March 12, 2014
TVSTRANGERTHINGS
Lint Roller? I Barely Know Her

#extradirty
hello vonnie
Xuebing Du
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Love Begins

pixel skylines
YOU ARE THE REASON
Jules of Nature

Jar Jar Binks Fan Club
Sweet Seals For You, Always
Fai_Ryy

izzy's playlists!
Not today Justin


Discoholic 🪩
Noah Kahan
he wasn't even looking at me and he found me

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@rbkhtoubab
March 12, 2014

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March 7, 2014. Â
All books in Wolof I found today in Dakar, some of which I've been looking for for years, like the lexicon of mathematical/scientific terms Cheikh Anta Diop developed when he translated parts of Einstein's theory of relativity into Wolof. So, I can now chat with people about the law of thermodynamics (campug tà ngaay-liggéey bi) or the transcendental real numbers (mboolem lim yu am yi alseebaruwul). At some point I'll post about how some of these innovated Wolof terms work and why they're brilliant translations.Â
Futbol Sunday
I didn't watch the SuperBowl, but I did watch a REAL football game between Ndar's own La Linguère and the Mbour Diambar today. Home team prevailed, 1-0!Â
This morning in Ndar: studies in light, color, texture.Â
The Sony rx100 is the most incredible camera thing I have ever owned.Â

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"WTF r u doing toubab?"
I will now forever associate this song with Meïssa Fall's bicycle workshop and an unforgettable moment there today. Meïssa is a great lover of traditional griot music, and always has it playing from speakers in his workshop. This song, Less waxul, one of his favorites, was playing as Emilia and I were leaving our final visit with him. Although I'm only leaving for a couple weeks (inch'allah), Emilia's time in Senegal is over, and she doesn't have any immediate future plans to come back.
As we said goodbye, I was taken aback when Meîssa clasped our left hands in his left hand, instead of using our right hands.  As in many places in the world where toilet paper is uncommon, the left hand is the designated dirty hand; to eat, shake someone's hand, pass something, or even wave, the right hand is always used. Â
But what I learned today is that there's one exception to this. Â When someone you care about is leaving for a long time and saying a real goodbye, it's a tradition to grasp the left hand instead. The idea is that, by holding the off-limits hand, you obligate the person to come back to reconcile the social transgression in the future. It's a way of indicating just how much you want to see them again.Â
Sama xarit Makhtar
Makhtar is a friend I met through Aida toubab, the PCV who used to work in Ronkh. Â He lives in Rosso, the border town with Mauritania that I have to pass through to get to Ronkh, and has always encouraged me to stop by and visit whenever I'm in the area. I finally took him up on the offer last week when I arrived in Rosso with Emilia and Pietsu. Â
Makhtar comes from an educated family in Ndar, and went to Cheikh Anta Diop University in Dakar to study biology and pisciculture. For the last five years, he has worked for an organization in Rosso that works with local villages to adopt more sustainable, efficient, and productive land use techniques. The four of us spent a really unforgettable afternoon together riding a charrette (horse cart), chatting in his tiny one-room apartment, eating ceebujën, and taking a long walk around the outskirts of Rosso where his organization has many acres of sustainable multi-crop farmland and fish ponds. In a typically surreal Senegalese twist, the soundtrack to this was Tracy Chapman's Crossroads, which Makhtar was blaring from his cellphone (his favorite artist since he was a kid). Back home he treated us to a few of her songs on guitar. Â
Back at Waaw means back to dance lessons with Mohammad! Â
This was a hard week. Ronkh treated me to sickness, pest infestation, dehydration, family politics, transport adventures, and deadening, oppressive desert heat. But I'm really grateful to have gone anyway. A highlight was forging a relationship with the Peul (Fula, Fulani) community on the outskirts of town. Â The Fulani are one of the largest ethnic groups in Africa, but a minority in every country except Guinea. In the northern region of Senegal, they tend to keep to themselves, setting up small communities independently or on the outskirts of larger Wolof towns, eschewing more permanent housing for simple grass and straw huts. Traditional herders, their love for their cattle is infamous: the cows are brought home every night to sleep in the village and are typically not butchered for meat. Â
I made two visits out to the Peul village, once at sundown and once at sunrise: two times when I knew that the cows and men would be in the village and not out walking the sahel. Â The first time, my two friends and I were effectively mobbed at first. But despite some language problems (only a few people in the village speak Wolof or French in addition to Pulaar), we eventually managed to have a good conversation about conditions in the village, the status of projects that the village's former Peace Corps Volunteer had started, and my language research in Ronkh. Â I helped milk one of the cows for a while. Â Â
On the second visit, I brought café touba and slips of paper with my contact info so that we can keep in touch. On this occasion, I was honored with a Peul name: Khadiata Ba. My Peul turando is the woman pictured in these photos. So from now on, as I cross the great expanse of sand and cow dung that separates Wolof-Ronkh from Peul-Ronkh, Mariame will become Khadiata. Â

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When I wouldn’t let them braid my hair, my family mandated a headscarf instead.
Look 1: 'Mariame Arie'Â
Look 2: 'Mariame of Mauritania'Â
One of the more entertaining facts about my life: I regularly get texts from rural Senegal signed "your.father". Â
~ BOOKS BY AFRICAN AUTHORS OR ABOUT AFRICA ~
My Senegal reading list owes much to this fantastic site about African literature, Under the Neem Tree. Â Everyone should check it out. Â
http://www.vlisco.com/
Oh, Vlisco. Was it really necessary to create such a magnificent, searchable database of your fabrics with online ordering capability and free shipping worldwide, ensuring that my wax addiction will follow me home to the US?
Bés yu amuñu jot
(Days without time)
I don't have a watch in Senegal. The only instances where time matters is my scheduled elicitation sessions. Â But even then, it's better to be flexible: all plans are contingent on Allah's will. I find that I track time here only vaguely, through calls to prayer broadcast from the mosque, or changes in the light, or with the courtyard birds' agitation level. Â Hundreds of tiny birds occupy the hibiscus tree in the courtyard and sunrise makes the tree a quivering, ear-piercing super organism--my alarm clock. Â When the sun is so high and hot that the city becomes eerily quiet, I know it must be time to eat. Â And later, when the sun dips down so that it starts catching everything at an angle and creating what Emilia calls "jesus light" in the residual smoke from cooking fires, I know that Paplaye will soon arrive for a lesson/elicitation session.Â
Living without precise timekeeping is even more a feature of village life, and you can feel it even in the suburbs of Saint Louis, such as the one where Emilia, Pietsu, and I trekked yesterday afternoon. Â Emilia and I both want to extend our Senegalese visas, so we were seeking out the old Saint Louis airport; it has been closed for some time except to tiny private planes, but we'd heard that they're planning to reopen to international flights and have installed new biometric Visa machines in preparation.
The charming Saint Louis airport:Â
When we pulled up, we almost didn't get out of  the cab because the airport looked deserted.  But then I spotted a few men inside the compound lounging under a baobab tree drinking tea.  Sure enough, they were employees of the airport, and ended up treating us to a delightful early afternoon in the airport's air-conditioned waiting room/security screening center, complete with toubab water and satellite television. (We watched Wolof-language soap operas and hiphop videos.) Of course, despite a lot of phone calls, investigation of "protocol", and fussing about with the machines, they were ultimately not able to help us there.  But it was still probably the most functional encounter with African bureaucracy ever and a pleasant way to spend two hours. Â
After leaving the airport compound, we made our way past goat fields and mango groves to the main road to wait for a taxi back to Ile Nord. Â There we found an extended family all relaxing on mats on the ground along the little irrigation canal (which makes this area of Saint Louis so lush). Â They were selling fresh coconuts, papaya, grapefruit, and sapotes. Â Since we weren't seeing any taxis, we decided to sit for a spell and drink some fresh coconut water. Â This turned into an entire afternoon spent with the Diop/Njiaye families, complete with attaya, exchanging family histories, a Scandinavian geography lesson, an invitation to dinner and to marry a brother currently studying in Dakar, a lesson on hair braiding techniques, and a tour of the family's exquisite garden compound. Â I even got some good data.Â
After a few hours, we walked down the road a little further with the two bothers in the family, Souleyman and Mohammad, who wanted to show us their business project: an airport hotel consisting of little cottages around a pool in the middle of a beautiful grove of tropical trees. Â All the foundations have been laid and the pool has been dug and poured in concrete, but construction has halted for the moment due to lack of funds. Â We talked a lot about the emerging eco-tourism industry and how this might be a good way to market the hotel, in case the airport never reaches its former glory. It is really an idyllic spot. Â Â
After a remarkably uneventful bus ride back to town at sunset, I probably should have imposed some order on the day and gotten some work done. Â But instead I got drawn into another beautiful, inertial night on the roof of Waaw just talking for hours, surrounded by stars and distant singing. (Among other things, Emilia regaled us with stories of her time as the sole passenger on an industrial cargo ship sailing between Halifax, Havana, and the Mediterranean. I now know more about the intimate details of Polish and Filipino sailors' initiation rituals and the semiotics of maritime tattoos than I ever imagined I would.)Â

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In Senegal, one of the most religious countries in the world, the marabout shapes society from the realm of the neighbourhood up to national level. This series portraits the neighbourhood marabout as a Koranic teacher, mediator, and sometimes as a spiritual guide with esoteric powers.Â
Very excited to see this photo project, Le Grand Marabout, by former Waaw resident Raoul Ries.  When not taking these marvelous photos, Raoul often treated the Waaw family to delicious breakfast crepes with corossol jam. Â
My favorite "punk" mbalax song, Boubou N'Gary. Etoile 2000 was a somewhat impromptu collaboration among some disaffected figures in the Senegalese music scene in the 1980s. Â They recorded in a garage and, legend has it, delivered the tape of Boubou N'Gary to a local radio station moments after recording it. It became one of the biggest hits of all time in Senegal. Â