please. Untitled Artwork was my father. call me Untitled Artwork (1)
One Nice Bug Per Day
AnasAbdin

★

Andulka
Mike Driver
RMH
Aqua Utopia|海の底で記憶を紡ぐ

shark vs the universe

Kaledo Art
PUT YOUR BEARD IN MY MOUTH
Not today Justin
let's talk about Bridgerton tea, my ask is open
2025 on Tumblr: Trends That Defined the Year
I'd rather be in outer space 🛸


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art blog(derogatory)

Product Placement

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@renthedevil
please. Untitled Artwork was my father. call me Untitled Artwork (1)

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tea timed
ahhh .. just what i needed
That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.
The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
This is true of all censorship.
I'm not wrong 👀
top 5 horror movies
-having a job
-not having a job
-applying for jobs
-the job market
-the concept of working my whole life

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LIFE SERIES CRANE WIVES COLLAB GRIAN WHAT??!??!
(From today’s stream (22/5/26) at around 90mins!!)
And what if i burst into tears.
What if i burst into tears.
Heyyy 😅 IS ANYONE STILL HERE.
Realised i havent posted any of these :J
A bunch of Mr. Wizard doodles cuz I love him terribly

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jellie bellie
Wing preening takes up like 90% of my brain at all times
Hey there!
sorry i’ve been dead for thirty years have my magical girl apple oc

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s8 desertduo outfit swap ig