Writing side-blog for Redalfa. Ongoing fanfiction, headcanons, meta, occasional original work, and complaining about how hard writing is. AO3: RedscribblerÂ
Writers have two modes and they are "i haven't written in three weeks and i am rotting from the inside and everything feels wrong and i don't know who i am anymore" and "i wrote for four hours straight and forgot to eat and it's dark outside and when did that happen and i feel like a god" and there is nothing in between. no chill. no medium setting. just famine or feast and a very confused nervous system.
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âYou know,â Jon took a gulp of his drink, âDaisy once told me she knew over a hundred ways to incapacitate someone. I was never sure if she was trying to threaten me or impress me,â Jon chuckled slightly.
âR-rightâŚâ
âAlthough honestly, I felt more threatened when she insisted on playing The Archers on the radio all day.â
âS-Sorry, what?â
âThere were times I was sure she was trying to bore me to death.â
âWait. Stop. Daisy likes The Archers?!â
âI know!â Jon laughed again, âI was just as surprised as you! She said she had eight monthsâ worth of episodes to catch up on and she wasnât going to let anyone stop her.â
His laughter faded into a far softer sound and died off altogether as he took another drink and stared down into his mug.
ââŚI miss her,â He said quietly.
~~
On the weight of grief.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
okay so heads up right out of the gate, this chapter was partially inspired by Martinâs line from ep 179:
MARTIN
âŚ
We said our goodbyes to Daisy after the institute.
So its going to deal with canonical character deaths, grieving and canon-typical references to suicide.Â
If that makes you uncomfortable, best to skip this one.
If you feel like I need to add any additional warnings to tags, please let me know.
(also! this is nearly 7000 words! again! me @ me: what is wrong with u)
Martin had one hand tucked under his face, the tips of his fingers poking out from his cheek and Jon was seized with the sudden urge to find his other hand and hold it closely.
From their trek out of the Lonely through the frantic chaos of the institute, Jon had held as tightly as he could onto Martinâs hand, only reluctantly letting go when he remembered he needed both hands to drive.
He didnât have any excuse to take his hand now, no monsters to run from, no seascapes to break out of.
His chest grew tight and tender with an unpleasant ache.
~~
Chapter 2 of safehouse fic!
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By the time they got to the safehouse, they had been on the road for nearly ten hours and the sight of the tiny, quaint old cottage in the middle of nowhere was a blessed relief.
âHuh.â
âNot what you were expecting?â Jon asked, unbuckling his seat belt.
Martin shook his head.
âWhen you said it was Daisyâs, I thought it would be something a bit more The Hills Have Eyes.â
He stepped out of the car and reached up to the sky to stretch his back out. When he turned, Jon was staring at him from the other side of the car, nonplussed.
âItâs a horror film.â
âAh,â Jon pushed his glasses up his nose, âRightâŚâ
~~
i wrote scottish honeymoon fic and i know everyone has written scottish honeymoon fic but in my defense i only started listening to tma after s5 started! and iâm operating off of the two cakes principle! and also i wanted to get my version of how jm got together out of my head and onto paper so
aka mum said its my turn to write about the safehouse period!
besides, its the first thursday of the last hiatus, enjoy some relationship fluff before jonny inevitably destroys us with the ending next year
i always gush about the latest ep with the friend who got me into tma after we listen and we got talking about how the possibilities raised in âquietâ are all things that people have hoped for/theorised on/worried about- Martin having to kill Jon; having a big, dramatic confrontation with Elias; jmart dying in some tragic, noble sacrifice etc, etc.Â
and with all those things laid out so plainly for us I cant help but think they might be red herrings
or rather by acknowledging these possibilties now they can be dismissed later and all that means is something far far worse then any of that is waiting for us at the end of the line
I want to write. I have ideas. I open document. I type four of the worst sentences ever created in the english language. I daydream the rest of the scene. I close document.
In light of new evidence (aka the most recent eps) Iâm revising my Jonah is Dead! theory
Jonah is not dead yet but in this world where the two states of being are either Watcher or Watched, I think jonah has become Watched
he is a victim of the eye domain that london has become, physically bound to the institute/panopticon and directly feeding the eye with his fear, a point i did actually elaborate on in that previous post
it has become more and more obvious as s5 has gone on that even if jonah was some big bad gloating in his spooky tower, killing him would change nothing- he is not a determining factor in saving the world
however iâm starting to prefer the idea that he immediately fell victim to the eye as opposed to already being dead for a few reasons:
1. Sweet, sweet karma.
2. Delicious tragedy. Jmart and Co. finally gear up to confront Jonah but oops! Heâs insensible and canât even communicate with you, he has no effect on anything since the Change and your whole journey was pointless! :)
3. now as of 184 we know that jon can turned Watched into Watcher just as he has done the opposite. he wonât turn jonah into a Watcher but it does raise the question then, how do they kill him?Â
it is possible that bc daisy was able to be killed, jonâs ceaseless watcher laser eyes would still work on jonah bc of the apocalypseâs âdream logicâ but.Â
I cannot imagine anything more simutaneously more cathartic and horrifying to hear than jon brutally murdering the man who groomed him with his bare hands- no powers, no beholding, just as human and as mundane a murder as jonah himself committed.
Jonny really said fuck academia for the sake of academia and classic circle-jerk philosophy this ep huh
I love that both in and out of statement explored the dismantling of Smirkeâs 14.
Itâs been a running theme in s5 that these divisions really donât matter and Iâve been loving it. Hell, even the catalyst for the apocalyspe was Jonah acknowledging that trying to separate the fears in the first place was the wrong way to go about bringing them into reality. Jon had to be marked by all of them for Jonahâs ritual to work.
Thereâs been an undercurrent of domains being mixes of different fears for a while (even last weekâs as I was listening to 182 i wondered was it stranger? web? flesh?) so to have it explictly confirmed that yes, thereâs a domain out there that is both eye and lonely was great (great lore-wise, not great Martin-wise)
But I think my favorite part was this:
ARCHIVIST
[Heated] Avatar isnât a thing, Martin! Itâs notâ
Itâs just a word. A word used by⌠fools like Smirke to try and sort everything into neat little boxes, to reduce the messy spray of human fear into a checklist!
Because what I love about tma is that conflict doesnât come from these eldritch fear parasites- it comes from the people who embrace and interact with them.
Jon and Martin are making their way through hell to confront Jonah, not the Eye.Â
The dark sun only existed because the People's Church of the Divine Host made it, not the Dark.
Agnes Montague suffered her whole life because of the cult she was raised by, not the Desolation.
Whatever the hell Annabelle Cane is up to, its because she is the one who is plotting things, not the Web.
The fears are passive, people are active. They themselves are secondary to the things that human beings do with them. Â
Including categorising them.Â
Itâs a handy little cheat sheet to be able to point to something and say thatâs Vast, thatâs Lonely, thatâs Corruption- the problem with that, for Smirke, for all those little cults and gangs that sprung up around the fears, is they made the mistake of thinking a name gave them control, that balance was somehow possible or that these otherworldly unthinking parasites might somehow give a shit about them
there are monsters that have no human origin of course; the vampires, breekon and hope, etc, but I really, really like how tma roots its conflict in people who made choices and how eldritch powers donât stop them from being accountable for those choices
and in particular, dismantling this very human, very classic/19th century  categorisation of the fears really evokes how irl people rightfully question literary canon and the way things are upheld because of academic tradition
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I caught up with tma on ep 175 so I wasnât around when web!Martin theory starting gaining traction but whenever I see anything about it literally all I can think of is that bit from ep 117
Oh, oh, Christ, I hope Jon doesnât actually listen to these. âGood lord, is Martin becoming some sort of spider person?â No, Jon, itâs an expression, chill out!
thinking about how even though basira has finally admitted that she knew she was in the wrong she is still clinging to the idea of daisy and their partnershipÂ
thinking about how when martin told her they were there for her and she immediately shut him down
thinking about how basira will never be able to accept anyone else as an ally or a friend until she lets daisy go
thinking about how even though basira has finally admitted that she knew she was in the wrong she is still clinging to the idea of daisy and their partnershipÂ
thinking about how when martin told her they were there for her and she immediately shut him down
thinking about how basira will never be able to accept anyone else as an ally or a friend until she lets daisy go
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my thesis supervisor encouraged me to mess around with a poster making website for practice and instead of doing anything useful, I graphic-designed up a fan theory Iâve been thinking about for a while
*busts on your dash like its a courtroom in ace attorney and i have surprise evidence* WAIT I CAN BACK THIS UP FURTHER
to get meta about it, the theory of the panopticon, like the real-life architectural idea that was put forward by Jeremy Bentham and metaphor/theory expanded on by Michel Foucault has a critical component to it that reinforces this theory even more
To quote Foucault:
âIt is at once, too much and too little that the prisoner should be constantly observed by an inspector: too little, for what matters is that he knows himself to be observed; too much, because he has no need in fact of being so.â
There doesnât have to be anyone looking out of the central tower for the panopticon to function. The prisoner will self-regulate their behaviour because they donât know who is looking or when they are so they have to always be on guard.
Thereâs no escaping observation in the changed world that Jon and Martin walk through, but Jonah doesnât need to be in the panopticon for that constant observing to happenÂ