𝙍𝘼𝘿 𝘾𝙍𝙐

𝚆𝙴𝙻𝙲𝙾𝙼𝙴 𝚃𝙾 𝚁𝙰𝙳-𝙲𝚁𝚄-𝙰𝚆𝙴𝚂𝙾𝙼𝙴 𝙱𝙻𝙾𝙶!

RAD CRU (Really Awesome Designers Creative Response Unit)

We are the Really Awesome Designers Creative Response Unit (RAD CRU) – your go-to spot for all things 𝚊𝚛𝚌𝚑𝚒𝚝𝚎𝚌𝚝𝚞𝚛𝚎, movies, food, dinosaurs, and survival tricks! Follow us on our journey of creative content creation, including unique posters, music, and videos. We are builders that loves to make YOU awesome!

🛠️ 𝙶𝚎𝚝 𝙸𝚗 𝚃𝚘𝚞𝚌𝚑

📧 Email: [email protected]

🌐 Socials:

Facebook

Instagram

💬 Ask Box // DM Us Anytime!

🛠️ 𝚠𝚊𝚗𝚝 𝚝𝚘 𝚜𝚞𝚙𝚙𝚘𝚛𝚝 𝚞𝚜?

Merch

Ko-Fi

𝙸𝚖𝚙𝚘𝚛𝚝𝚊𝚗𝚝 𝙻𝚒𝚗𝚔𝚜

RadCru Channel

Our 𝙼𝚞𝚜𝚒𝚌

Support 𝚘𝚞𝚛 Work Here:

🛠️ 𝙵𝙰𝚀

𝚆𝚑𝚊𝚝 𝚍𝚘 𝚠𝚎 𝚍𝚘? - We offer a range of creative services including posters, digital content, blueprints and more.

𝚆𝚑𝚎𝚛𝚎 𝚌𝚊𝚗 𝚢𝚘𝚞 𝚏𝚒𝚗𝚍 𝚞𝚜? - We are active on Tumblr, Facebook, Instagram, and YouTube.

What’s the next step? - If you need custom designs or content, contact us through Ask Box or DM!

Ready for a custom poster? Let us know what you’re looking for!

How to Order:

Step 1: DM us your idea let us know your commission idea

Step 2: Provide any specifics (theme, text, characters, your budget etc.)

🎵 Our Music:

What Defines Me

Hearts

Eviction

Highway of Time

Dirt Poor

Pain

📷 Images

OUR POSTERS

VIDEOS

Tutorials

80s

MUSIC VIDEOS

𝙰𝚛𝚌𝚑𝚒𝚝𝚎𝚌𝚝𝚞𝚛𝚊𝚕 𝙵𝚊𝚌𝚝𝚜

𝙾𝚞𝚛 𝙳𝚠𝚎𝚕𝚕𝚒𝚗𝚐𝚜

RAD CRU – “Pawns in the Game” (Official Music Video)

🌀 THE MESSAGE

This is not our world …

We are pawns in a game we have been forced to play without our knowledge

Through centuries it has made us believe we owned this kingdom . To believe that freedom is a will that is well deserved by each . It made us think we love being the dominant species, only to find out , we are only a part of a diorama of an endless undertaking

Every move , every thought , every gesture is calculated to a precise expectation . We are meant to produce results for someones data for this charade to continue

There is a battle , but it is not between us , it is among the infinite , thriving on our existence to fuel their ancient debate.

I Designed this project for a real estate developer, tailored specifically for BPO companies renting space. — Cebu, Philippines

"𝙞 𝙙𝙚𝙨𝙞𝙜𝙣𝙚𝙙 𝙞𝙩. 𝙗𝙪𝙞𝙡𝙩 𝙞𝙩. 𝙡𝙞𝙫𝙚𝙙 𝙞𝙣 𝙞𝙩."

I designed it. I bullt it. I lived in it for 16 years. Through storms, quakes, and laughter it stood the test of time. Not a Concept. Not a showcase. A home that proved

what good design really means-resilient, practical, and quite ahead of its time.

Sometimes, it's not all about aesthetics. A true home goes beyond beauty- it's about practicality, function, and

resilience, with just the right touch of design. Your home should work for you, not the other way around. When the unexpected happens, sit back and let your home do what it was built to do

Rad Cru - Ghost Can't Lie (Official Music Video)

For YouTube Viewers: VIDEO ► https://www.youtube.com/@reallyawesomedesignersCRU?sub_confirmation=1 AUDIO ► https://youtu.be/LjUlWvs_Lxk

"This song is dedicated to all affected by the quake. True love never fades, and those we’ve lost never truly leave us." RAD CRU (Really Awesome Designers Creative Response Unit)

"Not all wounds are visible to the naked eye; sometimes, a single glance hides the full story. A smile may mask the struggle within—never judge a soul by the surface alone." RAD CRU (Really Awesome Designers Creative Response Unit)

ITS OFFICIALLY HERE!!! 🎉🎉

Our music is now LIVE on SPOTIFY!!! 🎶✨

Stream it now and vibe with us!

𝙃𝙄𝙂𝙃𝙒𝘼𝙔 𝙊𝙁 𝙏𝙄𝙈𝙀 https://open.spotify.com/album/3RPDH8xDLEaNskayRZs2Yl?si=dFk4qrLvTOiZvW9fRnO-DQ

𝘿𝙄𝙍𝙏 𝙋𝙊𝙊𝙍 https://open.spotify.com/album/1WaRnsWxQbYxSIfSFj8VmC?si=99xTMSUESsGmhAcivoEVxA

𝙰𝙴𝙶𝙸𝙲𝚁𝙰𝙽𝙸𝙰; 𝙱𝚄𝙲𝚁𝙰𝙽𝙸𝙰

FROM THE GREEK

αευσεψρρο: GOAT βους: οχ κρανίον: SKULL

𝙰𝚂𝙷𝙻𝙰𝚁

FROM THE LATIN

axis: AXLE, BOARD, PLANK

A square or rectangular hewn stone used for building, named because it resembled and served the same purpose as wooden beams in early architecture. Masonry constructed of these worked stones is commonly referred to as ashlar, irrespective of the type of stone: granite, limestone, ironstone, sandstone, etc.

COURSED ASHLAR

is a level horizontal range of dressed stone.

RUSTICATION

means the working of ashlar so that the joints are sunk back from the face of the stone, making a pattern or ornament stand proud.

DIAMOND-POINTED RUSTICATION

has the stones beveled out from the joints to form pyramidal shapes.

CHAMFERED RUSTICATION

Each stone is chamfered to create V-shaped joints.

In VERMICULATED RUSTICATION, the faces of the stones are worked to give the appearance of worm casts.

𝙰𝚃𝚃𝙸𝙲 𝙱𝙰𝚂𝙴

FROM THE GREEK

ATTIKÓS: 𝙾𝙵 𝙰𝚃𝚃𝙸𝙲𝙰 (NOW ATHENS)

A base used for Ionic, Corinthian, and (less commonly) Doric columns, consisting of an upper and lower torus separated by a ring or fillet, a scotia, astragals, another scotia, and a ring, each arranged according to strict proportions which vary according to the order.

𝚃𝙾𝚁𝚄𝚂

(from the Latin torus: a bulging muscle): A large convex molding of semicircular section.

𝚂𝙲𝙾𝚃𝙸𝙰

(from the Greek OKоTía: darkness, because of the dark shadow within the molding): The concave molding in the Attic base.

𝙰𝙿𝙾𝙿𝙷𝚈𝙶𝙴

(from the Greek ȧroovyý: escape): The part of a column where it "escapes" its base, or joins its capital; usually molded into a concave sweep or cavetto, the gentle curve with which the shaft escapes from the base or capital.

𝚂𝚃𝚈𝙻𝙾𝙱𝙰𝚃𝙴

(from the Greek OTUλos: pillar, and -Barns: to walk): A continuous base or platform to support a row of columns.

𝙿𝙾𝚁𝚃𝙸𝙲𝙾

FROM THE ITALIAN portico

A colonnaded porch or ambulatory, consisting of a roof supported by columns, usually attached to a building but sometimes forming a separate structure.

Classical porticoes come in three main forms:

PROSTYLE, the most common. The colonnade supporting the pediment is separate and distinct from the building behind.

IN ANTIS. The columns are set between the antae (the piers at the end of the side walls of a temple).

ENGAGED. The columns are set into the front wall of the building, like pilasters.

PROPYLAEUM (from the Greek πроuдalov: before the gate): The porticoed entrance to a temple, especially when of architectural importance; this particularly refers to the entrance to the Acropolis at Athens.

𝙲𝙰𝚁𝚈𝙰𝚃𝙸𝙳

FROM THE GREEK

καρυάτιδες, PL. OF CARYATIS, Καρυᾶτι:

A PRIESTESS OF ARTEMIS AT CARYA,

A CITY IN LACONIA IN THE GREEK PELOPONNESE

A sculpture of a female figure used as a column to support an entablature.

The Athenians destroyed the city of Carya and enslaved its women, forcing them to keep wearing their traditional costumes. In a further refinement of contempt, they used them as models for these structural supports in human form. However, the carvings tell that their "sculptor well those passions read / Stamped on these lifeless things. . . ." Humiliation and oppression are transmuted through stone into nobility.