The Red Stoned Bear

“The last end of man, the ultimate reason for human existence, is unitive knowledge of the divine Ground.” — Aldous Huxley Ometeotl MiCorazonMexica Recreation by Talon Abraxas Ometeotl is the primordial creative force in the Mexica tradition as understood today — the source from which all Teteo, or “Gods,” and all existence, emerges, and to which all return. They are the “Dual Divinity,” the unity of all that is, manifesting as the paired forces that sustain the cosmos. Ometeotl cannot be pictured directly, and They almost never are in Indigenous art. They are infinite, containing within Themselves all that exists, and are identical with all being. Unlike other Teteo, who may be shown in human-like form, Ometeotl can only be represented through metaphor. Their name means “Dual Divinity,” and They reveal Themselves to humanity through the pairs that shape our lived reality: life and death, sun and moon, light and dark, male and female. These dualities are not true opposites, but different manifestations of a single truth. Each exists only in relation to the other, and neither can exist without its counterpart. In this image, the symbol of Ometeotl appears at the center: a turquoise, capital “I”-shaped glyph representing a ballcourt. The ballcourt itself is a symbol of the cosmos, its shape embodying the heavens, the earth, and the underworld—the totality of existence. Within it, the ball moves back and forth, just as the sun, moon, and celestial bodies move through the sky, reflecting the eternal oscillation of dualities. At the top and bottom of the image are the sun and moon, symbolizing the dual nature of Ometeotl: male and female, light and dark, life and death. In the four corners stand the Four Tezcatlipoca, the four “Gods” who rule the four directions of the universe, showing that Ometeotl is also space. Between the coils of the great serpents, and scattered across the page, are the twenty day sign glyphs of the Nahua calendar, for Ometeotl is also time. Encircling the central ball-court glyph is a “jewel” glyph, upon which stand nine Teteo. In Indigenous tradition, the Teteo do not possess fixed, separate identities; each is a manifestation of an aspect of Ometeotl, revealing Themselves in different forms and moments, yet always part of the same eternal Whole. Their arms transform into serpents, each devouring the next, just as the nine great snakes around them consume one another. This expresses the truth of Ometeotl as change: each being transforms into another, eternally. The Lord of the Sun, Tonatiuh, transforms into Centeotl, the maize Teotl, who becomes the Teotl of Death, and so on, without end.

The dead miner, (1867) — by Charles Christian Nahl.

Jun 2026

thecreepfromsixfeetdeep

photo by Mr Zorbus

Albert Willem - Catalunya In High Season, 2026 - Acryl On Linen

A collection of some of my hand-drawn horror looping animations!

Shepard Fairey