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@renaissancesociety
Waiting room for Irena Haiduk's Seductive Exacting Realism, the first exhibition of our Centennial program
Join us to celebrate the opening tonight from 6-9pm. Haiduk and the Ren's director Solveig Øvstebø will discuss the project at 7pm.
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Ree Morton, Signs of Love (1976), from her posthumous 1981 retrospective.
Morton's work Let Us Celebrate While Youth Lingers and Ideas Flow (1975), also presented in that retrospective, inspired the title of our forthcoming archive exhibition, which opens in November. This is the last of our #Ren100 posts, so join us then to see more from our history.
In the meantime, today we opened Irena Haiduk's Seductive Exacting Realism, which runs through Oct 8, and is the first exhibition in our Centennial program. She'll speak as part of the opening reception tomorrow evening.
Tomorrow is the last day of our #Ren100 archive posts, but it’s also the first day of our Centennial program. Irena Haiduk, Seductive Exacting Realism opens tomorrow, and we’re hosting an opening reception and artist talk on Friday evening from 6 to 9pm. Join us!
Image: SER Logo for the Renaissance Society, 2015. Dimensions and distribution variable. Design: Till Wiedeck.
Installation view of Joan Jonas, "Lines in the Sand" and "The Shape, the Scent, the Feel of Things” from 2004
Cover of Fall 1988 newsletter with image of Mike Kelley at the opening of his exhibition Three Projects
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Invitation to 1943 exhibition Self-Portraits through the Ages
Julia Fish, Cumulous (1990), from her 1996 Renaissance Society exhibition, View — Selected Drawings and Paintings 1985–1995
Label from our 1976 exhibition of work by Robert Smithson, Mirror/Salt Works
From the US debut of Club Moral, artist Anne-Mie van Kerckhoven’s experimental industrial noise band, during her 2011 exhibition here
Signature and sketch left by Ben Shahn on an artist statement from his 1954 exhibition
The document is now held in archivesofamericanart
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Thomas Struth (third from right) with Renaissance Society staff during the installation of his 1990 exhibition, Photographs
Ellamarie Woolley, Game, from her 1968 exhibition with her husband, Jackson, Paintings, Enamels, Constructions
John Knight, Plate #46, from Museotypes (1983), which will be on display at The Art Institute of Chicago Oct 23-Nov 29 to celebrate our Centennial
From Bob Gottlieb's "The Second Sitting of the President's Dinner for the Queen, Elizabeth II," which took place on July 16, 1976, part of Sally Fischer's exhibition, Space Transformation
Installation view of Jessica Stockholder's 1991 Renaissance Society exhibition, Skin Toned Garden Mapping
Rose's Inclination, a new site-specific installation by Stockholder, opens down the road at the Smart Museum of Art on September 12.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Mathias Poledna discussed his 2014-15 exhibition with Bennett Simpson of MOCA Los Angeles, Feb 23, 2015
Poster for Yutaka Sone’s 2006 exhibition Forecast: Snow