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Ken Thorne - Superman II (Original Motion Picture Soundtrack) (Warner Bros., 1980) - Design by Daniel Goozee
As WB was planning a phased rollout of the movie worldwide during the peak attendance periods in each country, the soundtrack ended up being released in the States six months before the film arrived there. Fortunately, whoever was responsible for the track listing was careful not to use any potential spoiler titles.
Image courtesy of Discogs.
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Depeche Mode - Violator (Mute UK/Sire-Reprise-Warner Bros. US, 1990) - Design by Anton Corbijn in association with Area
Image courtesy of Discogs.
Various Artists - Top Gun (Original Motion Picture Soundtrack) (Columbia, 1986) - Designer uncredited
Image courtesy of Discogs.
David Arnold - Independence Day: Original Soundtrack Recording (RCA/BMG Classics, 1996) - Art direction by Richard Dombrowski
Image courtesy of Discogs.
R.E.M. - "Everybody Hurts" (Warner Bros., Single, 1993) - Design by Michael Stipe and Lyn Bradley
As heard on Automatic for the People.
One of two variants featuring stills from the music video.
Image courtesy of Discogs.
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There was Frankie Lyman, Bobby Fuller, Mitch Ryder (They were rockin')
Jackie Wilson-Shangra-Las-Young Rascals (They were rockin')
Spotlight on Martha Reeves
Let's don't forget James Brown
Rockin' in the U.S.A.
John Mellencamp - R.O.C.K. in the U.S.A. (A Salute to '60s Rock (Riva, Single, 1986) - Designer and photographer unknown
As heard on Scarecrow.
Love this '60s style picture sleeve. It even boasts the "Stereo" label that appeared on records at the time (stereo was a big deal in the '60s, since almost all music before then was in mono).
As I said before, this was a last-minute addition to the album. Mellencamp intended for it to be a hidden "bonus" track before his manager convinced him to make it part of the main track listing, believing it had commercial potential. Sure enough, it peaked at No. 2 on the Hot 100, performing on par with "Hurts So Good".
Image courtesy of Discogs.
Happy 4th of July. Should note there's nothing "patriotic" about this song. The lyrics don't even suggest such a thing at all.
Billy Joel - Cold Spring Harbor (Family Productions, 1971) - Designer and photographer unknown
I wish Billy kept the mustache.
When the record was re-released in 1983, the cover was zoomed into Billy.
Image courtesy of Discogs.
Gladys Knight & the Pips - Imagination (Buddah, 1973) - Art direction by Glen Christensen, concept by Milton Sincoff, design by Mike Mendel, photograph by Joel Brodsky
Image courtesy of Discogs.
Billy Joel - "Sometimes a Fantasy" (Columbia, Single, 1980) - Designer unknown, photography (I believe) by Jim Houghton
As heard on Glass Houses.
Image courtesy of Discogs.
Tin Machine - Tin Machine (EMI America, 1989) - Art direction by Roger Gorman, Photograph by Masayoshi Sukita
David Bowie's short-lived group. Lasted for about two studio albums and a live record before unceremoniously splitting up, after which Bowie went straight back to going solo.
Image courtesy of Discogs.
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Tin Machine - Tin Machine (EMI America, 1989) - Art direction by Roger Gorman, Photograph by Masayoshi Sukita
David Bowie's short-lived group. Lasted for about two studio albums and a live record before unceremoniously splitting up, after which Bowie went straight back to going solo.
Image courtesy of Discogs.
Elvin Bishop - Struttin' My Stuff (Warner Bros.-Capricorn, 1975) - Art direction by Diana Kaylan, design by John Kehe and Mick Haggerty, photograph by David Alexander
Image courtesy of Discogs.
Thomas Dolby - The Golden Age of Wireless (EMI-Capitol-Harvest, US Release, 1982) - Design by Michael Diehl, illustration by Mark Thomas, photograph by Andrew Douglas
As Capitol wasn't too thrilled with the comic book-style cover for the UK release, they replaced it with this for the US. Dolby attended a production of the play Life of Galileo when this was taken, and this was the set of said play; the cover had been used the year prior for the "Europa and the Pirate Twins" single in the UK.
Once the non-album single "She Blinded Me with Science" was a hit, this cover was ditched in favor of the original cover for the re-release.
Image courtesy of Discogs.
Thomas Dolby - The Golden Age of Wireless (EMI-Venice in Peril, UK Cover, 1982) - Design by Andrew Douglas and Thomas Dolby, layout by Bill Smith
Initially rejected by Capitol-Harvest in the US, for some odd reason. They also butchered the track listing by swapping some songs out. When "She Blinded Me with Science" became a hit, Capitol decided to put the record out again, with this cover restored.
Image courtesy of Discogs.
The Brady Bunch - The Kids from the Brady Bunch (Paramount, 1972) - Art direction by Bill Levy, design concept by Pacific Eye & Ear, illustration by Joe Petagno
The Brady Bunch had a record? Yeah, four of them! Can't think of any other non-musical sitcom that spawned that many records (key words: non-musical. Obviously The Monkees and The Partridge Family have more).
Those who are familiar with the game show Concentration know how this game goes. Try to guess each song title.
Image courtesy of Discogs.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Thomas Dolby - The Golden Age of Wireless (EMI-Capitol-Harvest, US Release, 1982) - Design by Michael Diehl, illustration by Mark Thomas, photograph by Andrew Douglas
As Capitol wasn't too thrilled with the comic book-style cover for the UK release, they replaced it with this for the US. Dolby attended a production of the play Life of Galileo when this was taken, and this was the set of said play; the cover had been used the year prior for the "Europa and the Pirate Twins" single in the UK.
Once the non-album single "She Blinded Me with Science" was a hit, this cover was ditched in favor of the original cover for the re-release.
Image courtesy of Discogs.
Thomas Dolby - The Golden Age of Wireless (EMI-Venice in Peril, UK Cover, 1982) - Design by Andrew Douglas and Thomas Dolby, layout by Bill Smith
Initially rejected by Capitol-Harvest in the US, for some odd reason. They also butchered the track listing by swapping some songs out. When "She Blinded Me with Science" became a hit, Capitol decided to put the record out again, with this cover restored.
Image courtesy of Discogs.