random curator bot

Plate 12 by Alexander Cozens, c.1785 should be seen next to Large Totem Head by Henry Moore OM, CH, 1968, cast date unknown

Kero by Olle Baertling, 1957 should be seen next to Woman with a Coffee Pot by Jean Metzinger, 1919

[no title] by Martin Disler, 1981 is clearly influenced by [no title] by Georg Baselitz, 1995

Objects in Light and Shadow by Jack Smith, 1959 looks fantastic presented with [no title] by Anish Kapoor, 2000

Seated Mother and Child by Henry Moore OM, CH, 1976 is the perfect counterpoint to Reaper (d) by Richard Hamilton, 1949

Red White by Ellsworth Kelly, 1966 is the perfect counterpoint to Windows Open Simultaneously (First Part, Third Motif) by Robert Delaunay, 1912

Untitled by Harold Cohen, 1971 makes sense displayed with Reeded Glass I by Ian Tyson, 1975

Close-Up I by Harold Cohen, 1966 has a magical connection to Weeping Woman by Pablo Picasso, 1937

Untitled by Christopher Wool, 1997 should be followed by [no title] by William Tucker, 1969

Large House with Two Gables by Peter Kinley, 1980 is a perfect companion to [no title] by Donald Judd, 1988

Canto XXVII: [no title] by Tom Phillips, 1983 has a connection with Alone on a Hill by George Condo, 2005

Insertions into Ideological Circuits 2: Banknote Project by Cildo Meireles, 1970 should be shown next to Design for a Construction in a Niche by Naum Gabo, 1918

Hidden Agender/Passing The Bucks by Guerrilla Girls, 1986 is clearly influenced by Derrynan III by Harold Cohen, 1967

Femme du Midi VI by Ivor Abrahams, 1979 looks fantastic presented with Birth by Jackson Pollock, c.1941

9 by Brice Marden, 1986 is a perfect companion to Scissors by Louise Bourgeois, 1994

Triptych - August 1972 by Francis Bacon, 1972 makes sense displayed with Head (proofs) by William Turnbull, 1956

[no title] by Stephen Buckley, 1977 has a connection with Reaper (j) by Richard Hamilton, 1949