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‘On behalf of Anahita Art Studio, I submitted a proposal to have the space dedicated to performance art; the proposal was accepted, and we straightaway began focusing on the project. We held 10 events there, but soon the security forces came and put an end to our activities. They told us that the international media had begun covering our activities, whereas they preferred us to attract as little attention as possible and quickly end what we were doing. Because we were working with a tight budget, and Anahita Art Studio was incurring all the costs, they assumed that we’d give up quickly. Afterwards, private art spaces invited us to do performances, but I insisted that we perform in public spaces …’