Design for a Tapestry, author: Gunta Stƶlzl, 1923.
Bauhaus-Archiv Berlin / Ā© VG Bild-Kunst, BonnĀ
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Design for a Tapestry, author: Gunta Stƶlzl, 1923.
Bauhaus-Archiv Berlin / Ā© VG Bild-Kunst, BonnĀ

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florian hetz, 29.10.16
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ććéę„ć«ęćŖć no regrets for our youth (1946), akira kurosawa
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Robert Bechtle (b.1932),Ā ā71 Caprice, 1973. lithograph, 8 ½ x 11 inchesĀ
Eliot Hodgkin (British, 1905-1987), Pear and Knife, 1957. Tempera on board, 11.5 x 15.5 cm.
viaĀ dead-molchun

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The Elite Consensus on Syria | Jacobin
As long as liberals cheerlead Trumpās military action in Syria, right-wing hawks barely have to lift a finger.
āFeatherā, Photography Class by Peterhans, Bauhaus Berlin, photo: Horacio Coppola, 1932, reproduction.
ā¦alongside his studies at the Bauhaus he worked as an assistant on the film 'Reifende Jugendā (The Growing Youth; Carl Frƶlich, 1933) at the Tempelhof Film Studios. In Berlin, Coppola met Walter Peterhansās student Grete Stern, who introduced him to the master of the Bauhaus photography class and encouraged him to enrol as a student there.
Coppola continued to work with the abstraction of shapes that he had learned from Peterhans after he returned to Argentina. In 1936, Stern and Coppola, now married and with two children, emigrated to Argentina. In Buenos Aires, they were able to hold their first joint photo exhibition, which went down in history as the first exhibition of modern photography in Argentina.
Grete Stern and Horacio Coppola are today regarded as two of the most important Argentinian photographers. Horacio Coppola died on 18 June, 2012 at the age of 105.
Bauhaus-Archiv Berlin / Ā© GalerĆa Jorge Mara - La Ruche.
Sergei Polunin - photo by Thomas Whiteside

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Standing studio portrait of a Native American (Sioux) man, identified as Philip Return From Scout - Duncan - 1880s
John Galliano for Christian Dior, āBirds of Paradiseā by Paolo Roversi, W 1997.