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ltd cassette only material ft. El Mahdy Jr

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DOMU IS BACK Out On 2000Black

F yeah Zinedine

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#SaveTheDate >> Taps & Moses' video will be online Monday 31 March 10:00 A.M. on @tehgrifters

http://www.maycontainfilth.com/Vardo

 PT. 2 examines the influence Mary Lou Williams had on Sun Ra, his early 1950's Mary Lou Williams   ​           influenced compositions and other solo piano recordings recorded in his Chicago apartment, Sun Ra              ​and the his assistance in shaping the early 1950's Chicago R&B Doo Wop sound including his work             ​ with R&B Doo Wop groups The Moonglows, The Flamingos and other groups, Sun Ra coaching his              ​ own R&B Doo Wop groups The Nu-Sounds and The Cosmic Rays, the 1956 Sun Ra Bebop               group recorded live at Bud Land, a rare live 1958 jam session performance at the Pershing Ballroom              ​featuring Pat Patrick-baritone sax, Gene Ammons-tenor sax, J.J. Johnson-trombone, Sun Ra-piano,              ​Ronnie Boykins-bass and Robert Barry-drums, a feature on ​​​tenor saxophonist John Gilmore from a              ​ 1958 Bud Land performance, Sun Ra and the band in 1958 playing the pop tune “Tequila” which was             ​ recorded by the pop group The Champs that same year and closing with vocalist Hattie Randolph and              ​take 1 (F/S) take 2 (F/S) take 3 (CT) of “Round Midnight” from ​the 1959 Sound Sun Pleasure              ​recording session

PT. 1 examines Sun Ra’s 1920’s Blues Vocal and 1930’s Big Band influences, his first recordings in            ​  1946 as a piano sideman, his arrangements and compositions, Sun Ra as a singer in the late 1940’s,            ​  his trio in 1949, the late 1940’s Afro-Cuban influence of band leader Perez Prado, creating the sound             ​ that would be recognized by vocalists Laverne Baker and Joe Williams in the beginning of their               ​careers in the early 1950's with The Red Saunders Orchestra, the coaching of The Hambone Kids              ​who also recorded with the Red Saunders Orchestra in 1952 and  and other rare facts and musically              ​unheard inclusions.