“I’m freezing to death in this damn treehouse. I thought Nature would be better than my little semen basement kitchen. I thought the noise of bird would be more sweet than the noise of elevator. Experts with tape recorders say that what we hear as a single bird note is really ten or twelve tones with which the animal weaves many various beautiful liquid harmonies. This he proves by slowing down his tape. I demand National Health! I demand an operation! I want a slow transistor machine sewn in my head. Otherwise let Science keep its insights out of the newspapers. The Canadian summer passed like a Halloween mask, now the cold countryside day after day. Is this all the candies we get? Where is the science-fiction world of tomorrow they promised us today? I demand a change of climate. What bravado impelled me to come here without my radio? Three months without my radio, humming the obsolete Top Ten, my Top Ten removed so abruptly from history, cut off from the dynamic changes of jukebox stock market, my poor Top Ten that no thirteen-year-olds energize by slippery necking on the carpet beside the hi-fi, my over-serious Top Ten goose-stepping through my head like the generals of a junta who do not know the coup d'etat has been staged the very night of the formal ball, my dear old Top Ten like a battalion of gold-sleeved tramway conductors patiently steering for seniority and retirement while the subway has been decreed in a board room and all the streetcars are in museums, my awkward Top Ten of electric echoes and longing puberty voices crying down my heart like a squad of bare-thighed cheer-leaderettes turning cartwheels before the empty benches, their delicate bra-straps bunching the skin ever so sweetly, their shiny fluorescent underwear flashing out of little upside-down pleated skirts as they pivot on their friendship fingers, their school-spirit satin-clad gym-trained firm little rah rah bums describing unutterably lovely and brief rainbow-shaped streaks of mauve and orange, the round metal mouthpieces of their megaphones warm with Alma Maters and smelling of white lipstick, and for whom these moist Technicolor acrobatics? for whom these inflammatory arcs of unskirted exhibition panties gleaming through the cheers like so many expertly peeled fresh figs, yes, a million seedy secrets in each sealed purse, wheeling down the damp sidelines into the stumpy mouth of time? for whom do you sail, little bums of the Top Ten? The Leader of the Pack lies mangled under his Honda in a wreck of job prospects, the ghostly Negro fullback floats down the wintry grid-iron into Law School prizes, and the lucky football you autographed takes pictures of the moon. Oh, my poor Top Ten, longing to perish in popularity, I have forgotten my radio, so you languish with the other zombies in my memory, you whose only honor is hara-kiri with the blunt edge of returned identification bracelets, my weary Top Ten hoping to be forgotten like escaped balloons and kites, like theater stubs, like dry ball pens, like old batteries, like coiled sardine keys, like bent aluminum partitioned eaten tv dinner plates–I hoard you like the stuff of my chronic disease, I sentence you to National Anthem hard labor, I deny you martyrdom in tomorrow’s Hit Parade, I turn you into boomerangs, my little Kamikazes, you long to be the Lost Tribes but I burn arm numbers, I pour miracle drugs in the Death House, from bridges I hang suicide nets. Saints and friends, help me out of History and Constipation. Make the birds sing slower, make me listen faster. Remove yourself from this treehouse, Pain, you tree-climbing frog, large as industry.”
snowghoul
yousharknotpass
germansingergirl
dededos
janainaart
titsay
vaporwave
jacobvanloon
theartofmadeline
