LUWTEN | Go Honey

@theartofmadeline

shark vs the universe
Cosimo Galluzzi
Xuebing Du

JVL
cherry valley forever
KIROKAZE

pixel skylines
Jules of Nature
Lint Roller? I Barely Know Her
todays bird
Sade Olutola
Acquired Stardust
wallacepolsom

Product Placement

titsay

izzy's playlists!
Three Goblin Art
Misplaced Lens Cap

#extradirty

seen from United States

seen from Pakistan
seen from South Africa
seen from United States
seen from United States

seen from Malaysia
seen from United States
seen from United States
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seen from United States

seen from United States
seen from United States

seen from United States
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@rendering
LUWTEN | Go Honey

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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DISSIDENT FUTURES Kamau Patton Yerba Buena Center for the Arts Oct 18, 2013 – Feb 2, 2014
I really hope y'all fall in love with yourselves like never before
Wood-palabra
Make it holy
Make it holy
This is the silhouette
I’ve warned myself against
This whinger I’m impaling you on
- make it all holy
© Agnieszka Mauch
Jagged Jaw | Tonight Is

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Milk and Melancholy, 2008 by Kenneth Hayes
Perfume Genius -Â Dark Parts

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Becoming is an antimemory.
Deleuze and Guattari, A Thousand Plateaus: Capitalism and Schizophrenia (via mothwood)
To reach, not the point where one no longer says I, but the point where it is no longer of any importance whether one says I.
Deleuze and Guattari, A Thousand Plateaus: Capitalism and Schizophrenia (via mothwood)
           what were you looking for in front of ashes or in the rain in the fog in the wind even when the lights were growing dim and the city was sinking and on the stone pavement the Nazarene showed you his heart, what were you looking for? why don’t you come? what were you looking for?
— George Seferis, Mythistorema
wick
My sadness I wear like a scarf. It travels with me. I take it off and set it down, sometimes.
If there is enough light present in a room, the fabric will catch. It will glint.
Its weight doesn’t feel particularly heavy.
I have heard before of people regarding sadness as blue. Cold, even.
I am reminded of a candle.
The fire smacks its lips down that valley of hot wax.
The people who live there know songs a little less, they focus more on the primal punch of stars, surging through the rhythm of years.
Though they no longer remember dreams, they know what it was like to have held the sun as if it were a coin pressed hotly against their chests, a medallion missing its chain, the sort of aching that resents depth.
My sadness torches.
I have trouble determining its purpose. Whether it is to burn or to set alight direction, I wear it as a scarf.
The skin of my neck isn’t delicate.
Cemetaries | Sodus

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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The crows have reached a decision.
They declare: leave any country that has a name.
*
from “Notes for the Interior” by Jane Wong
The plagiarist covers your tracks and then his own.Â
*
from “Paradise” by ANDY STALLINGS