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Ville d'Avray, 1870, Camille Corot
Medium: oil,canvas
Detail: Princess Marie d'OrlĂŠans in Her Studio (detail), 1838, by Ary Scheffer (Dutch, 1795-1858)
Detail: Portrait of Jean-Baptiste Colbert, 1655, by Philippe de Champaigne (French, 1602-1674)

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The Orchestra at the Opera, 1870, by Edgar Degas (French, 1834-1917)
Interior, No. 30 Strandgade, 1906, by Vilhelm Hammershøi (1864-1916)
I see myself abandoned, solitary, thrown into a cell without dimensions, where light and shadows are silent phantoms. Within my inner self I find the silence I am seeking. But it leaves me so bereft of any memory of any human being and of me myself, that I transform this impression into the certainty of physical solitude. Were I to cry out â I can no longer see things clearly â my voice would receive the same indifferent echo from the walls of the earth. So without experiencing things, should I not find life?
â Clarice Lispector, 'Near to the Wild Heart' (1943).
Early spring. Birches by the river, 1893, Aleksey Savrasov

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Old Man's Death (1890) by Låszló Mednyånszky (Hungarian, 1852-1919)
Portrait of Wincenty Rapacki as Hamlet (1870) by Karol Miller (Polish, 1835-1920)
Janet Agnes Cumbrae Stewart (1883 â 1960, Australian)
Luis TristĂĄn - Trinity (âNot Gottesâ type)Â (1624).
___
âIn some parts of Germany there was a very moving devotion that contemplated the Not Gottes (âpoverty of Godâ).â âan impressive image representing the suffering Father, who, as Father, shares inwardly the sufferings of the Son.â
- Pope Benedict XVI [x]

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IÂ have no words to describe the feeling of being in this magical forest with these ancient, magnificent beauties
punkodelish