophecy, a plot with so many holes it's become swiss cheese.
Not interested in politics? She's neurodivergent. Doesn't offer her life for her children? She's neurodivergent. Is not consumed by grief? Neurodivergent. Doesn't like to fly on her dragon that she claimed at what, eleven years old?
Who knows why.
looks at Rhaenyra and Alicent
*whispers* Jessica Atreides wouldn't let me down like this

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“princess rhaenyra was a different matter. daemon spent long hours in her company, enthralling her with tales of his journeys and battles. he gave her pearls and silks and books and a jade tiara said once to have belonged to the empress of leng, read poems to her, dined with her, hawked with her, sailed with her, entertained her by making mock of the greens at court, the “lickspittles” fawning over queen alicent and her children. he praised her beauty, declaring her to be the fairest maid in all the seven kingdoms. ” — fire & blood
daemon and rhaenyra commission by vkrov_ ♡
I have so many thoughts about Rhaena claiming Sheepstealer but I think this episode really helped me understand why I dislike it so much.
Aside from the fact that it made no sense for her to be there at all, Rhaena and Sheepstealer’s role in this episode was just so diametrically opposed to Rhaena and Morning’s role in the books. In the books, Rhaena hatching Morning was hugely symbolic. Morning was (I believe) the last healthy dragon House Targaryen managed to hatch. Or at least the last one to be ridden. Rhaena was the last confirmed dragonrider until Daenerys. Hatching Morning, which happened closer to the end of the war, was huge both for Rhaena personally and for the Blacks. Alicent was actually afraid that it would make them seem more legitimate in the eyes of the smallfolk. They two of them represented hope for House Targaryen to heal after the Dance. Rhaena and Sheepstealer are essentially the opposite of that. They represent death and destruction; the inherent unpredictability of dragon. Kind of the “dark side” of dragon. I really don’t even know what to say anymore. They’re just strayed so far from any semblance of a coherent storyline that follows the books.
Lady Rhaena Targaryen and her dragon Morning
King Aegon II Targaryen and his family, circa 129 AC From Left: Otto Hightower, Aegon II Targaryen, Aemond, Daeron (in portrait), Jaehaerys, Alicent Hightower, Queen Helaena Targaryen, Maelor, Jaehaera
The Young Queen Jaehaera Targaryen with her grandmother, Alicent Hightower, circa 131 AC
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If Rhaenyra must distance herself from womanhood to justify her authority, the story is accepting the premise that womanhood is incompatible with authority. Youre shifting the subtext further and further away from “I want equality” to “I wish I were not a woman.” She is worthy because she is worthy. Her femininity is neither a flaw nor an obstacle to overcome.

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"I may look like the owner of a weak and fragile female body, but I have the heart and spirit of a king."
Am I the only one that found this pathetic? Like really? You couldn't come up with an actual original quote on your own?
This is almost word to word what Queen Elizabeth I said to her troops before facing the Spanish Armada. Ryan and Sara couldn't even be bothered to invent a line, they just copied a historical figure lmao.
Were these two meant to be viewed as parallels? Maybe, but I still find it cheap. Elizabeth I could at least keep her throne throughout her whole life up to her death from old age. Rhaenyra can't even be said to have achieved that which is the bare minimum for a ruler.
Sarah Hess said Alicent was 16 when she married Viserys. The post-time skip Aegon is 21. Alicent should be around 38. Which means when season 4 is over in 2028, Olivia would be still 4 years younger than the character she plays.
The writers' obsession with visibly ageing Alicent down even after they aleady aged ths book character down is weird. They bend over backwards trying to make Alicent more relevant than she canonically is, but instead of developing the character's personality, they focus on making her look sexy, young and desirable (everybody attracted to women, including Alicent's own son, wants her). It's misogynistic as hell. Olenna Tyrell is an old lady who might have been hot and seductive when she was young, but we all adore her not because she's a great beauty, but cunning matriarch,whose wits and tongue are razor-sharp. We all appreciate Olenna's brilliant intelligence and political skills. There are so many reasons other than sex appeal that make the audience love female characters! Condal and Hess are ageist and misogynistic as fuck.