โbe real with me hereโฆโ cat trailed off, holding up her pear phone, the screen displaying a dangerous looking adult device.ย โโฆwhy do people make these?โ
ninaโs gaze tracked upward to see the image illuminated upon the screen, and the woman almost ๐๐๐๐๐ ๐๐๐๐๐๐ takes two paces backward, cheeks burning ; she certainly hadnโt expected to see such a thing.ย ย โ why โ why would you just . . . โย she said, breathlessly, tightly, ethereal little-girl-lost even now.ย โ i wouldnโt know ! โ
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the mirrors surrounding you did as they were meant to, reflecting back a spitting image of NATALIE PORTMAN - ย but itโs clear something is wrong from the moment that a vision of THE GLARE OF LIGHTS INCREASING UNTIL YOUR VISION IS FULLY WHITE; THE ENCROACHING OF DEATH strikes you. ย perhaps it was a passing daydream in the frenzy of the funhouse. you reassure yourself ย - ย
youโre NINA SAYERS, a TWENTY-EIGHT YEAR OLD BALLERINA whose virtue lies in your + CONSCIENTIOUSNESS & + EMPATHY, although youโve been told that you tend to be quite - DEPENDENT & - NEUROTIC, and youโre associated with WELL-WORN BALLET PUMPS,ย DISAPPEARING IMAGINED INJURIES, A DEVIOUS REFLECTION IN THE MIRROR THAT ISNโT QUITE YOU by those around you.ย
suddenly, however, youโve found A BLOODIED MIRROR SHARD on your person - was that always there? from the moment you leave the funhouse, ย memories from your life in BLACK SWAN have begun to return - leaving whoever you had been before in the mirrorโs reflection behind you. ย you can almost hear DANCE OF THE SWANS by TCHAIKOVSKY following in your wake.
BASICS
๐๐๐๐๐๐๐๐๐ ๐๐๐๐ : nina marie sayersย
๐๐๐๐ ๐๐๐๐๐๐๐ :ย โ little girl โ /ย โ sea of bitterness โ orย โ exalted one โ /ย โ to say โ orย โ victory โ
๐๐๐ : twenty-eight ( b. 20 March, 1992 in New York City, NY, United States of America )
๐๐๐๐ ๐๐ : cis female ( she / her pronouns )
๐ ๐๐๐๐ ๐๐๐๐๐ : outside of the company, comfort-oriented & conservative style, generally favouring light and pastel colours, but a certainly physical sense of metamorphosis as time goes on.
๐๐๐๐๐ ๐๐๐๐ : teen idle by marina & the diamondsย
HEADCANONS
ย ย ย ย ย ย ย blood tw, death tw
nina sayers never realised the cost of being thomas leroyโsย โ ๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐.ย โ until the end, following the glowing line toย โ i felt it, i was perfectย โ even as it brought her world crashing down around her.ย
a sheltered life in new york city with an off-base unnerving relationship with her infantilising mother becomes the same, here. even here, she cannot escape the eye of erica sayers. neither her eye, nor her perpetual envy.
( she liked lily. never knew what to do with that, and it was always unseen through the murk of sheโs out to get me, the laughter over her shoulder when her back is turned, the envy of her effortless swagger & the beauty of even her imperfection. not that her mother would ever have allowed it, this woman teaching nina everything she shouldnโt know. )
it became fashionable to say you were there, in the real world, when nina sayers flung herself from the plinth as the white swan, and bled to death on a thin mattress to the music of their vague screaming.ย not that she could know this: this is the cycle reset ( as she remembers none of the tragedy )ย put back in position ( new world, new people ) before the casting began the slow breakdown & descent to hell that came to a head on the night of the performance.ย
that was the opener. this is night two : the second performance. and the aim of every performance is, of course, to match or better the last.
i plan to write nina tentatively stepping out into the world against ericaโs wishes, so i imagine most muses would have seen her around or seen her perform before ( you can feel free to decide this at your discretion ! )ย but she is incredibly reserved and tense so she likely hasnโt gotten to know people very well !ย
